B17 EM Analysis and Theoretical Interpretation of Music

• 160103 VO+UE 4 ECTS Introduction to the Analysis of Post-Tonal Music
  Calella, Tu 13:00-14:30 (14×)
• 160107 PS 5 ECTS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
  Fuhrmann, Tu 12:00-13:30 (14×)
• 160108 SE 7 ECTS Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
  Fuhrmann, Th 12:00-13:30 (13×)
• 160115 PS 5 ECTS Friedrich Cerha
  Handlos, Tu 13:30-15:00 (14×)
• 160119 SE 7 ECTS Pluralism of Style (19th Century)
  Handlos, Mo 15:45-17:15 (13×)
• 160125 SE 7 ECTS "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
  Lodes, Mo 17:15-18:45 (13×)
• 160138 VO 3 ECTS Beauty, Truth and Goodness. Classical paradigms of music historiography
  Urbanek, Tu 14:30-16:00 (14×)
• 160140 PS 5 ECTS Ugliness, Evil and Falsehood. A different story of music history
  Urbanek, Th 18:30-20:00 (13×)
• 160169 VO+UE 4 ECTS Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
  Aschauer, Th 13:00-14:30 (13×)
• 160170 VO+UE 4 ECTS Analysis of non-notated popular music
  Doehring
• 160172 UE 4 ECTS The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
  Gasch, Th 16:00-17:30 (13×)
• 160180 VO 3 ECTS "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
  Kramarz
• 160190 VO 3 ECTS Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
  Haas, Mo 12:30-14:00 (12×)
• 160195 VO+UE 4 ECTS The formation of the musical canon around 1800
  Schwob, Tu 15:00-16:30 (14×)
• 160201 VO 3 ECTS J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
  Eybl
• 160253 VO+UE 4 ECTS Robert Schumann's "Form" - and what it means
  Mayeda
• 160256 PS 5 ECTS The Music of the Polar Region
  Ammann, We 16:00-17:30 (16×)
• 160379 VO+UE 4 ECTS Introduction into the methods of analysis II
  Seifert, Mo 14:15-15:45 (13×)