2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
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Fuhrmann, Tu 10:45-12:15 (15×)
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Horz, Mo 16:00-17:30 (15×)
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160068 UE 4 ECTS Notation and composition of the instrumental music - an introduction (Notation & Composition IV)Motnik, We 09:00-10:30 (15×)
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160130 PS 5 ECTS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music cultureBraumüller, Th 12:30-14:00 (13×)
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Grassl, We 12:30-14:00 (14×)
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Kaiser, Tu 14:15-15:45 (15×)
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160139 PR 5 ECTS Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniquesKlugseder
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160170 UE 4 ECTS Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)Schmid
B10 VM History of European Music after 1600
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Fuhrmann, Tu 10:45-12:15 (15×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Mücke, Th 10:45-12:15 (13×)
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160092 VO 3 ECTS The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th centuryGlüxam, Tu 12:30-14:00 (15×)
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Gruber
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160100 SE 7 ECTS Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)Haas, Mo 12:30-14:00 (15×)
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Seifert
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160112 UE 4 ECTS Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, LisztBrauneiss, Mo 10:45-12:15 (15×)
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Dittrich, Mo 12:30-14:00 (16×)
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Finocchiaro
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Gasch, Fr 13:30-15:00 (11×)
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Grempler, Tu 17:45-19:15 (15×)
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160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
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Schwob, Th 16:00-17:30 (14×)
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160162 UE 4 ECTS The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)Wilfing, Tu 12:30-14:00 (16×)
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160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
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160167 VO+UE 4 ECTS Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical cultureUnseld
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Szilagyi, We 10:45-12:15 (14×)
B11 VM Ethnomusicology
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Allgayer-Kaufmann, We 09:00-10:30 (14×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Allgayer-Kaufmann, Tu 10:45-12:15 (15×)
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Hagleitner, Tu 16:00-17:30 (16×)
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Weber
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Elschek
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Kubik, Fr 09:00-10:30 (11×)
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Sterzer, Th 09:00-10:30 (14×)
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Grupe
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Laury
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Malamusi, Fr 10:45-12:15 (10×)
B12 VM Systematic Musicology
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Hagleitner, Tu 16:00-17:30 (16×)
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Lubej, Th 14:15-15:45 (13×)
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Lubej, Tu 12:30-14:00 (15×)
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Reuter, Mo 18:00-19:30 (15×)
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Reuter, Th 17:45-19:15 (13×)
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Elschek
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Lorenz-Kierakiewitz
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Oehler
B13 VM Contemporary Music
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Allgayer-Kaufmann, Tu 10:45-12:15 (15×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Reuter, Mo 18:00-19:30 (15×)
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Saary
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Lorenz-Kierakiewitz
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Schwob, Th 16:00-17:30 (14×)
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Utz
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Szilagyi, We 10:45-12:15 (14×)
B14 VM Popular Music
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Allgayer-Kaufmann, Th 12:30-14:00 (13×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Allgayer-Kaufmann, Tu 10:45-12:15 (15×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Lubej, Th 14:15-15:45 (13×)
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Mücke, Fr 10:45-12:15 (11×)
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Reuter, Mo 18:00-19:30 (15×)
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Weber
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Kubik, Fr 09:00-10:30 (11×)
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Saary
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Hecht, Mo 16:00-17:30 (15×)
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Finocchiaro
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160140 VO+UE 4 ECTS [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes GlobalKmetz
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Laury
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Malamusi, Fr 10:45-12:15 (10×)
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Obert
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Stepputat
B15 VM Source Study, Source Work and Source Criticism
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Allgayer-Kaufmann, We 09:00-10:30 (14×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Hagleitner, Tu 16:00-17:30 (16×)
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Horz, Mo 16:00-17:30 (15×)
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160068 UE 4 ECTS Notation and composition of the instrumental music - an introduction (Notation & Composition IV)Motnik, We 09:00-10:30 (15×)
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Gruber
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160130 PS 5 ECTS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music cultureBraumüller, Th 12:30-14:00 (13×)
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Grassl, We 12:30-14:00 (14×)
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Grupe
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Kaiser, Tu 14:15-15:45 (15×)
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160139 PR 5 ECTS Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniquesKlugseder
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Obert
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160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
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Utz
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160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
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160170 UE 4 ECTS Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)Schmid
B16 EM Music and Society
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Allgayer-Kaufmann, Th 12:30-14:00 (13×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Allgayer-Kaufmann, Tu 10:45-12:15 (15×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Mücke, Th 10:45-12:15 (13×)
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Mücke, Fr 10:45-12:15 (11×)
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Weber
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160100 SE 7 ECTS Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)Haas, Mo 12:30-14:00 (15×)
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Kubik, Fr 09:00-10:30 (11×)
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Saary
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Gasch, Fr 13:30-15:00 (11×)
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Grempler, Tu 17:45-19:15 (15×)
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160140 VO+UE 4 ECTS [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes GlobalKmetz
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Malamusi, Fr 10:45-12:15 (10×)
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Obert
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Oehler
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Stepputat
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160167 VO+UE 4 ECTS Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical cultureUnseld
B17 EM Analysis and Theoretical Interpretation of Music
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Allgayer-Kaufmann, Th 12:30-14:00 (13×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Hagleitner, Tu 16:00-17:30 (16×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Horz, Mo 16:00-17:30 (15×)
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160068 UE 4 ECTS Notation and composition of the instrumental music - an introduction (Notation & Composition IV)Motnik, We 09:00-10:30 (15×)
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Mücke, Th 10:45-12:15 (13×)
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Elschek
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160092 VO 3 ECTS The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th centuryGlüxam, Tu 12:30-14:00 (15×)
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Gruber
-
Seifert
-
160112 UE 4 ECTS Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, LisztBrauneiss, Mo 10:45-12:15 (15×)
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Sterzer, Th 09:00-10:30 (14×)
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Hecht, Mo 16:00-17:30 (15×)
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Dittrich, Mo 12:30-14:00 (16×)
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Finocchiaro
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Gasch, Fr 13:30-15:00 (11×)
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Grassl, We 12:30-14:00 (14×)
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Grempler, Tu 17:45-19:15 (15×)
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Grupe
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Kaiser, Tu 14:15-15:45 (15×)
-
160140 VO+UE 4 ECTS [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes GlobalKmetz
-
Lorenz-Kierakiewitz
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Malamusi, Fr 10:45-12:15 (10×)
-
Obert
-
160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
-
Schwob, Th 16:00-17:30 (14×)
-
Utz
-
160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
-
160170 UE 4 ECTS Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)Schmid
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
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Allgayer-Kaufmann, Th 12:30-14:00 (13×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Hagleitner, Tu 16:00-17:30 (16×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Mücke, Th 10:45-12:15 (13×)
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Mücke, Fr 10:45-12:15 (11×)
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Elschek
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160092 VO 3 ECTS The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th centuryGlüxam, Tu 12:30-14:00 (15×)
-
Gruber
-
160100 SE 7 ECTS Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)Haas, Mo 12:30-14:00 (15×)
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Saary
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Seifert
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Dittrich, Mo 12:30-14:00 (16×)
-
Finocchiaro
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Gasch, Fr 13:30-15:00 (11×)
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Grassl, We 12:30-14:00 (14×)
-
Grempler, Tu 17:45-19:15 (15×)
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Grupe
-
Kaiser, Tu 14:15-15:45 (15×)
-
160140 VO+UE 4 ECTS [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes GlobalKmetz
-
Obert
-
160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
-
Schwob, Th 16:00-17:30 (14×)
-
Stepputat
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Utz
-
160162 UE 4 ECTS The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)Wilfing, Tu 12:30-14:00 (16×)
-
160167 VO+UE 4 ECTS Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical cultureUnseld
-
Szilagyi, We 10:45-12:15 (14×)
B19 EM Current Musicology
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Allgayer-Kaufmann, Tu 10:45-12:15 (15×)
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Mücke, Fr 12:30-14:00 (11×)
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Reuter, Mo 18:00-19:30 (15×)
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160130 PS 5 ECTS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music cultureBraumüller, Th 12:30-14:00 (13×)
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160167 VO+UE 4 ECTS Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical cultureUnseld
B20 EM Applied Musicology I
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Allgayer-Kaufmann, We 09:00-10:30 (14×)
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Lubej, Th 14:15-15:45 (13×)
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Lubej, Tu 12:30-14:00 (15×)
-
Mücke, Fr 12:30-14:00 (11×)
-
Reuter, Mo 18:00-19:30 (15×)
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160139 PR 5 ECTS Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniquesKlugseder
-
Lorenz-Kierakiewitz
-
Oehler
-
Vossoughi
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160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
Last modified: We 13.06.2018 00:37