Universität Wien FIND

16.01. Musicology

Information and instructions for course registration can be found at:
http://musikwissenschaft.univie.ac.at/studium/anmeldung-zu-lehrveranstaltungen/
bzw. http://studentpoint.univie.ac.at/durchs-studium/anmeldesystem/

A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160045 VO Principles of Music
160008 VO Work techniques in musicology
B01.2 StEOP: Introduction to Musicology
160009 VO Introduction to Musicology I-V
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
160041 UE Harmony 1
160043 UE Harmony 1
160042 UE Hearing and Recognition of Musical Structures
160044 UE Hearing and Recognition of Musical Structures
B02.2 Module - Music Theory and Musical Structures II
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160048 UE Exercises in Ethnomusicological Transcription
B03 Basic Module - History of European Music before and after 1600
160010 VO The polyphonic proprium missae until 1600
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160040 VO+UE Schumann's musical poetics
160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
160007 PS J.S. Bach's Passions
160011 PS Max Reger and the 'Lied' around 1900
160012 PS 20th-Century Piano Music
160058 PR Florian Gassmann 'Gli uccellatori'
B04 Basic Module - Ethnomusicology
160001 VO History and Methods in Ethnomusicology
160024 VO Music of the World - Overview II
160037 VO African Music I
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
160025 PS Musical instruments of the world
160048 UE Exercises in Ethnomusicological Transcription
160049 PS Introduction to Swiss folk music
B05 Basic Module - Systematic Musicology
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160052 VO+UE Research Methods for the Psychology of Music
160018 UE Acoustic Labor Practical Course II: Streaming Media
160017 PS New Media & Music Technologies
160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160025 PS Musical instruments of the world
160054 PR Room acoustics in practice
160019 KO Conversatorium in Musical-Acoustic Issues
B06 Basic Module - Contemporary Music and Popular Music
160006 PR Putting Austrian Music into Words
160012 PS 20th-Century Piano Music
160018 UE Acoustic Labor Practical Course II: Streaming Media
160024 VO Music of the World - Overview II
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160035 VO In Dialogue with Contemporary Women Composers
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
B07 Basic Module - Source Study, Source Work and Source Criticism
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
160058 PR Florian Gassmann 'Gli uccellatori'
B08 Final Module
160002 SE Improvisation
160007 PS J.S. Bach's Passions
160011 PS Max Reger and the 'Lied' around 1900
160012 PS 20th-Century Piano Music
160013 SE Individual Styles of Composers in the 20th Century
160017 PS New Media & Music Technologies
160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160021 SE Auditory Scene Analysis and acoustical illusions
160025 PS Musical instruments of the world
160027 SE Adorno’s Theory of Musical Reproduction
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160038 SE Schostakowitsch's symphonies
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
160061 SE [en] Eurovision Song Contest
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
160010 VO The polyphonic proprium missae until 1600
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
060057 VO+UE Development of synagogal liturgy - texts and music
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
010047 SE Antiphon and Pedal Tone - Church Music in East and West
B10 VM History of European Music after 1600
010047 SE Antiphon and Pedal Tone - Church Music in East and West
060057 VO+UE Development of synagogal liturgy - texts and music
160007 PS J.S. Bach's Passions
160011 PS Max Reger and the 'Lied' around 1900
160012 PS 20th-Century Piano Music
160013 SE Individual Styles of Composers in the 20th Century
160014 VO Music history IV - (c. 1750 - 1850)
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160058 PR Florian Gassmann 'Gli uccellatori'
160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
170120 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
170127 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
B11 VM Ethnomusicology
160001 VO History and Methods in Ethnomusicology
160024 VO Music of the World - Overview II
160037 VO African Music I
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
060057 VO+UE Development of synagogal liturgy - texts and music
160048 UE Exercises in Ethnomusicological Transcription
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
160025 PS Musical instruments of the world
160049 PS Introduction to Swiss folk music
010047 SE Antiphon and Pedal Tone - Church Music in East and West
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
B12 VM Systematic Musicology
160017 PS New Media & Music Technologies
160018 UE Acoustic Labor Practical Course II: Streaming Media
160019 KO Conversatorium in Musical-Acoustic Issues
160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160025 PS Musical instruments of the world
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
B13 VM Contemporary Music
160006 PR Putting Austrian Music into Words
160012 PS 20th-Century Piano Music
160013 SE Individual Styles of Composers in the 20th Century
160035 VO In Dialogue with Contemporary Women Composers
160038 SE Schostakowitsch's symphonies
B14 VM Popular Music
160018 UE Acoustic Labor Practical Course II: Streaming Media
160024 VO Music of the World - Overview II
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B15 VM Source Study, Source Work and Source Criticism
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
160058 PR Florian Gassmann 'Gli uccellatori'
B16 EM Music and Society
070292 PS [en] BA-Proseminar - Europe and the Eurovision Song Contest
160011 PS Max Reger and the 'Lied' around 1900
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160024 VO Music of the World - Overview II
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160038 SE Schostakowitsch's symphonies
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
B17 EM Analysis and Theoretical Interpretation of Music
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160005 VO+UE Musical "meaning": problems and perspectives
160012 PS 20th-Century Piano Music
160013 SE Individual Styles of Composers in the 20th Century
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160048 UE Exercises in Ethnomusicological Transcription
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160001 VO History and Methods in Ethnomusicology
160005 VO+UE Musical "meaning": problems and perspectives
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160037 VO African Music I
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
B19 EM Current Musicology
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160031 VO+UE Current Musicology - perspectives of research
160005 VO+UE Musical "meaning": problems and perspectives
160058 PR Florian Gassmann 'Gli uccellatori'
160054 PR Room acoustics in practice
B20 EM Applied Musicology I
160006 PR Putting Austrian Music into Words
160018 UE Acoustic Labor Practical Course II: Streaming Media
160019 KO Conversatorium in Musical-Acoustic Issues
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
160062 PR Cultural management and festival organization
160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
010047 SE Antiphon and Pedal Tone - Church Music in East and West
160002 SE Improvisation
160010 VO The polyphonic proprium missae until 1600
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160027 SE Adorno’s Theory of Musical Reproduction
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160035 VO In Dialogue with Contemporary Women Composers
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160006 PR Putting Austrian Music into Words
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M02 APM 2
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160046 VO Gagaku: traditional music at the Japanese imperial court
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
160051 VO Traditional Buddhist Ritual Music in East Asia
160061 SE [en] Eurovision Song Contest
M03 APM 3
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160010 VO The polyphonic proprium missae until 1600
160014 VO Music history IV - (c. 1750 - 1850)
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160019 KO Conversatorium in Musical-Acoustic Issues
160021 SE Auditory Scene Analysis and acoustical illusions
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160035 VO In Dialogue with Contemporary Women Composers
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160046 VO Gagaku: traditional music at the Japanese imperial court
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
160051 VO Traditional Buddhist Ritual Music in East Asia
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
160061 SE [en] Eurovision Song Contest
160062 PR Cultural management and festival organization
M04 APM 4
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160006 PR Putting Austrian Music into Words
160010 VO The polyphonic proprium missae until 1600
160014 VO Music history IV - (c. 1750 - 1850)
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160035 VO In Dialogue with Contemporary Women Composers
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160046 VO Gagaku: traditional music at the Japanese imperial court
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
160051 VO Traditional Buddhist Ritual Music in East Asia
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
160061 SE [en] Eurovision Song Contest
M05 APM 5
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160010 VO The polyphonic proprium missae until 1600
160014 VO Music history IV - (c. 1750 - 1850)
160019 KO Conversatorium in Musical-Acoustic Issues
160021 SE Auditory Scene Analysis and acoustical illusions
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160027 SE Adorno’s Theory of Musical Reproduction
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160035 VO In Dialogue with Contemporary Women Composers
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160046 VO Gagaku: traditional music at the Japanese imperial court
160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
160051 VO Traditional Buddhist Ritual Music in East Asia
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
160061 SE [en] Eurovision Song Contest
160062 PR Cultural management and festival organization
010047 SE Antiphon and Pedal Tone - Church Music in East and West
160006 PR Putting Austrian Music into Words
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
2. Elective Modules (WM)
M06 WM History of European Music before 1600
010047 SE Antiphon and Pedal Tone - Church Music in East and West
060057 VO+UE Development of synagogal liturgy - texts and music
160010 VO The polyphonic proprium missae until 1600
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
M07 WM History of European Music after 1600
010047 SE Antiphon and Pedal Tone - Church Music in East and West
060057 VO+UE Development of synagogal liturgy - texts and music
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160058 PR Florian Gassmann 'Gli uccellatori'
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M08 WM Ethnomusicology
010047 SE Antiphon and Pedal Tone - Church Music in East and West
060057 VO+UE Development of synagogal liturgy - texts and music
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160028 UE Qualitative research methods in musicology
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
M09 WM Systematic Musicology
160019 KO Conversatorium in Musical-Acoustic Issues
160021 SE Auditory Scene Analysis and acoustical illusions
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
M10 WM Contemporary Music
160006 PR Putting Austrian Music into Words
160035 VO In Dialogue with Contemporary Women Composers
160038 SE Schostakowitsch's symphonies
M11 WM Popular Music
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160061 SE [en] Eurovision Song Contest
M12 WM Source Study, Source Work and Source Criticism
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160058 PR Florian Gassmann 'Gli uccellatori'
M13 WM Music and Society
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160028 UE Qualitative research methods in musicology
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160038 SE Schostakowitsch's symphonies
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
160061 SE [en] Eurovision Song Contest
M14 WM Analysis and Theoretical Interpretation of Music
160002 SE Improvisation
160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
160005 VO+UE Musical "meaning": problems and perspectives
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160005 VO+UE Musical "meaning": problems and perspectives
160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160027 SE Adorno’s Theory of Musical Reproduction
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
M16 WM Current Musicology
160005 VO+UE Musical "meaning": problems and perspectives
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160031 VO+UE Current Musicology - perspectives of research
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160035 VO In Dialogue with Contemporary Women Composers
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
M17 WM Applied Musicology
160006 PR Putting Austrian Music into Words
160019 KO Conversatorium in Musical-Acoustic Issues
160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
160062 PR Cultural management and festival organization
160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners
170530 UE Music Theatre Management
3. M18 Master Seminar Module
160003 MA Research seminar for diploma, master and doctoral candidates
160016 MA Research seminar for master candidates
160023 MA Research Seminar for Master and Doctoral Candidates
160034 MA Research Seminar for Master and Doctoral Candidates
160036 MA Research Seminar for Master and Doctoral Candidates
160039 MA Research Seminar for Master and Doctoral Candidates
160065 MA Research Seminar for Master and Doctoral Candidates
D. Complementary Study Programmes/Minors
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
060057 VO+UE Development of synagogal liturgy - texts and music
160010 VO The polyphonic proprium missae until 1600
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160009 VO Introduction to Musicology I-V
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
060057 VO+UE Development of synagogal liturgy - texts and music
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160035 VO In Dialogue with Contemporary Women Composers
160009 VO Introduction to Musicology I-V
CSP World Music
Required Module 1: Introduction to Ethnomusicology
160001 VO History and Methods in Ethnomusicology
160009 VO Introduction to Musicology I-V
Required Module 2: Survey of World Music
060057 VO+UE Development of synagogal liturgy - texts and music
160024 VO Music of the World - Overview II
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160046 VO Gagaku: traditional music at the Japanese imperial court
160051 VO Traditional Buddhist Ritual Music in East Asia
EC Musical Acoustics and Auditory Perception
Compulsory Module (EC Musical Acoustics and Auditory Perception)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
EC Popular Music
Compulsory Module (EC Popular Music)
160024 VO Music of the World - Overview II
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
Universität für Musik und darstellende Kunst Wien

Last modified: We 13.06.2018 00:39