Universität Wien FIND

A [2]. Bachelor Degree Programme in Art History (Version 2011)

m.K. = mittlere Kunstgeschichte, n.K. = neuere Kunstgeschichte, nst.K = neueste Kunstgeschichte, zeu.K. = zentraleuropäische Kunstgeschichte, au.K. = außereuropäische Kunstgeschichte, byz.K. = byzantinische Kunstgeschichte.
Die Anmeldetermine und der Anmeldemodus werden bei den einzelnen Lehrveranstaltungen angeführt. Beachten Sie bitte auch wegen allfälliger Änderungen die Homepage und die Aushangtafeln des Instituts.

Orientation Period
BM 1 Introductory Course Art History
080117 VO (STEOP) STEOP: General Introduction
BM 2 Introduction to Art History I
080063 VO (STEOP) STEOP: Introduction to Iconography
BM 3 Introduction to Art History II
080025 VO (STEOP) STEOP: Introduction to the Terminology and Morphology of Architecture
Study Period
BM 4 Medieval Age I (from Late Antiquity through the Romanesque Period)
BM 5 Medieval Age II (Gothic and Late Gothic Periods)
080047 VO Zyklus II - Gothic
BM 6 Renaissance and Baroque Periods
BM 7 Modern and Contemporary Periods
BM 8 Case Study I
080023 PS Case Study I: Death in Byzantium
080026 PS Case Study I: Paul Cézanne and the Destruction of the European Painting Tradition
080033 PS Case Study: The Austrian Sculptor Georg Raphael Donner
080040 PS Case Study I: Art of the Han Period
080059 PS Case Study I: Picasso's Cubism
080060 PS Case Study I: Palace, Mosque, Baza: Architecture under the Safavids in Iran, 16th-18th Century
080066 PS Case Study I: Figure and Ornament in Insular Manuscript Illumination. Synthesis or Contrast?
080071 PS Case Study I: Marble as an Art Medium
080102 PS Case Study I: Lawrence Alma-Tadema and the Neo-Pompeians
BM 9 Case Study II
080041 PS Case Study II/III: Conceptual Art
080044 PS [en] Case Study II/III: The Princely Cycle in the Arts from the Medieval Arab World
080051 PS Case Study II/III: Francesco Borromini: Architect of Baroque Rome
080061 PS Case Study II/III: Strategies of Abstract Painting in Modern and Contemporary Art
080062 PS Case Study II/III: Dance as Motive and Concept in Modern Art
080072 PS Case Study II/III: Clay and Ceramics in the History of Arts
080078 PS Case Study: Heaven and Earth: The Senses in Byzantine Art
080087 PS Case Study II/III: Chinese Ceramics of the Song Period and their Legacy
080095 PS Case Study II/III: Bronzeworks in the Middle Ages
080105 PS Case Study II/III: Arts and Crafts in the Otttoman World: Aesthetics, Techniques, Materiality
BM 10 Case Study III
080041 PS Case Study II/III: Conceptual Art
080044 PS [en] Case Study II/III: The Princely Cycle in the Arts from the Medieval Arab World
080051 PS Case Study II/III: Francesco Borromini: Architect of Baroque Rome
080061 PS Case Study II/III: Strategies of Abstract Painting in Modern and Contemporary Art
080062 PS Case Study II/III: Dance as Motive and Concept in Modern Art
080072 PS Case Study II/III: Clay and Ceramics in the History of Arts
080078 PS Case Study: Heaven and Earth: The Senses in Byzantine Art
080087 PS Case Study II/III: Chinese Ceramics of the Song Period and their Legacy
080095 PS Case Study II/III: Bronzeworks in the Middle Ages
080105 PS Case Study II/III: Arts and Crafts in the Otttoman World: Aesthetics, Techniques, Materiality
BM 11 Special Topics A
080018 VO The Highest Genre of Painting: Theory and Practice of History Painting - from Leon Battista Alberti to Anselm Kiefer
080050 VO Kazimir Malevich
080093 VO Cistercian Art and Architecture
BM 12 Special Topics B
080034 VO Buddhist Art in East Asia
080058 VO Georgia: Art and Culture
080074 VO Architecture of the Islamic Periods in Iran
BM 13 Methods/Theories in Art History
080043 UE Digital Buzz - Theories of Art for the Information Age
BM 14 Fields of Practice in Art History
080008 UE The Power of Placement - Exhibitions as a Means of Communication
080022 UE Exercises on the Methodology of Historical Building Research
080054 VO Semantic of Materials in the European Fine Arts from the Middle Ages up to Present Time - A Survey with elected Examples
080075 UE [en] Practice and History of Lustreware in Medieval Islam: Learning bei Doing
080100 UE How to describe Works of Art? Exercise for STEOP-Assistants
BM 15 Individual Specialisation
080018 VO The Highest Genre of Painting: Theory and Practice of History Painting - from Leon Battista Alberti to Anselm Kiefer
080034 VO Buddhist Art in East Asia
080050 VO Kazimir Malevich
080058 VO Georgia: Art and Culture
080074 VO Architecture of the Islamic Periods in Iran
080093 VO Cistercian Art and Architecture
Final Stage
BM 16 Art in Vienna
080007 EX Art in Vienna: Viennese Sculpture in the 19th Century
080053 EX Art in Vienna
080103 EX Viennese Art
BM 17 Seminar and Bachelor's Project I
080027 SE [en] Seminar: Who are 'the people'?: Populism in Contemporary Art
080029 SE Seminar: The Social Architecture of Red Vienna
080035 SE Seminar: The Arts of Tang China
080036 SE Seminar: Art Exhibitions - History and Function
080038 SE Seminar: Jesuit Style and "modo nostro". Theory and Concepts of Architecture of the Society of Jesus
080039 SE Seminar: Body, Language and Temporality in Bruce Nauman
080045 SE Seminar: Russian Medieval Art
080052 SE Seminar: Great Collectors of Old Master Drawings - Theories, Concepts, and Practices of Collecting from the Renaissance to Modernity
080055 SE Seminar: Visual Arts in the 18th Century in Austria: Painting - Graphic Arts - Sculpture
080067 SE Seminar: The Visuality of Emotions in Byzantium
080079 SE Seminar: From Guercino to Tiepolo. Selected Italian Baroque Drawings
080083 SE Seminar: Imaging and Writing in Twentieth-Century Art
080086 SE Seminar: Blind Date with a Painting
080094 SE Seminar: Medieval Figurative Sculpture on Porches (12th-14th c.)
080097 SE Seminar: The Sculptor Giambologna and his Perception North of the Alps
080098 SE Seminar: The Medieval Architecture of Mendicant Friars in Austria
080099 SE Seminar: Art in 19th-Islamic countries between "tradition" and "modernity"
080104 SE Seminar: The Medium of Book Illustration. The Medieval Miniature Illumination - between Copying Reproduction and Ideological Implementation - Discussion of Major Research Aspects which are Relevant Today and in the Future
080159 SE Seminar: The Austrian Architecture of Classicism
BM 18 Seminar and Bachelor's Project II
080027 SE [en] Seminar: Who are 'the people'?: Populism in Contemporary Art
080029 SE Seminar: The Social Architecture of Red Vienna
080035 SE Seminar: The Arts of Tang China
080036 SE Seminar: Art Exhibitions - History and Function
080038 SE Seminar: Jesuit Style and "modo nostro". Theory and Concepts of Architecture of the Society of Jesus
080039 SE Seminar: Body, Language and Temporality in Bruce Nauman
080045 SE Seminar: Russian Medieval Art
080052 SE Seminar: Great Collectors of Old Master Drawings - Theories, Concepts, and Practices of Collecting from the Renaissance to Modernity
080055 SE Seminar: Visual Arts in the 18th Century in Austria: Painting - Graphic Arts - Sculpture
080067 SE Seminar: The Visuality of Emotions in Byzantium
080079 SE Seminar: From Guercino to Tiepolo. Selected Italian Baroque Drawings
080083 SE Seminar: Imaging and Writing in Twentieth-Century Art
080086 SE Seminar: Blind Date with a Painting
080094 SE Seminar: Medieval Figurative Sculpture on Porches (12th-14th c.)
080097 SE Seminar: The Sculptor Giambologna and his Perception North of the Alps
080098 SE Seminar: The Medieval Architecture of Mendicant Friars in Austria
080099 SE Seminar: Art in 19th-Islamic countries between "tradition" and "modernity"
080104 SE Seminar: The Medium of Book Illustration. The Medieval Miniature Illumination - between Copying Reproduction and Ideological Implementation - Discussion of Major Research Aspects which are Relevant Today and in the Future
080159 SE Seminar: The Austrian Architecture of Classicism

Last modified: Tu 12.06.2018 13:33