16.01. Musicology
160001 VO Principles of Music
160002 VO Overview of Historical Musicology
160003 VO Overview of Systematic Musicology
160004 VO Overview of Ethnomusicology
160025 PS Popular Music
160051 PS Instrumental music in the 16th century
160058 PS PS Ethnomusicology
160060 PS The Toccata in the 17th century
160066 PS Johannes Brahms and the Early Music
160067 PS The acoustics or musical instruments
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160034 SE Soundtrack as a political statment
160057 SE SE Ethnomusicology
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160006 UE Harmony 1
160037 UE Harmony 2
160010 UE Introduction to Musical Palaeography
160014 VO Foundations of Music until 1600
160047 VO Music History II (15th to 17th century)
160038 UE Ethnomusicological Exercise
160056 VO Introduction to Ethnomusicology
160019 VO Introduction to Systematic Musicology
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160013 EX Leipzig as a city of music
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160051 PS Instrumental music in the 16th century
160060 PS The Toccata in the 17th century
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160066 PS Johannes Brahms and the Early Music
160022 EX Field trip to Madagascar
160023 VO Music of the World - Overview 2
160033 VO African Music I
160058 PS PS Ethnomusicology
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160067 PS The acoustics or musical instruments
160022 EX Field trip to Madagascar
160025 PS Popular Music
160033 VO African Music I
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160040 UE Current State of Musicology
170530 UE The Body Operatic
160045 PR Digital Music Edition with MEI
160064 PR Music programs on the radio
160013 EX Leipzig as a city of music
160023 VO Music of the World - Overview 2
160025 PS Popular Music
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160040 UE Current State of Musicology
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160051 PS Instrumental music in the 16th century
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160060 PS The Toccata in the 17th century
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160001 VO Principles of Music
160002 VO Overview of Historical Musicology
160003 VO Overview of Systematic Musicology
160004 VO Overview of Ethnomusicology
160006 UE Harmony 1
160037 UE Harmony 2
160038 UE Ethnomusicological Exercise
160010 UE Introduction to Musical Palaeography
160014 VO Foundations of Music until 1600
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160047 VO Music History II (15th to 17th century)
160051 PS Instrumental music in the 16th century
160066 PS Johannes Brahms and the Early Music
160023 VO Music of the World - Overview 2
160033 VO African Music I
160038 UE Ethnomusicological Exercise
160056 VO Introduction to Ethnomusicology
160058 PS PS Ethnomusicology
160019 VO Introduction to Systematic Musicology
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160023 VO Music of the World - Overview 2
160025 PS Popular Music
160029 VO Female composers of the presence
160033 VO African Music I
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160010 UE Introduction to Musical Palaeography
160060 PS The Toccata in the 17th century
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160025 PS Popular Music
160034 SE Soundtrack as a political statment
160051 PS Instrumental music in the 16th century
160057 SE SE Ethnomusicology
160058 PS PS Ethnomusicology
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160066 PS Johannes Brahms and the Early Music
160067 PS The acoustics or musical instruments
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160047 VO Music History II (15th to 17th century)
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160047 VO Music History II (15th to 17th century)
160051 PS Instrumental music in the 16th century
160060 PS The Toccata in the 17th century
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160066 PS Johannes Brahms and the Early Music
160056 VO Introduction to Ethnomusicology
160023 VO Music of the World - Overview 2
160033 VO African Music I
160058 PS PS Ethnomusicology
160038 UE Ethnomusicological Exercise
160022 EX Field trip to Madagascar
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160067 PS The acoustics or musical instruments
160013 EX Leipzig as a city of music
160029 VO Female composers of the presence
160022 EX Field trip to Madagascar
160023 VO Music of the World - Overview 2
160025 PS Popular Music
160033 VO African Music I
160034 SE Soundtrack as a political statment
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160060 PS The Toccata in the 17th century
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160023 VO Music of the World - Overview 2
160033 VO African Music I
160034 SE Soundtrack as a political statment
160040 UE Current State of Musicology
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160051 PS Instrumental music in the 16th century
160060 PS The Toccata in the 17th century
160066 PS Johannes Brahms and the Early Music
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160066 PS Johannes Brahms and the Early Music
160034 SE Soundtrack as a political statment
160040 UE Current State of Musicology
160045 PR Digital Music Edition with MEI
160060 PS The Toccata in the 17th century
160064 PR Music programs on the radio
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160022 EX Field trip to Madagascar
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160057 SE SE Ethnomusicology
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160057 SE SE Ethnomusicology
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160057 SE SE Ethnomusicology
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160009 SE The Masses of Heinrich Isaac
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160029 VO Female composers of the presence
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160057 SE SE Ethnomusicology
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160009 SE The Masses of Heinrich Isaac
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160046 VO Franz Schubert: The last years
160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160022 EX Field trip to Madagascar
160033 VO African Music I
160057 SE SE Ethnomusicology
160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160013 EX Leipzig as a city of music
160029 VO Female composers of the presence
160022 EX Field trip to Madagascar
160033 VO African Music I
160034 SE Soundtrack as a political statment
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160009 SE The Masses of Heinrich Isaac
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
160011 SE Music around 1900
160013 EX Leipzig as a city of music
160033 VO African Music I
160034 SE Soundtrack as a political statment
160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
160009 SE The Masses of Heinrich Isaac
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160043 UE Disciplining music: Positions and periods of a history of music theory from antiquity through 1600
160034 SE Soundtrack as a political statment
160040 UE Current State of Musicology
170530 UE The Body Operatic
170721 UE Discussing Music Theatre
160045 PR Digital Music Edition with MEI
160064 PR Music programs on the radio
160017 PV Research seminar for doctoral candidates
160018 MA Research Seminar for master candidates
160059 MA Research seminar for master candidates
160002 VO Overview of Historical Musicology
160014 VO Foundations of Music until 1600
160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
160047 VO Music History II (15th to 17th century)
160002 VO Overview of Historical Musicology
160029 VO Female composers of the presence
160046 VO Franz Schubert: The last years
160004 VO Overview of Ethnomusicology
160056 VO Introduction to Ethnomusicology
160023 VO Music of the World - Overview 2
160033 VO African Music I
160003 VO Overview of Systematic Musicology
160019 VO Introduction to Systematic Musicology
160023 VO Music of the World - Overview 2
160033 VO African Music I
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