M05 APM 5

• 160009 SE The Masses of Heinrich Isaac
• 160011 SE Music around 1900
• 160012 UE Texts by composers of the 20th and 21st century - (reading course)
• 160013 EX Leipzig as a city of music
• 160015 SE Utopias. Topics and perspectives in current Beethoven research
• 160020 SE What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)
• 160024 VO The music of Madagascar and the Mascarene Islands
• 160026 UE Qualitative research methods in musicology
• 160027 VO Music -Today as Manipulation and Play with Sounds and their Meaning
• 160029 VO Female composers of the presence
• 160031 VO Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th Centuries
• 160033 VO African Music I
• 160034 SE Soundtrack as a political statment
• 160035 SE Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet
• 160041 UE Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identities
• 160042 VO Music preferences: Development, functions and measurement across the lifespan
• 160048 SE Movements of musicians in production and perception of music
• 160052 VO "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.
• 160055 SE Eduard Hanslick´s "On the Musically Beautiful - Text, Context, Reception
• 160057 SE SE Ethnomusicology
• 160061 UE Singing Mensural Notation - Reflecting Performance Practices
• 160062 SE Biographies of composers and musicians: questions and problems
• 160063 SE The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.
• 160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
• 160069 UE [ en ] Analysing Popular Music