Musicology

Bachelor Musicology (636 [3] - Version 2016)

• 160099 OV ( OV ) Orientation course - for Bachelor Musicology

Introductory and Orientation Period (16 ECTS)

STEOP1 Compulsory module: Principles of Music (4 ECTS)

• EXAM STEOP: Principles of Music
• 160004 VO ( STEOP ) Principles of Music

STEOP2 Compulsory module: Overview of Musicology (12 ECTS)

• EXAM STEOP: Survey in Musicology
• 160001 VO ( STEOP ) Survey in Historical Musicology
• 160002 VO ( STEOP ) Survey in Systematic Musicology
• 160003 VO ( STEOP ) Survey in Ethnomusicology

Group of compulsory modules: Academic Writing and Research Methods (37 ECTS)

ARB Compulsory module: Academic Working Methods (5 ECTS)

• 160026 UE Academic Working Methods in Musicology

PRO Compulsory module: Introductory Seminars (12 ECTS)

• 160008 PS Eastern Bloc-Pop
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160068 PS Applied Ethnomusicology

BAC Compulsory module: Bachelor’s Seminars (20 ECTS)

• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160027 SE Popular Classical Music
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160069 SE Charles Ives and the music culture of America up to 1950

Compulsory Modules (61 ECTS)

TON: Harmony, Counterpoint and Analysis (15 ECTS)

• 160031 UE Harmony 1
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160037 UE Harmony 2

HIS: Principles of Historical Musicology (13 ECTS)

• 160011 VO Foundations of Music until 1600
• 160036 UE Introduction to Musical Palaeography

MUG: Music History (8 ECTS)

• 160046 VO Music History IV (20th century to date)

ETH: Ethnomusicology (10 ECTS)

• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação

SYS: Systematic Musicology (10 ECTS)

• 160064 VO Introduction to Systematic Musicology
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research

POP: Popular music (5 ECTS)

Group of Elective Modules (36 ECTS)

HIS-V1 Elective module: Advanced Historical Musicology - Music until 1600 (12 ECTS)

• 160060 VO The Gregorian Chant in his historical development
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century

HIS-V2: Advanced Historical Musicology - Music since 1600 (12 ECTS)

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160062 PS French opera from Lully to Rameau

ETH-V: Advanced Ethnomusicology (12 ECTS)

• 160023 VO Music of the World - Overview 2
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160052 VO Japan's folk music
• 160043 VO African Music in the 20th Century
• 160068 PS Applied Ethnomusicology
• 160024 EX Music Tradition in Kreta

SYS-V: Advanced Systematic Musicology (12 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments

POP-V: Advanced Popular Music (12 ECTS)

• 160023 VO Music of the World - Overview 2
• 160052 VO Japan's folk music
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160043 VO African Music in the 20th Century
• 160008 PS Eastern Bloc-Pop
• 160024 EX Music Tradition in Kreta

INT: Interdisciplinary Musicology (12 ECTS)

• 170301 VO Lecture on the History of Theatre
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160025 VO Introduction to the Sociology of Music
• 160005 UE Current Tendencies in Musicology - Current Musicology
• 170530 UE The interplay between social dynamics & aesthetics in dance practices
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160068 PS Applied Ethnomusicology
• 160008 PS Eastern Bloc-Pop

PRX: Practical Applications of Musicology (12 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160059 PR Basics of digital musicology
• 160057 PR Working with sources (18th/19th century)
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160058 PR Music programmes in broadcasting service
• 160068 PS Applied Ethnomusicology

FRE: Free Advanced Module: Topics in Musicology (12 ECTS)

• 160023 VO Music of the World - Overview 2
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160025 VO Introduction to the Sociology of Music
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160060 VO The Gregorian Chant in his historical development
• 160052 VO Japan's folk music
• 160005 UE Current Tendencies in Musicology - Current Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160059 PR Basics of digital musicology
• 160058 PR Music programmes in broadcasting service
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160057 PR Working with sources (18th/19th century)
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160008 PS Eastern Bloc-Pop
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160068 PS Applied Ethnomusicology
• 160024 EX Music Tradition in Kreta

Bachelor Musicology (636 [2] - Version 2011)

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160004 VO ( STEOP ) Principles of Music
• 160026 UE Academic Working Methods in Musicology

B01.2 StEOP: Introduction to Musicology

• 160001 VO ( STEOP ) Survey in Historical Musicology
• 160002 VO ( STEOP ) Survey in Systematic Musicology
• 160003 VO ( STEOP ) Survey in Ethnomusicology

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160031 UE Harmony 1
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch

B02.2 Module - Music Theory and Musical Structures II

• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160037 UE Harmony 2

B03 Basic Module - History of European Music before and after 1600

• 160011 VO Foundations of Music until 1600
• 160060 VO The Gregorian Chant in his historical development
• 160046 VO Music History IV (20th century to date)
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160036 UE Introduction to Musical Palaeography
• 160066 PS Dance in the 16th and 17th century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619

B04 Basic Module - Ethnomusicology

• 160052 VO Japan's folk music
• 160043 VO African Music in the 20th Century
• 160023 VO Music of the World - Overview 2
• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160068 PS Applied Ethnomusicology

B05 Basic Module - Systematic Musicology

• 160064 VO Introduction to Systematic Musicology
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date

B06 Basic Module - Contemporary Music and Popular Music

• 160023 VO Music of the World - Overview 2
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160043 VO African Music in the 20th Century
• 160008 PS Eastern Bloc-Pop

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160036 UE Introduction to Musical Palaeography

B08 Final Module

• 160008 PS Eastern Bloc-Pop
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160069 SE Charles Ives and the music culture of America up to 1950

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160011 VO Foundations of Music until 1600
• 160060 VO The Gregorian Chant in his historical development
• 160036 UE Introduction to Musical Palaeography
• 160066 PS Dance in the 16th and 17th century
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160012 SE 1507. Music, media, and politics
• 160054 SE "The symbol which is called Neume": The beginnings of European notation

B10 VM History of European Music after 1600

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160069 SE Charles Ives and the music culture of America up to 1950

B11 VM Ethnomusicology

• 160043 VO African Music in the 20th Century
• 160023 VO Music of the World - Overview 2
• 160052 VO Japan's folk music
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160024 EX Music Tradition in Kreta
• 160068 PS Applied Ethnomusicology
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America

B12 VM Systematic Musicology

• 160064 VO Introduction to Systematic Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research
• 160051 UE Architectural acoustics and sound engineering in practice
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160054 SE "The symbol which is called Neume": The beginnings of European notation

B13 VM Contemporary Music

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion

B14 VM Popular Music

• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160052 VO Japan's folk music
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160024 EX Music Tradition in Kreta
• 160008 PS Eastern Bloc-Pop
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest

B15 VM Source Study, Source Work and Source Criticism

• 160060 VO The Gregorian Chant in his historical development
• 160036 UE Introduction to Musical Palaeography
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160012 SE 1507. Music, media, and politics
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160059 PR Basics of digital musicology

B16 EM Music and Society

• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160052 VO Japan's folk music
• 160025 VO Introduction to the Sociology of Music
• 160008 PS Eastern Bloc-Pop
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160069 SE Charles Ives and the music culture of America up to 1950

B17 EM Analysis and Theoretical Interpretation of Music

• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160060 VO The Gregorian Chant in his historical development
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160062 PS French opera from Lully to Rameau
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160060 VO The Gregorian Chant in his historical development
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160069 SE Charles Ives and the music culture of America up to 1950

B19 EM Current Musicology

• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160005 UE Current Tendencies in Musicology - Current Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music

B20 EM Applied Musicology I

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160057 PR Working with sources (18th/19th century)
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160058 PR Music programmes in broadcasting service
• 160068 PS Applied Ethnomusicology
• 160059 PR Basics of digital musicology

Master Musicology (836)

Alternative Compulsory Modules (30 ECTS)

M01 Alternative Compulsory Module 1 (30 ECTS)

• 160012 SE 1507. Music, media, and politics
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160060 VO The Gregorian Chant in his historical development
• 160069 SE Charles Ives and the music culture of America up to 1950

M02 Alternative Compulsory Module 2 (30 ECTS)

• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160024 EX Music Tradition in Kreta
• 160025 VO Introduction to the Sociology of Music
• 160027 SE Popular Classical Music
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160052 VO Japan's folk music
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160060 VO The Gregorian Chant in his historical development
• 160069 SE Charles Ives and the music culture of America up to 1950

M03 Alternative Compulsory Module 3 (30 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160027 SE Popular Classical Music
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160051 UE Architectural acoustics and sound engineering in practice
• 160052 VO Japan's folk music
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160058 PR Music programmes in broadcasting service
• 160059 PR Basics of digital musicology
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160069 SE Charles Ives and the music culture of America up to 1950

M04 Alternative Compulsory Module 4 (30 ECTS)

• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160012 SE 1507. Music, media, and politics
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160025 VO Introduction to the Sociology of Music
• 160027 SE Popular Classical Music
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160052 VO Japan's folk music
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160060 VO The Gregorian Chant in his historical development
• 160069 SE Charles Ives and the music culture of America up to 1950

M05 Alternative Compulsory Module 5 (30 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160012 SE 1507. Music, media, and politics
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160025 VO Introduction to the Sociology of Music
• 160027 SE Popular Classical Music
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160051 UE Architectural acoustics and sound engineering in practice
• 160052 VO Japan's folk music
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160058 PR Music programmes in broadcasting service
• 160059 PR Basics of digital musicology
• 160060 VO The Gregorian Chant in his historical development
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160069 SE Charles Ives and the music culture of America up to 1950

Elective Modules (60 ECTS)

M06 History of European Music before 1600 (10 ECTS)

• 160012 SE 1507. Music, media, and politics
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160060 VO The Gregorian Chant in his historical development

M07 History of European Music after 1600 (10 ECTS)

• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160069 SE Charles Ives and the music culture of America up to 1950

M08 Ethnomusicology (10 ECTS)

• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160024 EX Music Tradition in Kreta
• 160043 VO African Music in the 20th Century
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160052 VO Japan's folk music

M09 Systematic Musicology (10 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160051 UE Architectural acoustics and sound engineering in practice

M10 Contemporary Music (10 ECTS)

• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion

M11 Popular Music (10 ECTS)

• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160024 EX Music Tradition in Kreta
• 160027 SE Popular Classical Music
• 160043 VO African Music in the 20th Century
• 160052 VO Japan's folk music

M12 Source Study, Source Work and Source Criticism (10 ECTS)

• 160012 SE 1507. Music, media, and politics
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160059 PR Basics of digital musicology
• 160060 VO The Gregorian Chant in his historical development

M13 Music and Society (10 ECTS)

• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160025 VO Introduction to the Sociology of Music
• 160027 SE Popular Classical Music
• 160043 VO African Music in the 20th Century
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160052 VO Japan's folk music
• 160069 SE Charles Ives and the music culture of America up to 1950

M14 Analysis and Theoretical Interpretation of Music (10 ECTS)

• 160012 SE 1507. Music, media, and politics
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160060 VO The Gregorian Chant in his historical development

M15 Music Philosophy, Music Aesthetics and Musical Hermeneutics (10 ECTS)

• 160010 SE [ en ] Musicologies around the world
• 160012 SE 1507. Music, media, and politics
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160027 SE Popular Classical Music
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160060 VO The Gregorian Chant in his historical development
• 160069 SE Charles Ives and the music culture of America up to 1950

M16 Current Musicology (10 ECTS)

• 160005 UE Current Tendencies in Musicology - Current Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160010 SE [ en ] Musicologies around the world
• 160013 SE Farewell, Death and Consolation in Literature and Music around 1800
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
• 160027 SE Popular Classical Music
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160043 VO African Music in the 20th Century
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 170121 UE Practical Course "Performance and Staging Analysis"
• 170301 VO Lecture on the History of Theatre
• 170530 UE The interplay between social dynamics & aesthetics in dance practices
• 170721 UE Mediality of Living

M17 Applied Musicology (10 ECTS)

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160055 SE Source criticism and edition practice with Anton Bruckner
• 160056 SE Composers in monasteries & chorus regents
• 160057 PR Working with sources (18th/19th century)
• 160058 PR Music programmes in broadcasting service
• 160059 PR Basics of digital musicology
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera

Master Seminar Module (3 ECTS)

M18 Master Seminar Module (3 ECTS)

• 160006 MA Research Seminar for Master Candidates
• 160018 MA Research Seminar for Master amd Doctoral Candidates
• 160021 MA Research Seminar for Master Candidates
• 160028 MA Research Seminar for Master Candidates
• 160041 MA Research Seminar for Master and Doctoral Candidates
• 160047 MA Research Seminar for Master and Doctoral Candidates

Recommended Lectures offered at other Universities

MUK Privatuniversität der Stadt Wien

Universität für Musik und darstellende Kunst Wien

Extension Curriculum Popular Music (660 [2] - Version 2016)

POM1 Popular Music - Introduction (5 ECTS)

POM2 Popular Music - Selected Examples (10 ECTS)

• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160052 VO Japan's folk music

Extension Curriculum World Music (161 [2] - Version 2016)

MDW1 Overview of Ethnomusicology (4 ECTS)

• 160003 VO ( STEOP ) Survey in Ethnomusicology

MDW2 Overview of the Musics of the World (12 ECTS)

• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160052 VO Japan's folk music

Extension Curriculum European History of Music (162 [2] - Version 2016)

EMG1 Overview of Historical Musicology (4 ECTS)

• 160001 VO ( STEOP ) Survey in Historical Musicology

EMG2 European History of Music (12 ECTS)

VO zur Musik vor 1600

• 160011 VO Foundations of Music until 1600
• 160060 VO The Gregorian Chant in his historical development

VO Musikgeschichte

• 160011 VO Foundations of Music until 1600
• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160046 VO Music History IV (20th century to date)
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160060 VO The Gregorian Chant in his historical development

Extension Curriculum Musical Acoustics and Auditory Perception (169 [2] - Version 2016)

MAK1 Overview of Systematic Musicology (4 ECTS)

• 160002 VO ( STEOP ) Survey in Systematic Musicology

MAK2 Principles of Musical Acoustics and Phenomena of Auditory Perception (11 ECTS)

• 160051 UE Architectural acoustics and sound engineering in practice
• 160064 VO Introduction to Systematic Musicology
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research