Universität Wien FIND

Master Musicology (836)

Alternative Compulsory Modules (30 ECTS)
M01 Alternative Compulsory Module 1 (30 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160008 UE Concepts and Methods of Historical Musicology
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160031 SE [en] Perspectives on Contemporary Music Aesthetics
160032 UE Richard Wagner - Writings on the Total Work of Art
160033 SE Popular Classic Music
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160072 SE Towards a Global History of Medieval Music
160073 UE Contrapunto alla mente and Hexachordal Solmization. A Hands-on Introduction
160079 UE Mass Repertoire of the "First Viennese School"
M02 Alternative Compulsory Module 2 (30 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160010 SE Music and the Brain
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160018 EX Field Trip to Peru
160019 UE Methods of Technical Measurement in Research on Music
160021 SE Sounds of Independence - Music in Contexts of African Independence
160023 VO Music and Cognition - From Predictive Processing to Neurodiversity
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160051 VO (MIXED) Afro-American Music Forms
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160066 VO Origins, Development, and Maintenance of Music Preferences
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160072 SE Towards a Global History of Medieval Music
160076 UE Irish Music - Tradition, Identity, Nation
160078 SE Motion Capture - Music and Movement
160079 UE Mass Repertoire of the "First Viennese School"
M03 Alternative Compulsory Module 3 (30 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160008 UE Concepts and Methods of Historical Musicology
160010 SE Music and the Brain
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160018 EX Field Trip to Peru
160019 UE Methods of Technical Measurement in Research on Music
160021 SE Sounds of Independence - Music in Contexts of African Independence
160023 VO Music and Cognition - From Predictive Processing to Neurodiversity
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160031 SE [en] Perspectives on Contemporary Music Aesthetics
160032 UE Richard Wagner - Writings on the Total Work of Art
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160051 VO (MIXED) Afro-American Music Forms
160061 PR Information Management for Archives and Libraries
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160065 PR Microphones and How to Use Them
160066 VO Origins, Development, and Maintenance of Music Preferences
160067 PR Room Acoustic Basics and Room Acoustics in Ordinary Rooms
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160070 PR Introduction to Digital Music Editing
160071 PR Transkribus Tools and Text Paleography
160072 SE Towards a Global History of Medieval Music
160074 PR Introduction to Practical Music Journalism
160076 UE Irish Music - Tradition, Identity, Nation
160078 SE Motion Capture - Music and Movement
160079 UE Mass Repertoire of the "First Viennese School"
M04 Alternative Compulsory Module 4 (30 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160008 UE Concepts and Methods of Historical Musicology
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160018 EX Field Trip to Peru
160021 SE Sounds of Independence - Music in Contexts of African Independence
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160031 SE [en] Perspectives on Contemporary Music Aesthetics
160032 UE Richard Wagner - Writings on the Total Work of Art
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160051 VO (MIXED) Afro-American Music Forms
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160072 SE Towards a Global History of Medieval Music
160073 UE Contrapunto alla mente and Hexachordal Solmization. A Hands-on Introduction
160076 UE Irish Music - Tradition, Identity, Nation
160079 UE Mass Repertoire of the "First Viennese School"
M05 Alternative Compulsory Module 5 (30 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160008 UE Concepts and Methods of Historical Musicology
160010 SE Music and the Brain
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160018 EX Field Trip to Peru
160019 UE Methods of Technical Measurement in Research on Music
160021 SE Sounds of Independence - Music in Contexts of African Independence
160023 VO Music and Cognition - From Predictive Processing to Neurodiversity
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160031 SE [en] Perspectives on Contemporary Music Aesthetics
160032 UE Richard Wagner - Writings on the Total Work of Art
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160051 VO (MIXED) Afro-American Music Forms
160061 PR Information Management for Archives and Libraries
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160065 PR Microphones and How to Use Them
160066 VO Origins, Development, and Maintenance of Music Preferences
160067 PR Room Acoustic Basics and Room Acoustics in Ordinary Rooms
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160070 PR Introduction to Digital Music Editing
160071 PR Transkribus Tools and Text Paleography
160072 SE Towards a Global History of Medieval Music
160073 UE Contrapunto alla mente and Hexachordal Solmization. A Hands-on Introduction
160074 PR Introduction to Practical Music Journalism
160076 UE Irish Music - Tradition, Identity, Nation
160078 SE Motion Capture - Music and Movement
160079 UE Mass Repertoire of the "First Viennese School"
Elective Modules (60 ECTS)
M06 History of European Music before 1600 (10 ECTS)
160008 UE Concepts and Methods of Historical Musicology
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160072 SE Towards a Global History of Medieval Music
160073 UE Contrapunto alla mente and Hexachordal Solmization. A Hands-on Introduction
M07 History of European Music after 1600 (10 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160008 UE Concepts and Methods of Historical Musicology
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160032 UE Richard Wagner - Writings on the Total Work of Art
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160079 UE Mass Repertoire of the "First Viennese School"
M08 Ethnomusicology (10 ECTS)
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160018 EX Field Trip to Peru
160021 SE Sounds of Independence - Music in Contexts of African Independence
160051 VO (MIXED) Afro-American Music Forms
160076 UE Irish Music - Tradition, Identity, Nation
M09 Systematic Musicology (10 ECTS)
160010 SE Music and the Brain
160019 UE Methods of Technical Measurement in Research on Music
160023 VO Music and Cognition - From Predictive Processing to Neurodiversity
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160066 VO Origins, Development, and Maintenance of Music Preferences
160078 SE Motion Capture - Music and Movement
M10 Contemporary Music (10 ECTS)
160011 SE Music in Horror Movies
160031 SE [en] Perspectives on Contemporary Music Aesthetics
M11 Popular Music (10 ECTS)
160011 SE Music in Horror Movies
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160021 SE Sounds of Independence - Music in Contexts of African Independence
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160051 VO (MIXED) Afro-American Music Forms
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160076 UE Irish Music - Tradition, Identity, Nation
M12 Source Study, Source Work and Source Criticism (10 ECTS)
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160068 VO The Hapsburgs - History of a Dynasty as Music History
160072 SE Towards a Global History of Medieval Music
160073 UE Contrapunto alla mente and Hexachordal Solmization. A Hands-on Introduction
160079 UE Mass Repertoire of the "First Viennese School"
M13 Music and Society (10 ECTS)
160007 SE Music and Memorial Culture in the 19th Century
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160016 VO The Sound of the Pachamama: Music Traditions from the Peruvian Andes
160017 SE El Pueblo Unido. Protest and Political Song in Latin America
160021 SE Sounds of Independence - Music in Contexts of African Independence
160029 SE Bravura, Soul and Devil’s Work - Instruments, Performers and Violinmakers in the 19th Century
160033 SE Popular Classic Music
160034 UE Qualitative Research: Methods and Applications in Musicology
160051 VO (MIXED) Afro-American Music Forms
160068 VO The Hapsburgs - History of a Dynasty as Music History
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160076 UE Irish Music - Tradition, Identity, Nation
M14 Analysis and Theoretical Interpretation of Music (10 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160015 SE Composing, Singing, Listening, Memorizing: Josquin's and Obrecht's Masses in Cultural Context
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160033 SE Popular Classic Music
160050 SE "The Sonata then is properly a grand free harmonious composition ..." - On the Variety and Change of Instrumental Forms in the Music of the 17th to 19th Centuries
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160079 UE Mass Repertoire of the "First Viennese School"
M15 Music Philosophy, Music Aesthetics and Musical Hermeneutics (10 ECTS)
160006 VO Affects, Rhetoric and Symbology in the Music of the 17th and 18th Centuries - Problems of the 'Historical' Interpretation of Music
160007 SE Music and Memorial Culture in the 19th Century
160011 SE Music in Horror Movies
160012 VO Maurice Ravel: Problems of Research, Analysis and Interpretation
160031 SE [en] Perspectives on Contemporary Music Aesthetics
160032 UE Richard Wagner - Writings on the Total Work of Art
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
M16 Current Musicology (10 ECTS)
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160033 SE Popular Classic Music
160063 UE From the 'Affektenlehre' to the 'Emotional Turn' - Interdependencies Between Emotion, Affect, Passion and Music History
160064 UE (MIXED) Music in Video Games: Developments, Functions for and Effects on Gaming Experiences
160066 VO Origins, Development, and Maintenance of Music Preferences
160072 SE Towards a Global History of Medieval Music
160078 SE Motion Capture - Music and Movement
M17 Applied Musicology (10 ECTS)
160028 UE Digital Humanities in Historical Musicology. Methods and Perspectives - Current Musicology
160034 UE Qualitative Research: Methods and Applications in Musicology
160061 PR Information Management for Archives and Libraries
160065 PR Microphones and How to Use Them
160067 PR Room Acoustic Basics and Room Acoustics in Ordinary Rooms
160069 UE Music Exhibitions / Exhibitions About Musicians (in German-speaking Countries with Focus on Austria)
160070 PR Introduction to Digital Music Editing
160071 PR Transkribus Tools and Text Paleography
160074 PR Introduction to Practical Music Journalism
170122 UE Exercise Course "Performance and Staging Analysis"
170714 UE Discussing musical theatre
Master Seminar Module (3 ECTS)
M18 Master Seminar Module (3 ECTS)
160009 MA Master's Seminar
160020 MA Master's Seminar
160035 MA Master's Seminar

Last modified: Fr 13.01.2023 01:01