M02 Alternative Compulsory Module 2 (30 ECTS)

• 160007 UE [ en ] Analysing Popular Music
• 160008 VO Eighteenth-Century Opera: Texts, Contexts and Performance Practices
• 160009 SE Franz Liszt in Weimar (1848-1861)
• 160012 SE Music and Memory
• 160013 SE Computational Music Psychology - Linking Psychology and Computer Science within Systematic Musicology
• 160014 UE Digital Corpus Analysis and Text Mining for Musicological Research
• 160016 SE From the Armed Man to the Beautiful Virgin: Mass Families of the 15th and 16th Centuries
• 160017 SE Late Works Without Late Style? Beethoven's Last Orchestral Works in Context
• 160018 VO The End of Ethnomusicology
• 160019 SE Historical Recordings Produced in Colonial Contexts
• 160022 UE Methods of Technical Measurement in Research on Music
• 160024 SE Moving Sounds: Processions, Parades, Demonstrations
• 160028 UE Musical Instruments in Vienna: Craftsmanship, Musical Life and Collections
• 160029 VO "100 Master Pieces" in/of Popular Music?
• 160030 SE Functional Music and Instore Radio
• 160031 EX Popular Music Festivals in Austria
• 160050 VO John Cage and Morton Feldman
• 160051 VO African Music II
• 160057 VO [ en ] Introduction to Music, Gender, and Sexuality
• 160058 UE [ en ] Sounding Colonial/Decolonial: Gender, Music, Queerness
• 160059 SE [ en ] Music, Gender, and Sexuality in Russian and Soviet History and Culture
• 160065 SE New Prophets? Music as a Substitute Religion in the 19th Century
• 160067 SE Pre-existing Music in Films of Stanley Kubrick, Martin Scorsese and Quentin Tarantino
• 160068 SE Music and Psychoanalysis: Potentials and Limits of Cross-disciplinary Research Practice
• 160070 VO Revolutionary Chants
• 160073 UE Music and Religion in Popular Cultures
• 160074 UE Orlando di Lasso's Motets: Types - Function - Genre
• 160078 VO Neuromusicological Perspective on (Childhood) Development