B17 EM Analysis and Theoretical Interpretation of Music

• 160103 VO+UE Introduction to the Analysis of Post-Tonal Music
• 160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
• 160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
• 160115 PS Friedrich Cerha
• 160119 SE Pluralism of Style (19th Century)
• 160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
• 160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
• 160140 PS Ugliness, Evil and Falsehood. A different story of music history
• 160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
• 160170 VO+UE Analysis of non-notated popular music
• 160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
• 160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
• 160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
• 160195 VO+UE The formation of the musical canon around 1800
• 160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
• 160253 VO+UE Robert Schumann's "Form" - and what it means
• 160256 PS The Music of the Polar Region
• 160379 VO+UE Introduction into the methods of analysis II