M01 APM 1

• 160103 VO+UE Introduction to the Analysis of Post-Tonal Music
• 160106 VO Public and Private Sphere in 19th-Century Music
• 160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
• 160119 SE Pluralism of Style (19th Century)
• 160124 VO Music History II (1300-1600)
• 160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
• 160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
• 160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
• 160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
• 160151 VO Music cultures of the continents and their mutual relations
• 160160 SE The Problem of Periods and Transitional Periods in Music Historiography
• 160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
• 160171 VO Music in the 20th & 21st Century
• 160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
• 160179 VO+UE [ de en ] Business Unusual: Music, Money and Markets in Early Modern Europe
• 160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
• 160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
• 160195 VO+UE The formation of the musical canon around 1800
• 160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
• 160202 VO Franz Liszt: life, works, perspectives of scholarship
• 160253 VO+UE Robert Schumann's "Form" - and what it means
• 160259 PR Practical Training in Librarianship and Archival Studies
• 160379 VO+UE Introduction into the methods of analysis II