M05 APM 5

• 160027 VO African Music I
• 160029 VO Musics of the world - overview II
• 160102 UE+EX Carnival in the Aussee region II
• 160103 VO+UE Introduction to the Analysis of Post-Tonal Music
• 160106 VO Public and Private Sphere in 19th-Century Music
• 160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
• 160112 UE+EX Music Traditions of the Mediterranean Island of Crete
• 160119 SE Pluralism of Style (19th Century)
• 160124 VO Music History II (1300-1600)
• 160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
• 160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
• 160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
• 160135 VO Physiological and psychoacoustical aspects of auditory perception
• 160137 SE Perception and impression - fundamentals of music psychology
• 160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
• 160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
• 160145 VO Introduction to the Sociology of Music
• 160151 VO Music cultures of the continents and their mutual relations
• 160160 SE The Problem of Periods and Transitional Periods in Music Historiography
• 160161 VO Soundtrack & Economy
• 160163 PR Information technology and knowledge management for musicologists
• 160164 PR Ethnomusicological museum work
• 160167 PR Applied Music Production
• 160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
• 160170 VO+UE Analysis of non-notated popular music
• 160171 VO Music in the 20th & 21st Century
• 160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
• 160174 VO+UE Musical Preferences: Appearance, development and perservation
• 160179 VO+UE [ de en ] Business Unusual: Music, Money and Markets in Early Modern Europe
• 160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
• 160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
• 160187 UE Exercises in ethnomusicological transcription
• 160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
• 160195 VO+UE The formation of the musical canon around 1800
• 160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
• 160202 VO Franz Liszt: life, works, perspectives of scholarship
• 160235 KO Introduction to the Sociology of Music (conversatorium)
• 160236 PR Music Journalism
• 160253 VO+UE Robert Schumann's "Form" - and what it means
• 160254 UE Empirical Methods for Music Psychology
• 160255 SE New Discussions on the Origin of Music
• 160257 VO Ritual Music in Melanesia
• 160259 PR Practical Training in Librarianship and Archival Studies
• 160379 VO+UE Introduction into the methods of analysis II