Universität Wien

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

160062 SE Gifted - celebrated - forgotten?
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160145 VO+UE Interrelations of room acoustics and composition
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

M02 APM 2

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160117 UE Exercises in ethnomusicological transcription
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M03 APM 3

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M04 APM 4

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

M05 APM 5

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music

2. Elective Modules (WM)

M06 WM History of European Music before 1600

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160135 SE Around 1500: Features of a key period in music history
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M07 WM History of European Music after 1600

160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M08 WM Ethnomusicology

160045 SE Theory and practice of field research
160048 UE World Music in Vienna
160077 VO The musics of the world at a glance 1st part
160088 VO Psychoanalysis of Musical Meaning
160102 VO African music in the 20th century
160117 UE Exercises in ethnomusicological transcription
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II

M09 WM Systematic Musicology

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160072 VO Lecture Series: Music - Nature - Science
160075 SE Pitch, Interval, Timbre
160088 VO Psychoanalysis of Musical Meaning
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology

M10 WM Contemporary Music

160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160072 VO Lecture Series: Music - Nature - Science
160104 VO Soundtrack to the expression of conflict
160145 VO+UE Interrelations of room acoustics and composition
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160174 VO Introduction to Romanian Music

M11 WM Popular Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160048 UE World Music in Vienna
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160132 VO+UE Music for Silent Film in Weimar Republic
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160159 VO+UE Tango Argentino: It's Music, Dance and Culture

M12 WM Source Study, Source Work and Source Criticism

160045 SE Theory and practice of field research
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160097 SE W.A. Mozart: The Piano Sonatas
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M13 WM Music and Society

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160048 UE World Music in Vienna
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160077 VO The musics of the world at a glance 1st part
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160133 VO Max Reger - Approaches to the music and the man
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160152 VO Introduction to Music Psychology and Media Psychology
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M14 WM Analysis and Theoretical Interpretation of Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160107 SE The String Quartets by Joseph Haydn
160117 UE Exercises in ethnomusicological transcription
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160062 SE Gifted - celebrated - forgotten?
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160104 VO Soundtrack to the expression of conflict
160107 SE The String Quartets by Joseph Haydn
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160174 VO Introduction to Romanian Music

M16 WM Current Musicology

160048 UE World Music in Vienna
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

M17 WM Applied Musicology

160045 SE Theory and practice of field research
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160066 SE Recording, Mix & Mastering
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160072 VO Lecture Series: Music - Nature - Science
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology
160161 PR Cultural management and festival organization
160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

3. M18 Master Seminar Module

Last modified: We 13.06.2018 00:37