Universität Wien

16.01. Musicology

A. Bachelor Degree Programme in Musicology
160027 VO African Music I
160029 VO Musics of the world - overview II
160043 UE [en] Afro-Brazilian Percussion
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160115 PS Friedrich Cerha
160119 SE Pluralism of Style (19th Century)
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160135 VO Physiological and psychoacoustical aspects of auditory perception
160136 PS Reverb and reflexions - fundamentals of room acoustics
160137 SE Perception and impression - fundamentals of music psychology
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160145 VO Introduction to the Sociology of Music
160149 UE Work techniques in musicology
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160162 UE Counterpoint
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160174 VO+UE Musical Preferences: Appearance, development and perservation
160175 UE Counterpoint
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160253 VO+UE Robert Schumann's "Form" - and what it means
160254 UE Empirical Methods for Music Psychology
160255 SE New Discussions on the Origin of Music
160256 PS The Music of the Polar Region
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
160385 UE Counterpoint
1. Required Modules
B01 Module - Orientation Period
160149 UE Work techniques in musicology
B02 Module - Music Theory
160013 UE Counterpoint
160162 UE Counterpoint
160175 UE Counterpoint
160187 UE Exercises in ethnomusicological transcription
160196 UE Introduction into Hearing of Structures
160385 UE Counterpoint
B03 Basic Module - History of European Music before and after 1600
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160115 PS Friedrich Cerha
160124 VO Music History II (1300-1600)
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160379 VO+UE Introduction into the methods of analysis II
B04 Basic Module - Ethnomusicology
160027 VO African Music I
160029 VO Musics of the world - overview II
160043 UE [en] Afro-Brazilian Percussion
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160151 VO Music cultures of the continents and their mutual relations
160164 PR Ethnomusicological museum work
160187 UE Exercises in ethnomusicological transcription
160256 PS The Music of the Polar Region
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
B05 Basic Module - Systematic Musicology
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160135 VO Physiological and psychoacoustical aspects of auditory perception
160136 PS Reverb and reflexions - fundamentals of room acoustics
160145 VO Introduction to the Sociology of Music
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160174 VO+UE Musical Preferences: Appearance, development and perservation
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160235 KO Introduction to the Sociology of Music (conversatorium)
160254 UE Empirical Methods for Music Psychology
B06 Basic Module - Contemporary Music and Popular Music
160027 VO African Music I
160043 UE [en] Afro-Brazilian Percussion
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160115 PS Friedrich Cerha
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160151 VO Music cultures of the continents and their mutual relations
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
B07 Basic Module - Source Study, Source Work and Source Criticism
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160259 PR Practical Training in Librarianship and Archival Studies
B08 Final Module
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160115 PS Friedrich Cerha
160119 SE Pluralism of Style (19th Century)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160127 PS New Media & Music Technologies
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160136 PS Reverb and reflexions - fundamentals of room acoustics
160137 SE Perception and impression - fundamentals of music psychology
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160255 SE New Discussions on the Origin of Music
160256 PS The Music of the Polar Region
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
160124 VO Music History II (1300-1600)
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
B10 VM History of European Music after 1600
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160115 PS Friedrich Cerha
160119 SE Pluralism of Style (19th Century)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
B11 VM Ethnomusicology
160027 VO African Music I
160029 VO Musics of the world - overview II
160043 UE [en] Afro-Brazilian Percussion
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160151 VO Music cultures of the continents and their mutual relations
160164 PR Ethnomusicological museum work
160187 UE Exercises in ethnomusicological transcription
160255 SE New Discussions on the Origin of Music
160256 PS The Music of the Polar Region
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
B12 VM Systematic Musicology
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160135 VO Physiological and psychoacoustical aspects of auditory perception
160136 PS Reverb and reflexions - fundamentals of room acoustics
160137 SE Perception and impression - fundamentals of music psychology
160174 VO+UE Musical Preferences: Appearance, development and perservation
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160254 UE Empirical Methods for Music Psychology
B13 VM Contemporary Music
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160115 PS Friedrich Cerha
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160161 VO Soundtrack & Economy
160171 VO Music in the 20th & 21st Century
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160235 KO Introduction to the Sociology of Music (conversatorium)
B14 VM Popular Music
160027 VO African Music I
160043 UE [en] Afro-Brazilian Percussion
160102 UE+EX Carnival in the Aussee region II
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160170 VO+UE Analysis of non-notated popular music
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
B15 VM Source Study, Source Work and Source Criticism
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
B16 EM Music and Society
160027 VO African Music I
160102 UE+EX Carnival in the Aussee region II
160106 VO Public and Private Sphere in 19th-Century Music
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160161 VO Soundtrack & Economy
160174 VO+UE Musical Preferences: Appearance, development and perservation
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160257 VO Ritual Music in Melanesia
B17 EM Analysis and Theoretical Interpretation of Music
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160115 PS Friedrich Cerha
160119 SE Pluralism of Style (19th Century)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160253 VO+UE Robert Schumann's "Form" - and what it means
160256 PS The Music of the Polar Region
160379 VO+UE Introduction into the methods of analysis II
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
B19 EM Current Musicology
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
B20 EM Applied Musicology I
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160236 PR Music Journalism
160259 PR Practical Training in Librarianship and Archival Studies
B21 EM Applied Musicology II
160102 UE+EX Carnival in the Aussee region II
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160161 VO Soundtrack & Economy
160167 PR Applied Music Production
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160254 UE Empirical Methods for Music Psychology
B. Master Degree Programme in Musicology
160027 VO African Music I
160029 VO Musics of the world - overview II
160041 MA Seminar for master and doctoral candidates
160043 UE [en] Afro-Brazilian Percussion
160060 MA Seminar for master and doctoral candidates
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160119 SE Pluralism of Style (19th Century)
160123 MA Seminar for master and doctoral candidates
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160135 VO Physiological and psychoacoustical aspects of auditory perception
160137 SE Perception and impression - fundamentals of music psychology
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160173 MA Seminar for master and doctoral candidates
160174 VO+UE Musical Preferences: Appearance, development and perservation
160178 MA Seminar for master and doctoral candidates
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160182 MA Seminar for master and doctoral candidates
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160191 MA Seminar for master and doctoral candidates
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160253 VO+UE Robert Schumann's "Form" - and what it means
160254 UE Empirical Methods for Music Psychology
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
160381 MA Research seminar for diploma and doctoral candidates
1. Alternative Required Modules (APM)
M01 APM 1
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160119 SE Pluralism of Style (19th Century)
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
M02 APM 2
160027 VO African Music I
160029 VO Musics of the world - overview II
160102 UE+EX Carnival in the Aussee region II
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160164 PR Ethnomusicological museum work
160170 VO+UE Analysis of non-notated popular music
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
M03 APM 3
160029 VO Musics of the world - overview II
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160135 VO Physiological and psychoacoustical aspects of auditory perception
160137 SE Perception and impression - fundamentals of music psychology
160151 VO Music cultures of the continents and their mutual relations
160164 PR Ethnomusicological museum work
160174 VO+UE Musical Preferences: Appearance, development and perservation
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160254 UE Empirical Methods for Music Psychology
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
M04 APM 4
160027 VO African Music I
160029 VO Musics of the world - overview II
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160119 SE Pluralism of Style (19th Century)
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
M05 APM 5
160027 VO African Music I
160029 VO Musics of the world - overview II
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160119 SE Pluralism of Style (19th Century)
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160135 VO Physiological and psychoacoustical aspects of auditory perception
160137 SE Perception and impression - fundamentals of music psychology
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160174 VO+UE Musical Preferences: Appearance, development and perservation
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160253 VO+UE Robert Schumann's "Form" - and what it means
160254 UE Empirical Methods for Music Psychology
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
2. Elective Modules (WM)
M06 WM History of European Music before 1600
160124 VO Music History II (1300-1600)
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
M07 WM History of European Music after 1600
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160119 SE Pluralism of Style (19th Century)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
M08 WM Ethnomusicology
160029 VO Musics of the world - overview II
160043 UE [en] Afro-Brazilian Percussion
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160151 VO Music cultures of the continents and their mutual relations
160164 PR Ethnomusicological museum work
160187 UE Exercises in ethnomusicological transcription
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
M09 WM Systematic Musicology
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160135 VO Physiological and psychoacoustical aspects of auditory perception
160137 SE Perception and impression - fundamentals of music psychology
160174 VO+UE Musical Preferences: Appearance, development and perservation
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160254 UE Empirical Methods for Music Psychology
M10 WM Contemporary Music
160043 UE [en] Afro-Brazilian Percussion
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160119 SE Pluralism of Style (19th Century)
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160171 VO Music in the 20th & 21st Century
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160235 KO Introduction to the Sociology of Music (conversatorium)
M11 WM Popular Music
160027 VO African Music I
160043 UE [en] Afro-Brazilian Percussion
160102 UE+EX Carnival in the Aussee region II
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160170 VO+UE Analysis of non-notated popular music
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
M12 WM Source Study, Source Work and Source Criticism
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160259 PR Practical Training in Librarianship and Archival Studies
M13 WM Music and Society
160102 UE+EX Carnival in the Aussee region II
160106 VO Public and Private Sphere in 19th-Century Music
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160161 VO Soundtrack & Economy
160174 VO+UE Musical Preferences: Appearance, development and perservation
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160257 VO Ritual Music in Melanesia
M14 WM Analysis and Theoretical Interpretation of Music
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160119 SE Pluralism of Style (19th Century)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160170 VO+UE Analysis of non-notated popular music
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160253 VO+UE Robert Schumann's "Form" - and what it means
160379 VO+UE Introduction into the methods of analysis II
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160253 VO+UE Robert Schumann's "Form" - and what it means
160255 SE New Discussions on the Origin of Music
160257 VO Ritual Music in Melanesia
M16 WM Current Musicology
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
M17 WM Applied Musicology
160102 UE+EX Carnival in the Aussee region II
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160161 VO Soundtrack & Economy
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160236 PR Music Journalism
160254 UE Empirical Methods for Music Psychology
160259 PR Practical Training in Librarianship and Archival Studies
3. M18 Master Seminar Module
160041 MA Seminar for master and doctoral candidates
160060 MA Seminar for master and doctoral candidates
160123 MA Seminar for master and doctoral candidates
160173 MA Seminar for master and doctoral candidates
160178 MA Seminar for master and doctoral candidates
160182 MA Seminar for master and doctoral candidates
160191 MA Seminar for master and doctoral candidates
160194 MA Seminar for master and doctoral candidates
160381 MA Research seminar for diploma and doctoral candidates
C. Diploma Degree Programme in Musicology
160027 VO African Music I
160029 VO Musics of the world - overview II
160041 MA Seminar for master and doctoral candidates
160043 UE [en] Afro-Brazilian Percussion
160060 MA Seminar for master and doctoral candidates
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160115 PS Friedrich Cerha
160119 SE Pluralism of Style (19th Century)
160123 MA Seminar for master and doctoral candidates
160124 VO Music History II (1300-1600)
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160127 PS New Media & Music Technologies
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160135 VO Physiological and psychoacoustical aspects of auditory perception
160136 PS Reverb and reflexions - fundamentals of room acoustics
160137 SE Perception and impression - fundamentals of music psychology
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160145 VO Introduction to the Sociology of Music
160149 UE Work techniques in musicology
160151 VO Music cultures of the continents and their mutual relations
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160161 VO Soundtrack & Economy
160162 UE Counterpoint
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160173 MA Seminar for master and doctoral candidates
160174 VO+UE Musical Preferences: Appearance, development and perservation
160175 UE Counterpoint
160178 MA Seminar for master and doctoral candidates
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160182 MA Seminar for master and doctoral candidates
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160191 MA Seminar for master and doctoral candidates
160194 MA Seminar for master and doctoral candidates
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160253 VO+UE Robert Schumann's "Form" - and what it means
160254 UE Empirical Methods for Music Psychology
160255 SE New Discussions on the Origin of Music
160256 PS The Music of the Polar Region
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
160381 MA Research seminar for diploma and doctoral candidates
160385 UE Counterpoint
First Stage of the Degree Programme
160013 UE Counterpoint
160107 PS J. S. Bach's Mass in H Minor: Sources, Analysis, History of Research
160115 PS Friedrich Cerha
160127 PS New Media & Music Technologies
160132 PS Dance and Dancing at the Habsburg Court in Vienna
160135 VO Physiological and psychoacoustical aspects of auditory perception
160136 PS Reverb and reflexions - fundamentals of room acoustics
160140 PS Ugliness, Evil and Falsehood. A different story of music history
160149 UE Work techniques in musicology
160162 UE Counterpoint
160175 UE Counterpoint
160196 UE Introduction into Hearing of Structures
160256 PS The Music of the Polar Region
160385 UE Counterpoint
First and Second Stage of the Degree Programme
160027 VO African Music I
160029 VO Musics of the world - overview II
160043 UE [en] Afro-Brazilian Percussion
160102 UE+EX Carnival in the Aussee region II
160103 VO+UE Introduction to the Analysis of Post-Tonal Music
160106 VO Public and Private Sphere in 19th-Century Music
160112 UE+EX Music Traditions of the Mediterranean Island of Crete
160124 VO Music History II (1300-1600)
160126 UE Acoustic Labor Practical Course III: Sound Design & Acoustic Measurement
160130 UE The Notation, Composition and Performing Practice of Instrumental Music before 1620 -an Introduction
160137 SE Perception and impression - fundamentals of music psychology
160138 VO Beauty, Truth and Goodness. Classical paradigms of music historiography
160143 UE Reading Course: Eduard Hanslick, On the Musically Beautiful
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160161 VO Soundtrack & Economy
160163 PR Information technology and knowledge management for musicologists
160164 PR Ethnomusicological museum work
160167 PR Applied Music Production
160169 VO+UE Keyboard Music between 1650 and 1720: Styles, Instruments, Performance Practice
160170 VO+UE Analysis of non-notated popular music
160171 VO Music in the 20th & 21st Century
160172 UE The Sound of Senfl - Approaches to the Music of the Early Modern Period in Analysis and Performance Practice
160174 VO+UE Musical Preferences: Appearance, development and perservation
160179 VO+UE [de en] Business Unusual: Music, Money and Markets in Early Modern Europe
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160183 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160187 UE Exercises in ethnomusicological transcription
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160195 VO+UE The formation of the musical canon around 1800
160201 VO J. Ph. Rameau's "Traité de l'harmonie" (1722) and its impact
160202 VO Franz Liszt: life, works, perspectives of scholarship
160235 KO Introduction to the Sociology of Music (conversatorium)
160236 PR Music Journalism
160253 VO+UE Robert Schumann's "Form" - and what it means
160254 UE Empirical Methods for Music Psychology
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
160259 PR Practical Training in Librarianship and Archival Studies
160379 VO+UE Introduction into the methods of analysis II
Second Stage of the Degree Programme
160041 MA Seminar for master and doctoral candidates
160060 MA Seminar for master and doctoral candidates
160108 SE Between Myth and History: Leitmotifs in Richard Wagner's Music Dramas
160119 SE Pluralism of Style (19th Century)
160123 MA Seminar for master and doctoral candidates
160125 SE "Beethoven in neuer Deutung"?Poetic ideas and narrative strategies in Beethoven's instrumental music
160160 SE The Problem of Periods and Transitional Periods in Music Historiography
160173 MA Seminar for master and doctoral candidates
160178 MA Seminar for master and doctoral candidates
160182 MA Seminar for master and doctoral candidates
160191 MA Seminar for master and doctoral candidates
160194 MA Seminar for master and doctoral candidates
160255 SE New Discussions on the Origin of Music
160381 MA Research seminar for diploma and doctoral candidates
Courses for Diploma and Doctoral Candidates
160041 MA Seminar for master and doctoral candidates
160060 MA Seminar for master and doctoral candidates
160123 MA Seminar for master and doctoral candidates
160173 MA Seminar for master and doctoral candidates
160178 MA Seminar for master and doctoral candidates
160182 MA Seminar for master and doctoral candidates
160191 MA Seminar for master and doctoral candidates
160194 MA Seminar for master and doctoral candidates
160381 MA Research seminar for diploma and doctoral candidates
D. Complementary Study Programmes/Minors
160027 VO African Music I
160029 VO Musics of the world - overview II
160106 VO Public and Private Sphere in 19th-Century Music
160124 VO Music History II (1300-1600)
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160171 VO Music in the 20th & 21st Century
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160202 VO Franz Liszt: life, works, perspectives of scholarship
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
EC European History of Music
160106 VO Public and Private Sphere in 19th-Century Music
160124 VO Music History II (1300-1600)
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160171 VO Music in the 20th & 21st Century
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160202 VO Franz Liszt: life, works, perspectives of scholarship
Required Module 1: European History of Music up to the Middle of the 18th Century
160124 VO Music History II (1300-1600)
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
160106 VO Public and Private Sphere in 19th-Century Music
160145 VO Introduction to the Sociology of Music
160151 VO Music cultures of the continents and their mutual relations
160171 VO Music in the 20th & 21st Century
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160190 VO Women Composers - from the EU countries, the USA and Taiwan - Confrontation and discussion
160202 VO Franz Liszt: life, works, perspectives of scholarship
EC World Music
160027 VO African Music I
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160257 VO Ritual Music in Melanesia
160258 VO An introduction to Ethnomusicology 2
Required Module 1: Introduction to Ethnomusicology
160258 VO An introduction to Ethnomusicology 2
Required Module 2: Survey of World Music
160027 VO African Music I
160029 VO Musics of the world - overview II
160180 VO "Tracks and Beats" - The success story of Underground Music - How its elements grew to dominate the Mainstream
160185 VO Operetta: Forms, Functions and Contexts of a musical genre - (einführende Vorlesung)
160257 VO Ritual Music in Melanesia

Last modified: We 13.06.2018 00:36