Universität Wien

Musicology

Information and instructions for course registration can be found at:
http://musikwissenschaft.univie.ac.at/studium/anmeldung-zu-lehrveranstaltungen/
bzw. http://studienservice-lehrwesen.univie.ac.at/en/studying/studienorganisation/course-registration/

Bachelor Musicology (636 [3] - Version 2016)
160099 OV (OV) Orientation course - for Bachelor Musicology
Introductory and Orientation Period (16 ECTS)
STEOP1 Compulsory module: Principles of Music (4 ECTS)
EXAM STEOP: Principles of Music
160004 VO (STEOP) Principles of Music
STEOP2 Compulsory module: Overview of Musicology (12 ECTS)
EXAM STEOP: Survey in Musicology
160001 VO (STEOP) Survey in Historical Musicology
160002 VO (STEOP) Survey in Systematic Musicology
160003 VO (STEOP) Survey in Ethnomusicology
Group of compulsory modules: Academic Writing and Research Methods (37 ECTS)
ARB Compulsory module: Academic Working Methods (5 ECTS)
160026 UE Academic Working Methods in Musicology
PRO Compulsory module: Introductory Seminars (12 ECTS)
160008 PS Eastern Bloc-Pop
160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160068 PS Applied Ethnomusicology
BAC Compulsory module: Bachelor’s Seminars (20 ECTS)
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160012 SE 1507. Music, media, and politics
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160027 SE Popular Classical Music
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160054 SE "The symbol which is called Neume": The beginnings of European notation
160069 SE Charles Ives and the music culture of America up to 1950
Compulsory Modules (61 ECTS)
TON: Harmony, Counterpoint and Analysis (15 ECTS)
160031 UE Harmony 1
160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
160037 UE Harmony 2
HIS: Principles of Historical Musicology (13 ECTS)
160011 VO Foundations of Music until 1600
160036 UE Introduction to Musical Palaeography
MUG: Music History (8 ECTS)
160046 VO Music History IV (20th century to date)
ETH: Ethnomusicology (10 ECTS)
160033 UE Ethnomusicological Exercise
160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
SYS: Systematic Musicology (10 ECTS)
160064 VO Introduction to Systematic Musicology
160065 UE Physiological and psycho-acoustic foundations of music perception
160067 UE Empirical studies and methods in research
POP: Popular music (5 ECTS)
Group of Elective Modules (36 ECTS)
HIS-V1 Elective module: Advanced Historical Musicology - Music until 1600 (12 ECTS)
160060 VO The Gregorian Chant in his historical development
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
HIS-V2: Advanced Historical Musicology - Music since 1600 (12 ECTS)
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160053 VO [en] The Operas of Gioachino Rossini
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160062 PS French opera from Lully to Rameau
ETH-V: Advanced Ethnomusicology (12 ECTS)
160023 VO Music of the World - Overview 2
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160052 VO Japan's folk music
160043 VO African Music in the 20th Century
160068 PS Applied Ethnomusicology
160024 EX Music Tradition in Kreta
SYS-V: Advanced Systematic Musicology (12 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160051 UE Architectural acoustics and sound engineering in practice
160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
POP-V: Advanced Popular Music (12 ECTS)
160023 VO Music of the World - Overview 2
160052 VO Japan's folk music
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160043 VO African Music in the 20th Century
160008 PS Eastern Bloc-Pop
160024 EX Music Tradition in Kreta
INT: Interdisciplinary Musicology (12 ECTS)
170301 VO Lecture on the History of Theatre
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160025 VO Introduction to the Sociology of Music
160005 UE Current Tendencies in Musicology - Current Musicology
170530 UE The interplay between social dynamics & aesthetics in dance practices
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160068 PS Applied Ethnomusicology
160008 PS Eastern Bloc-Pop
PRX: Practical Applications of Musicology (12 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160051 UE Architectural acoustics and sound engineering in practice
160059 PR Basics of digital musicology
160057 PR Working with sources (18th/19th century)
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
160058 PR Music programmes in broadcasting service
160068 PS Applied Ethnomusicology
FRE: Free Advanced Module: Topics in Musicology (12 ECTS)
160023 VO Music of the World - Overview 2
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160025 VO Introduction to the Sociology of Music
160053 VO [en] The Operas of Gioachino Rossini
160060 VO The Gregorian Chant in his historical development
160052 VO Japan's folk music
160005 UE Current Tendencies in Musicology - Current Musicology
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160051 UE Architectural acoustics and sound engineering in practice
160058 PR Music programmes in broadcasting service
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
160057 PR Working with sources (18th/19th century)
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160008 PS Eastern Bloc-Pop
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160068 PS Applied Ethnomusicology
160024 EX Music Tradition in Kreta
160059 PR Basics of digital musicology
Bachelor Musicology (636 [2] - Version 2011)
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160004 VO (STEOP) Principles of Music
160026 UE Academic Working Methods in Musicology
B01.2 StEOP: Introduction to Musicology
160001 VO (STEOP) Survey in Historical Musicology
160002 VO (STEOP) Survey in Systematic Musicology
160003 VO (STEOP) Survey in Ethnomusicology
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
160031 UE Harmony 1
160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
B02.2 Module - Music Theory and Musical Structures II
160033 UE Ethnomusicological Exercise
160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
160037 UE Harmony 2
B03 Basic Module - History of European Music before and after 1600
160011 VO Foundations of Music until 1600
160060 VO The Gregorian Chant in his historical development
160046 VO Music History IV (20th century to date)
160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
160036 UE Introduction to Musical Palaeography
160066 PS Dance in the 16th and 17th century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
B04 Basic Module - Ethnomusicology
160052 VO Japan's folk music
160043 VO African Music in the 20th Century
160023 VO Music of the World - Overview 2
160033 UE Ethnomusicological Exercise
160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
160068 PS Applied Ethnomusicology
B05 Basic Module - Systematic Musicology
160064 VO Introduction to Systematic Musicology
160065 UE Physiological and psycho-acoustic foundations of music perception
160067 UE Empirical studies and methods in research
160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160045 SE Musical historicism: Music in the "old style" from Haydn to date
B06 Basic Module - Contemporary Music and Popular Music
160023 VO Music of the World - Overview 2
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160046 VO Music History IV (20th century to date)
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160043 VO African Music in the 20th Century
160008 PS Eastern Bloc-Pop
B07 Basic Module - Source Study, Source Work and Source Criticism
160036 UE Introduction to Musical Palaeography
B08 Final Module
160008 PS Eastern Bloc-Pop
160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160012 SE 1507. Music, media, and politics
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160027 SE Popular Classical Music
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160054 SE "The symbol which is called Neume": The beginnings of European notation
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160069 SE Charles Ives and the music culture of America up to 1950
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
160011 VO Foundations of Music until 1600
160060 VO The Gregorian Chant in his historical development
160036 UE Introduction to Musical Palaeography
160066 PS Dance in the 16th and 17th century
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160012 SE 1507. Music, media, and politics
160054 SE "The symbol which is called Neume": The beginnings of European notation
B10 VM History of European Music after 1600
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160046 VO Music History IV (20th century to date)
160053 VO [en] The Operas of Gioachino Rossini
160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160069 SE Charles Ives and the music culture of America up to 1950
B11 VM Ethnomusicology
160043 VO African Music in the 20th Century
160023 VO Music of the World - Overview 2
160052 VO Japan's folk music
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160033 UE Ethnomusicological Exercise
160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
160024 EX Music Tradition in Kreta
160068 PS Applied Ethnomusicology
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
B12 VM Systematic Musicology
160064 VO Introduction to Systematic Musicology
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160065 UE Physiological and psycho-acoustic foundations of music perception
160067 UE Empirical studies and methods in research
160051 UE Architectural acoustics and sound engineering in practice
160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160054 SE "The symbol which is called Neume": The beginnings of European notation
B13 VM Contemporary Music
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160046 VO Music History IV (20th century to date)
160042 VO Current productions of composers in the present age - Confrontation and discussion
B14 VM Popular Music
160023 VO Music of the World - Overview 2
160043 VO African Music in the 20th Century
160052 VO Japan's folk music
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160024 EX Music Tradition in Kreta
160008 PS Eastern Bloc-Pop
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160027 SE Popular Classical Music
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
B15 VM Source Study, Source Work and Source Criticism
160060 VO The Gregorian Chant in his historical development
160036 UE Introduction to Musical Palaeography
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160012 SE 1507. Music, media, and politics
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160059 PR Basics of digital musicology
B16 EM Music and Society
160023 VO Music of the World - Overview 2
160043 VO African Music in the 20th Century
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160052 VO Japan's folk music
160025 VO Introduction to the Sociology of Music
160008 PS Eastern Bloc-Pop
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160066 PS Dance in the 16th and 17th century
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160027 SE Popular Classical Music
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160069 SE Charles Ives and the music culture of America up to 1950
B17 EM Analysis and Theoretical Interpretation of Music
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160053 VO [en] The Operas of Gioachino Rossini
160060 VO The Gregorian Chant in his historical development
160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
160063 PS Music at the Austrian Habsburger courts ~1527-1619
160062 PS French opera from Lully to Rameau
160012 SE 1507. Music, media, and politics
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160054 SE "The symbol which is called Neume": The beginnings of European notation
160045 SE Musical historicism: Music in the "old style" from Haydn to date
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160060 VO The Gregorian Chant in his historical development
160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
160062 PS French opera from Lully to Rameau
160012 SE 1507. Music, media, and politics
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160027 SE Popular Classical Music
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160069 SE Charles Ives and the music culture of America up to 1950
B19 EM Current Musicology
160042 VO Current productions of composers in the present age - Confrontation and discussion
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160005 UE Current Tendencies in Musicology - Current Musicology
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
160027 SE Popular Classical Music
B20 EM Applied Musicology I
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160051 UE Architectural acoustics and sound engineering in practice
160057 PR Working with sources (18th/19th century)
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
160058 PR Music programmes in broadcasting service
160068 PS Applied Ethnomusicology
160059 PR Basics of digital musicology
Master Musicology (836)
Alternative Compulsory Modules (30 ECTS)
M01 Alternative Compulsory Module 1 (30 ECTS)
160012 SE 1507. Music, media, and politics
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160053 VO [en] The Operas of Gioachino Rossini
160054 SE "The symbol which is called Neume": The beginnings of European notation
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160060 VO The Gregorian Chant in his historical development
160069 SE Charles Ives and the music culture of America up to 1950
M02 Alternative Compulsory Module 2 (30 ECTS)
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160024 EX Music Tradition in Kreta
160025 VO Introduction to the Sociology of Music
160027 SE Popular Classical Music
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160052 VO Japan's folk music
160053 VO [en] The Operas of Gioachino Rossini
160054 SE "The symbol which is called Neume": The beginnings of European notation
160060 VO The Gregorian Chant in his historical development
160069 SE Charles Ives and the music culture of America up to 1950
M03 Alternative Compulsory Module 3 (30 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160027 SE Popular Classical Music
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160051 UE Architectural acoustics and sound engineering in practice
160052 VO Japan's folk music
160053 VO [en] The Operas of Gioachino Rossini
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160058 PR Music programmes in broadcasting service
160059 PR Basics of digital musicology
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
160069 SE Charles Ives and the music culture of America up to 1950
M04 Alternative Compulsory Module 4 (30 ECTS)
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160012 SE 1507. Music, media, and politics
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160025 VO Introduction to the Sociology of Music
160027 SE Popular Classical Music
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160052 VO Japan's folk music
160053 VO [en] The Operas of Gioachino Rossini
160054 SE "The symbol which is called Neume": The beginnings of European notation
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160060 VO The Gregorian Chant in his historical development
160069 SE Charles Ives and the music culture of America up to 1950
M05 Alternative Compulsory Module 5 (30 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160012 SE 1507. Music, media, and politics
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160025 VO Introduction to the Sociology of Music
160027 SE Popular Classical Music
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160051 UE Architectural acoustics and sound engineering in practice
160052 VO Japan's folk music
160053 VO [en] The Operas of Gioachino Rossini
160054 SE "The symbol which is called Neume": The beginnings of European notation
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160058 PR Music programmes in broadcasting service
160059 PR Basics of digital musicology
160060 VO The Gregorian Chant in his historical development
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
160069 SE Charles Ives and the music culture of America up to 1950
Elective Modules (60 ECTS)
M06 History of European Music before 1600 (10 ECTS)
160012 SE 1507. Music, media, and politics
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160054 SE "The symbol which is called Neume": The beginnings of European notation
160060 VO The Gregorian Chant in his historical development
M07 History of European Music after 1600 (10 ECTS)
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160053 VO [en] The Operas of Gioachino Rossini
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160069 SE Charles Ives and the music culture of America up to 1950
M08 Ethnomusicology (10 ECTS)
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160024 EX Music Tradition in Kreta
160043 VO African Music in the 20th Century
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160052 VO Japan's folk music
M09 Systematic Musicology (10 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
160051 UE Architectural acoustics and sound engineering in practice
M10 Contemporary Music (10 ECTS)
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160042 VO Current productions of composers in the present age - Confrontation and discussion
M11 Popular Music (10 ECTS)
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160024 EX Music Tradition in Kreta
160027 SE Popular Classical Music
160043 VO African Music in the 20th Century
160052 VO Japan's folk music
M12 Source Study, Source Work and Source Criticism (10 ECTS)
160012 SE 1507. Music, media, and politics
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160054 SE "The symbol which is called Neume": The beginnings of European notation
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160059 PR Basics of digital musicology
160060 VO The Gregorian Chant in his historical development
M13 Music and Society (10 ECTS)
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160025 VO Introduction to the Sociology of Music
160027 SE Popular Classical Music
160043 VO African Music in the 20th Century
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160052 VO Japan's folk music
160069 SE Charles Ives and the music culture of America up to 1950
M14 Analysis and Theoretical Interpretation of Music (10 ECTS)
160012 SE 1507. Music, media, and politics
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160053 VO [en] The Operas of Gioachino Rossini
160054 SE "The symbol which is called Neume": The beginnings of European notation
160060 VO The Gregorian Chant in his historical development
M15 Music Philosophy, Music Aesthetics and Musical Hermeneutics (10 ECTS)
160010 SE [en] Musicologies around the world
160012 SE 1507. Music, media, and politics
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160027 SE Popular Classical Music
160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
160045 SE Musical historicism: Music in the "old style" from Haydn to date
160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
160060 VO The Gregorian Chant in his historical development
160069 SE Charles Ives and the music culture of America up to 1950
M16 Current Musicology (10 ECTS)
160005 UE Current Tendencies in Musicology - Current Musicology
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
160010 SE [en] Musicologies around the world
160013 SE Farewell, Death and Consolation in Literature and Music around 1800
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160016 SE Religion, class, ethnicity, gender, and musical instruments through time and space
160027 SE Popular Classical Music
160042 VO Current productions of composers in the present age - Confrontation and discussion
160043 VO African Music in the 20th Century
160045 SE Musical historicism: Music in the "old style" from Haydn to date
170121 UE Practical Course "Performance and Staging Analysis"
170301 VO Lecture on the History of Theatre
170530 UE The interplay between social dynamics & aesthetics in dance practices
170721 UE Mediality of Living
M17 Applied Musicology (10 ECTS)
160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
160051 UE Architectural acoustics and sound engineering in practice
160055 SE Source criticism and edition practice with Anton Bruckner
160056 SE Composers in monasteries & chorus regents
160057 PR Working with sources (18th/19th century)
160058 PR Music programmes in broadcasting service
160059 PR Basics of digital musicology
160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
Master Seminar Module (3 ECTS)
M18 Master Seminar Module (3 ECTS)
160006 MA Research Seminar for Master Candidates
160018 MA Research Seminar for Master amd Doctoral Candidates
160021 MA Research Seminar for Master Candidates
160028 MA Research Seminar for Master Candidates
160041 MA Research Seminar for Master and Doctoral Candidates
160047 MA Research Seminar for Master and Doctoral Candidates
Recommended Lectures offered at other Universities
MUK Privatuniversität der Stadt Wien
Universität für Musik und darstellende Kunst Wien
Extension Curriculum Popular Music (660 [2] - Version 2016)
POM1 Popular Music - Introduction (5 ECTS)
POM2 Popular Music - Selected Examples (10 ECTS)
160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
160023 VO Music of the World - Overview 2
160043 VO African Music in the 20th Century
160052 VO Japan's folk music
Extension Curriculum World Music (161 [2] - Version 2016)
MDW1 Overview of Ethnomusicology (4 ECTS)
160003 VO (STEOP) Survey in Ethnomusicology
MDW2 Overview of the Musics of the World (12 ECTS)
160023 VO Music of the World - Overview 2
160043 VO African Music in the 20th Century
160052 VO Japan's folk music
Extension Curriculum European History of Music (162 [2] - Version 2016)
EMG1 Overview of Historical Musicology (4 ECTS)
160001 VO (STEOP) Survey in Historical Musicology
EMG2 European History of Music (12 ECTS)
VO zur Musik vor 1600
160011 VO Foundations of Music until 1600
160060 VO The Gregorian Chant in his historical development
VO Musikgeschichte
160011 VO Foundations of Music until 1600
160042 VO Current productions of composers in the present age - Confrontation and discussion
160046 VO Music History IV (20th century to date)
160053 VO [en] The Operas of Gioachino Rossini
160060 VO The Gregorian Chant in his historical development
Extension Curriculum Musical Acoustics and Auditory Perception (169 [2] - Version 2016)
MAK1 Overview of Systematic Musicology (4 ECTS)
160002 VO (STEOP) Survey in Systematic Musicology
MAK2 Principles of Musical Acoustics and Phenomena of Auditory Perception (11 ECTS)
160051 UE Architectural acoustics and sound engineering in practice
160064 VO Introduction to Systematic Musicology
160065 UE Physiological and psycho-acoustic foundations of music perception
160067 UE Empirical studies and methods in research

Last modified: Fr 29.06.2018 00:29