Universität Wien

150067 PS Cultures of Chinese Postsocialism (M2 LK) (2023S)

6.00 ECTS (1.00 SWS), SPL 15 - Ostasienwissenschaften
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Das Proseminar findet an folgenden Terminen statt (SIN 2; 11:30 - 13:00):

1. Dienstag 07.03.2023
2. Dienstag 14.03.2023
3. Dienstag 21.03.2023
4. Dienstag 28.03.2023
5. Dienstag 18.04.2023
6. Dienstag 25.04.2023
7. Dienstag 02.05.2023

Die Teilnahme an der ersten Sitzung ist Voraussetzung für die Teilnahme am Seminar.

Dienstag 07.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 14.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 21.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 28.03. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 18.04. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 25.04. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 02.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 09.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 16.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 23.05. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 06.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 13.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 20.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18
Dienstag 27.06. 11:30 - 13:00 Seminarraum Sinologie 2 UniCampus Hof 2 2F-O1-18

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This course aims to explore connections between culture, politics, and socioeconomic development in the contemporary PRC through the conceptual prism of postsocialism –variously described as “a label of historical periodization”, “a structure of feelings”, “a set of aesthetic practices”, and “a regime of political economy” (Zhang Yingjin, 2007) that has defined China’s cultural zeitgeist since the late twentieth-century. It examines significant intellectual and cultural debates and new aesthetic trends emerged in the fields of Chinese literature, film, performance, media, and visual culture since the 1980s in the context of the country’s transition from Maoism to the new era of market-oriented reforms. Further aims are to assess how the history and memory of the socialist era have been constructed and represented in the literary, artistic, and media production of the postsocialist period and to evaluate contemporary postsocialist responses to the cultural and ideological legacy of socialism – diversely articulated as critical reflection, alienation, denial, parody, or nostalgia.

Teaching methods include text-, performance- and film analysis, reading and discussion of academic literature, group and individual presentations, and individual written work. With the support of selected media resources (films, documentaries, performance video-recordings, interviews) and related scholarship, by the end of the course participants will have familiarized themselves with theories of Chinese postsocialism and key developments in contemporary Chinese culture, arts, and literature, as well as enhanced their understanding of the intersections of culture, history, and politics in the PRC since the last two decades of the twentieth-century.

Art der Leistungskontrolle und erlaubte Hilfsmittel

1) Preparation of assigned materials and active participation (seminar discussions, peer feedback, Moodle Forum) 15%

2) Presentations (text, performance, or film analysis; reading reports) 35%

3) Short presentation (plan of seminar paper with preliminary bibliography) 10%

4) Final written paper (10-12 pages) 40%.
Deadline: 25 August 2023, submission via Moodle

Mindestanforderungen und Beurteilungsmaßstab

The seminar is conducted in English. Films will be made available with subtitles in English, Chinese, or both. Readings will be in English and Chinese. Sinology students who take this seminar should be able to read and analyse Chinese-language texts. These students are also encouraged to reference Chinese-language sources in the final written paper.

Each session consists of a brief contextual introduction followed by presentations and group discussions on the materials assigned for independent viewing and reading ahead of each session. Participant should take a collaborative and interactive approach. Attendance, preparation of seminar materials, and active participation are essential to the successful completion of the course.

A maximum of 1 unjustified absence (one session) is allowed.

Participants are required to give regular presentations on the assigned reading and viewing materials. In the final session, they will also give a short presentation on their plans for the final written paper (with PPT, incl. preliminary bibliography).

Detailed guidelines will be given at the start of the course.

The final paper can either build on the content of the presentations or address a new topic chosen by the student and agreed with the course leader. It can be written in English or German.

All assignments must be fulfilled to attain a positive overall grade. The final written paper must be passed to pass the course, regardless of the partial grades achieved in the other assignments.

Late submission penalties: One full grade will be deducted for each week (or part of a week) of delay, i.e., up to 1 week: -1, up to 2 weeks: -2, and so forth.

Prüfungsstoff

n/a

Literatur

Gong Haomin. 2012. Uneven Modernity: Literature, Film and Intellectual Discourse in Postsocialist China. Honolulu: University of Hawai’i Press.

Huang, Erin. 2020. Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility. Durham, NC: Duke University Press.

Lu, Sheldon Hsiao-peng. 2007. Chinese Modernity and Global Biopolitics: Studies in Literature and Visual Culture. Honolulu: University of Hawaii Press.

McGrath, Jason. 2008. Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age. Stanford: Stanford University Press.

Zhang Xudong. 2008. Postsocialism and Cultural Politics: China in the Last Decade of the Twentieth Century. Durham, NC: Duke University Press.

*** A detailed reading list will be provided on Moodle at the start of the course.

Zuordnung im Vorlesungsverzeichnis

LK 410

Letzte Änderung: Di 14.03.2023 11:29