Grantley Robert McDonald, PhD PhD

Grantley McDonald is a postdoctoral researcher and lecturer in the department of musicology, University of Vienna, where he directs the FWF research project “The court chapel of Maximilian I: between art and politics.” He holds doctoral degrees in musicology (Melbourne, 2002) and history (Leiden, 2011). Grantley McDonald has held postdoctoral fellowships at the Herzog August Bibliothek (Wolfenbüttel), Centre d’Études Supérieures de la Renaissance (Tours), KU Leuven, Trinity College Dublin, and Universität Salzburg, and his research has been distinguished with prizes from the Australian Academy of the Humanities (Canberra) and the Praemium Erasmianum Foundation (Amsterdam). He is author of Biblical Criticism in Early Modern Europe: Erasmus, the Johannine Comma and Trinitarian Debate (Cambridge: Cambridge University Press, 2016) and co-editor (with Andrea Lindmayr-Brandl and Elisabeth Giselbrecht) of Early Music Printing in German-Speaking Lands (London: Routledge, 2017).