2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160051 SE 7 ECTS Heinrich Isaac
  Lodes
• 160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
  Heidler
• 160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
  Klugseder
• 160081 UE 4 ECTS Introduction to notation & composition IV - Instrumental music up to 1600
  Motnik
• 160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
  Pütz

B10 VM History of European Music after 1600

• 160010 VO 3 ECTS Music History III (1600-1750)
  Calella
• 160048 UE 4 ECTS Introduction to Analysis of Tonal Music
  Fuhrmann
• 160049 PS 5 ECTS Music Theatre in the Interwar Period
  Handlos
• 160050 SE 7 ECTS Goethe settings
  Handlos
• 160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
  Haas
• 160068 SE 7 ECTS Musical Topoi: Pastorale, Battaglia etc.
  Seifert
• 160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
  Gasch
• 160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
  Heidler
• 160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
  Reisinger
• 160085 PS 5 ECTS Franz Schreker´s operas
  Tiemeyer
• 160086 VO 3 ECTS Articulation and Phrasing in the music of the 17th and 18th century
  Glüxam
• 160090 UE 4 ECTS Harmony 2 - Development of harmony in 19th century music
  Brauneiss
• 160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
  Pütz
• 160094 VO 3 ECTS Anton Bruckner
  Calella

B11 VM Ethnomusicology

• 160041 EX 8 ECTS Fieldtrip to Uganda in Ferbuary 2015
  Allgayer-Kaufmann
• 160042 UE 4 ECTS An Introduction to Fieldwork
  Allgayer-Kaufmann
• 160043 VO 3 ECTS Local and Popular Music in Brazil 2
  Allgayer-Kaufmann
• 160044 SE 7 ECTS Rhythm
  Allgayer-Kaufmann
• 160059 VO 3 ECTS The musics of the world at a glance 1st part
  Weber
• 160067 VO 3 ECTS Afro-American music cultures
  Kubik
• 160076 VO+UE 4 ECTS Romani Music: Theoretical and Practical Approaches
  Hemetek
• 160078 UE 4 ECTS [ de en ] Afro-Brazilian Percussion
  Laury
• 160080 UE 5 ECTS [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
  Malamusi
• 160087 UE 4 ECTS Exercises in ethnomusicological transcription
  Sterzer
• 160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
  Hagleitner

B12 VM Systematic Musicology

• 160052 UE 4 ECTS Acoustic Labor Practical Course I: Recording & Sound Analysis
  Lubej
• 160053 SE 7 ECTS Recording, Mix & Mastering
  Lubej
• 160054 KO 1 ECTS Conversatorium in Musical-Acoustic Issues
  Lubej
• 160055 UE 4 ECTS Wonderful World of Musical Acoustics: Analysis
  Mühlhans
• 160056 UE 4 ECTS Wonderful World of Musical Acoustics: Synthesis
  Reuter
• 160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
  Reuter
• 160062 PS 5 ECTS Music and neuroscience
  Elschek
• 160073 VO 3 ECTS Empirical Methods and Research
  Von Georgi
• 160074 UE 4 ECTS Applied Music Production
  Hecht
• 160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
  Heidler
• 160079 PR 4 ECTS Practical Introduction into Room Acoustical Measurement Techniques and Analysis II
  Lorenz-Kierakiewitz
• 160084 PS 5 ECTS Physiological foundations of music perception
  Siddiq
• 160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
  Schüller

B13 VM Contemporary Music

• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
  Utz

B14 VM Popular Music

• 160043 VO 3 ECTS Local and Popular Music in Brazil 2
  Allgayer-Kaufmann
• 160052 UE 4 ECTS Acoustic Labor Practical Course I: Recording & Sound Analysis
  Lubej
• 160059 VO 3 ECTS The musics of the world at a glance 1st part
  Weber
• 160060 VO+UE 5 ECTS Introduction to Popular Music (Theories, approaches etc.)
  Weber
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160067 VO 3 ECTS Afro-American music cultures
  Kubik
• 160071 VO 3 ECTS [ en ] Perspectives on British Rock Music (1964-2001)
  Brooks
• 160074 UE 4 ECTS Applied Music Production
  Hecht
• 160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
  Heidler
• 160076 VO+UE 4 ECTS Romani Music: Theoretical and Practical Approaches
  Hemetek
• 160078 UE 4 ECTS [ de en ] Afro-Brazilian Percussion
  Laury
• 160080 UE 5 ECTS [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
  Malamusi

B15 VM Source Study, Source Work and Source Criticism

• 160042 UE 4 ECTS An Introduction to Fieldwork
  Allgayer-Kaufmann
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
  Aigner
• 160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
  Klugseder
• 160081 UE 4 ECTS Introduction to notation & composition IV - Instrumental music up to 1600
  Motnik
• 160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
  Reisinger
• 160093 PR 5 ECTS Archival Studies and Biographical Sources of Viennese Music History
  Lorenz
• 160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
  Schüller

B16 EM Music and Society

• 160041 EX 8 ECTS Fieldtrip to Uganda in Ferbuary 2015
  Allgayer-Kaufmann
• 160043 VO 3 ECTS Local and Popular Music in Brazil 2
  Allgayer-Kaufmann
• 160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
  Fuhrmann
• 160049 PS 5 ECTS Music Theatre in the Interwar Period
  Handlos
• 160050 SE 7 ECTS Goethe settings
  Handlos
• 160051 SE 7 ECTS Heinrich Isaac
  Lodes
• 160059 VO 3 ECTS The musics of the world at a glance 1st part
  Weber
• 160060 VO+UE 5 ECTS Introduction to Popular Music (Theories, approaches etc.)
  Weber
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
  Haas
• 160067 VO 3 ECTS Afro-American music cultures
  Kubik
• 160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
  Gasch
• 160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
  Heidler
• 160076 VO+UE 4 ECTS Romani Music: Theoretical and Practical Approaches
  Hemetek
• 160080 UE 5 ECTS [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
  Malamusi
• 160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
  Reisinger
• 160083 VO+UE 4 ECTS Music and Play Theories
  Schraffl

B17 EM Analysis and Theoretical Interpretation of Music

• 160042 UE 4 ECTS An Introduction to Fieldwork
  Allgayer-Kaufmann
• 160044 SE 7 ECTS Rhythm
  Allgayer-Kaufmann
• 160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
  Fuhrmann
• 160048 UE 4 ECTS Introduction to Analysis of Tonal Music
  Fuhrmann
• 160049 PS 5 ECTS Music Theatre in the Interwar Period
  Handlos
• 160050 SE 7 ECTS Goethe settings
  Handlos
• 160051 SE 7 ECTS Heinrich Isaac
  Lodes
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160068 SE 7 ECTS Musical Topoi: Pastorale, Battaglia etc.
  Seifert
• 160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
  Gasch
• 160080 UE 5 ECTS [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
  Malamusi
• 160081 UE 4 ECTS Introduction to notation & composition IV - Instrumental music up to 1600
  Motnik
• 160085 PS 5 ECTS Franz Schreker´s operas
  Tiemeyer
• 160086 VO 3 ECTS Articulation and Phrasing in the music of the 17th and 18th century
  Glüxam
• 160087 UE 4 ECTS Exercises in ethnomusicological transcription
  Sterzer
• 160090 UE 4 ECTS Harmony 2 - Development of harmony in 19th century music
  Brauneiss
• 160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
  Pütz
• 160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
  Utz

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160050 SE 7 ECTS Goethe settings
  Handlos
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160083 VO+UE 4 ECTS Music and Play Theories
  Schraffl
• 160086 VO 3 ECTS Articulation and Phrasing in the music of the 17th and 18th century
  Glüxam

B19 EM Current Musicology

• 160055 UE 4 ECTS Wonderful World of Musical Acoustics: Analysis
  Mühlhans
• 160056 UE 4 ECTS Wonderful World of Musical Acoustics: Synthesis
  Reuter
• 160060 VO+UE 5 ECTS Introduction to Popular Music (Theories, approaches etc.)
  Weber
• 160061 PS 5 ECTS Creative processes in music at the end of the 20th century
  Weber
• 160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
  Reisinger
• 160083 VO+UE 4 ECTS Music and Play Theories
  Schraffl

B20 EM Applied Musicology I

• 160052 UE 4 ECTS Acoustic Labor Practical Course I: Recording & Sound Analysis
  Lubej
• 160053 SE 7 ECTS Recording, Mix & Mastering
  Lubej
• 160054 KO 1 ECTS Conversatorium in Musical-Acoustic Issues
  Lubej
• 160055 UE 4 ECTS Wonderful World of Musical Acoustics: Analysis
  Mühlhans
• 160056 UE 4 ECTS Wonderful World of Musical Acoustics: Synthesis
  Reuter
• 160073 VO 3 ECTS Empirical Methods and Research
  Von Georgi
• 160074 UE 4 ECTS Applied Music Production
  Hecht
• 160076 VO+UE 4 ECTS Romani Music: Theoretical and Practical Approaches
  Hemetek
• 160079 PR 4 ECTS Practical Introduction into Room Acoustical Measurement Techniques and Analysis II
  Lorenz-Kierakiewitz
• 160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
  Hagleitner
• 160093 PR 5 ECTS Archival Studies and Biographical Sources of Viennese Music History
  Lorenz
• 160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
  Schüller