Universität Wien FIND

Return to Vienna for the summer semester of 2022. We are planning to hold courses mainly on site to enable the personal exchange between you, your teachers and fellow students. We have labelled digital and mixed courses in u:find accordingly.

Due to COVID-19, there might be changes at short notice (e.g. individual classes in a digital format). Obtain information about the current status on u:find and check your e-mails regularly.

Please read the information on https://studieren.univie.ac.at/en/info.

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

160051 SE Heinrich Isaac
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160050 SE Goethe settings
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160090 UE Harmony 2 - Development of harmony in 19th century music
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160094 VO Anton Bruckner
160044 SE Rhythm
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160044 SE Rhythm
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160050 SE Goethe settings
160051 SE Heinrich Isaac
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160090 UE Harmony 2 - Development of harmony in 19th century music
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160050 SE Goethe settings
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

Last modified: We 13.06.2018 00:39