B03 Basic Module - History of European Music before and after 1600
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Fuhrmann, Tu 10:45-12:15 (15×)
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Handlos, Tu 14:15-15:45 (15×)
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Horz, Mo 16:00-17:30 (15×)
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160068 UE 4 ECTS Notation and composition of the instrumental music - an introduction (Notation & Composition IV)Motnik, We 09:00-10:30 (15×)
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Mücke, Th 10:45-12:15 (13×)
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160092 VO 3 ECTS The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th centuryGlüxam, Tu 12:30-14:00 (15×)
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Dittrich, Mo 12:30-14:00 (16×)
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160130 PS 5 ECTS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music cultureBraumüller, Th 12:30-14:00 (13×)
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Finocchiaro
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Gasch, Fr 13:30-15:00 (11×)
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Grempler, Tu 17:45-19:15 (15×)
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Kaiser, Tu 14:15-15:45 (15×)
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160139 PR 5 ECTS Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniquesKlugseder
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160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
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Schwob, Th 16:00-17:30 (14×)
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160162 UE 4 ECTS The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)Wilfing, Tu 12:30-14:00 (16×)
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160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
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160167 VO+UE 4 ECTS Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical cultureUnseld
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160170 UE 4 ECTS Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)Schmid
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Szilagyi, We 10:45-12:15 (14×)
Last modified: We 13.06.2018 00:37