B03 Basic Module - History of European Music before and after 1600

• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160061 PS Music and Fairy Tales
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160069 VO Music History V (1850-1950)
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160120 VO+UE Conversations about Conventions
• 160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160136 PS Giacomo Puccini
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
• 160174 VO Introduction to Romanian Music