Universität Wien

1. Required Modules

B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160083 VO Work techniques in musicology
160114 VO Principles of Music
B01.2 StEOP: Introduction to Musicology
160042 VO Introduction to musicology III
160050 VO Introduction to musicology V
160051 VO Introduction to musicology II
160067 VO Introduction to musicology I
160074 VO Introduction to musicology IV
B02 Module - Music Theory
160110 UE Hearing and Recognition of Musical Structures
160115 UE Hearing and Recognition of Musical Structures
160117 UE Exercises in ethnomusicological transcription
B02.1 Modul Tonsatz und musikalische Strukturen I
160108 UE Harmony
160110 UE Hearing and Recognition of Musical Structures
160113 UE Harmony
160115 UE Hearing and Recognition of Musical Structures
B02.2 Modul Tonsatz und musikalische Strukturen II
160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160117 UE Exercises in ethnomusicological transcription
160119 UE Theory for Jazz and Popular Music of the 20th Century
B03 Basic Module - History of European Music before and after 1600
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160120 VO+UE Conversations about Conventions
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160136 PS Giacomo Puccini
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)
160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
160174 VO Introduction to Romanian Music
B04 Basic Module - Ethnomusicology
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160059 PS Tone Systems, Scales and Tunings
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160117 UE Exercises in ethnomusicological transcription
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160141 UE Afro-Brazilian Percussion
160149 UE [de en] African Instruments: Cultural context and performance techniques II
B05 Basic Module - Systematic Musicology
160059 PS Tone Systems, Scales and Tunings
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 VO Lecture Series: Music - Nature - Science
160145 VO+UE Interrelations of room acoustics and composition
160152 VO Introduction to Music Psychology and Media Psychology
B06 Basic Module - Contemporary Music and Popular Music
160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160048 UE World Music in Vienna
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160061 PS Music and Fairy Tales
160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160071 PS Musicals between popularity and crisis
160072 VO Lecture Series: Music - Nature - Science
160077 VO The musics of the world at a glance 1st part
160102 VO African music in the 20th century
160104 VO Soundtrack to the expression of conflict
160119 UE Theory for Jazz and Popular Music of the 20th Century
160132 VO+UE Music for Silent Film in Weimar Republic
160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160141 UE Afro-Brazilian Percussion
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [de en] African Instruments: Cultural context and performance techniques II
160156 VO Night music
160159 VO+UE Tango Argentino: It's Music, Dance and Culture
160174 VO Introduction to Romanian Music
B07 Basic Module - Source Study, Source Work and Source Criticism
160047 PS Music in Southeastern Africa
160059 PS Tone Systems, Scales and Tunings
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160070 UE Scientific databases - Electronic bibliography - Dialogue with research
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)
B08 Final Module
160045 SE Theory and practice of field research
160047 PS Music in Southeastern Africa
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160064 PS The Masses of Jacob Obrecht
160066 SE Recording, Mix & Mastering
160071 PS Musicals between popularity and crisis
160075 SE Pitch, Interval, Timbre
160097 SE W.A. Mozart: The Piano Sonatas
160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)
160107 SE The String Quartets by Joseph Haydn
160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture
160135 SE Around 1500: Features of a key period in music history
160136 PS Giacomo Puccini
160151 SE Popular Music as a Historical Phenomenon
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

Last modified: We 13.06.2018 00:37