A. Bachelor Degree Programme in Musicology

160108 UE Harmony

160110 UE Hearing and Recognition of Musical Structures

160113 UE Harmony

160115 UE Hearing and Recognition of Musical Structures

B02.2 Modul Tonsatz und musikalische Strukturen II

160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt

160117 UE Exercises in ethnomusicological transcription

160119 UE Theory for Jazz and Popular Music of the 20th Century

B03 Basic Module - History of European Music before and after 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160061 PS Music and Fairy Tales

160064 PS The Masses of Jacob Obrecht

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)

160069 VO Music History V (1850-1950)

160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century

160120 VO+UE Conversations about Conventions

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160132 VO+UE Music for Silent Film in Weimar Republic

160133 VO Max Reger - Approaches to the music and the man

160136 PS Giacomo Puccini

160138 VO Music and Theory of Music in the Ancient Greek World

160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160156 VO Night music

160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

160174 VO Introduction to Romanian Music

B04 Basic Module - Ethnomusicology

160047 PS Music in Southeastern Africa

160048 UE World Music in Vienna

160059 PS Tone Systems, Scales and Tunings

160077 VO The musics of the world at a glance 1st part

160102 VO African music in the 20th century

160117 UE Exercises in ethnomusicological transcription

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160141 UE Afro-Brazilian Percussion

160149 UE [de en] African Instruments: Cultural context and performance techniques II

B05 Basic Module - Systematic Musicology

160059 PS Tone Systems, Scales and Tunings

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis

160072 VO Lecture Series: Music - Nature - Science

160145 VO+UE Interrelations of room acoustics and composition

160152 VO Introduction to Music Psychology and Media Psychology

B06 Basic Module - Contemporary Music and Popular Music

160047 PS Music in Southeastern Africa

160048 UE World Music in Vienna

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160061 PS Music and Fairy Tales

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis

160071 PS Musicals between popularity and crisis

160072 VO Lecture Series: Music - Nature - Science

160077 VO The musics of the world at a glance 1st part

160102 VO African music in the 20th century

160104 VO Soundtrack to the expression of conflict

160119 UE Theory for Jazz and Popular Music of the 20th Century

160132 VO+UE Music for Silent Film in Weimar Republic

160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global

160141 UE Afro-Brazilian Percussion

160145 VO+UE Interrelations of room acoustics and composition

160149 UE [de en] African Instruments: Cultural context and performance techniques II

160156 VO Night music

160159 VO+UE Tango Argentino: It's Music, Dance and Culture

160174 VO Introduction to Romanian Music

B07 Basic Module - Source Study, Source Work and Source Criticism

160047 PS Music in Southeastern Africa

160059 PS Tone Systems, Scales and Tunings

160064 PS The Masses of Jacob Obrecht

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)

160070 UE Scientific databases - Electronic bibliography - Dialogue with research

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160138 VO Music and Theory of Music in the Ancient Greek World

160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B08 Final Module

160045 SE Theory and practice of field research

160047 PS Music in Southeastern Africa

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160059 PS Tone Systems, Scales and Tunings

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160064 PS The Masses of Jacob Obrecht

160066 SE Recording, Mix & Mastering

160071 PS Musicals between popularity and crisis

160075 SE Pitch, Interval, Timbre

160097 SE W.A. Mozart: The Piano Sonatas

160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)

160107 SE The String Quartets by Joseph Haydn

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160135 SE Around 1500: Features of a key period in music history

160136 PS Giacomo Puccini

160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160064 PS The Masses of Jacob Obrecht

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160135 SE Around 1500: Features of a key period in music history

160138 VO Music and Theory of Music in the Ancient Greek World

160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques

160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B10 VM History of European Music after 1600

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160069 VO Music History V (1850-1950)

160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century

160097 SE W.A. Mozart: The Piano Sonatas

160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)

160107 SE The String Quartets by Joseph Haydn

160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt

160120 VO+UE Conversations about Conventions

160132 VO+UE Music for Silent Film in Weimar Republic

160133 VO Max Reger - Approaches to the music and the man

160136 PS Giacomo Puccini

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160156 VO Night music

160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

160174 VO Introduction to Romanian Music

B11 VM Ethnomusicology

160045 SE Theory and practice of field research

160047 PS Music in Southeastern Africa

160048 UE World Music in Vienna

160059 PS Tone Systems, Scales and Tunings

160077 VO The musics of the world at a glance 1st part

160088 VO Psychoanalysis of Musical Meaning

160102 VO African music in the 20th century

160117 UE Exercises in ethnomusicological transcription

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160141 UE Afro-Brazilian Percussion

160149 UE [de en] African Instruments: Cultural context and performance techniques II

B12 VM Systematic Musicology

160059 PS Tone Systems, Scales and Tunings

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis

160066 SE Recording, Mix & Mastering

160072 VO Lecture Series: Music - Nature - Science

160075 SE Pitch, Interval, Timbre

160088 VO Psychoanalysis of Musical Meaning

160145 VO+UE Interrelations of room acoustics and composition

160152 VO Introduction to Music Psychology and Media Psychology

B13 VM Contemporary Music

160048 UE World Music in Vienna

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160072 VO Lecture Series: Music - Nature - Science

160104 VO Soundtrack to the expression of conflict

160145 VO+UE Interrelations of room acoustics and composition

160156 VO Night music

160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

160174 VO Introduction to Romanian Music

B14 VM Popular Music

160047 PS Music in Southeastern Africa

160048 UE World Music in Vienna

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis

160071 PS Musicals between popularity and crisis

160072 VO Lecture Series: Music - Nature - Science

160077 VO The musics of the world at a glance 1st part

160102 VO African music in the 20th century

160104 VO Soundtrack to the expression of conflict

160119 UE Theory for Jazz and Popular Music of the 20th Century

160132 VO+UE Music for Silent Film in Weimar Republic

160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global

160141 UE Afro-Brazilian Percussion

160149 UE [de en] African Instruments: Cultural context and performance techniques II

160159 VO+UE Tango Argentino: It's Music, Dance and Culture

B15 VM Source Study, Source Work and Source Criticism

160045 SE Theory and practice of field research

160047 PS Music in Southeastern Africa

160059 PS Tone Systems, Scales and Tunings

160064 PS The Masses of Jacob Obrecht

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)

160097 SE W.A. Mozart: The Piano Sonatas

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160135 SE Around 1500: Features of a key period in music history

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160138 VO Music and Theory of Music in the Ancient Greek World

160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B16 EM Music and Society

160047 PS Music in Southeastern Africa

160048 UE World Music in Vienna

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160069 VO Music History V (1850-1950)

160071 PS Musicals between popularity and crisis

160077 VO The musics of the world at a glance 1st part

160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)

160102 VO African music in the 20th century

160104 VO Soundtrack to the expression of conflict

160133 VO Max Reger - Approaches to the music and the man

160136 PS Giacomo Puccini

160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global

160149 UE [de en] African Instruments: Cultural context and performance techniques II

160152 VO Introduction to Music Psychology and Media Psychology

160159 VO+UE Tango Argentino: It's Music, Dance and Culture

160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B17 EM Analysis and Theoretical Interpretation of Music

160047 PS Music in Southeastern Africa

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160059 PS Tone Systems, Scales and Tunings

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160064 PS The Masses of Jacob Obrecht

160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)

160069 VO Music History V (1850-1950)

160088 VO Psychoanalysis of Musical Meaning

160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century

160097 SE W.A. Mozart: The Piano Sonatas

160107 SE The String Quartets by Joseph Haydn

160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt

160117 UE Exercises in ethnomusicological transcription

160119 UE Theory for Jazz and Popular Music of the 20th Century

160120 VO+UE Conversations about Conventions

160132 VO+UE Music for Silent Film in Weimar Republic

160133 VO Max Reger - Approaches to the music and the man

160135 SE Around 1500: Features of a key period in music history

160136 PS Giacomo Puccini

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160138 VO Music and Theory of Music in the Ancient Greek World

160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global

160145 VO+UE Interrelations of room acoustics and composition

160149 UE [de en] African Instruments: Cultural context and performance techniques II

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160156 VO Night music

160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

160047 PS Music in Southeastern Africa

160054 PS Musical Melancholy: From the Renaissance to Pop Music

160059 PS Tone Systems, Scales and Tunings

160061 PS Music and Fairy Tales

160062 SE Gifted - celebrated - forgotten?

160069 VO Music History V (1850-1950)

160071 PS Musicals between popularity and crisis

160088 VO Psychoanalysis of Musical Meaning

160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century

160097 SE W.A. Mozart: The Piano Sonatas

160100 SE Artificial Human Beings in the Field of Music (Literature, Musical theater and Film)

160104 VO Soundtrack to the expression of conflict

160107 SE The String Quartets by Joseph Haydn

160120 VO+UE Conversations about Conventions

160132 VO+UE Music for Silent Film in Weimar Republic

160133 VO Max Reger - Approaches to the music and the man

160135 SE Around 1500: Features of a key period in music history

160136 PS Giacomo Puccini

160137 VO+UE Theory and Practice of Central Javanese Gamelan Music

160138 VO Music and Theory of Music in the Ancient Greek World

160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global

160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises

160156 VO Night music

160159 VO+UE Tango Argentino: It's Music, Dance and Culture

160160 SE Analysis and Interpretation of Selected Works of New Music after 1950

160162 UE The Representational Properties of Music and Its Critics - A Text-Based Introduction to German Aesthetics (19th Century)

160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

160174 VO Introduction to Romanian Music

B19 EM Current Musicology

160048 UE World Music in Vienna

160070 UE Scientific databases - Electronic bibliography - Dialogue with research

160072 VO Lecture Series: Music - Nature - Science

160130 PS 'New Medievalism': Archaeology, performance and gender aspects - attempts to reconstruct a lost music culture

160167 VO+UE Genius and 'artistic hero' - Concepts and images of the composer in 19th century music and musical culture

B20 EM Applied Musicology I

160045 SE Theory and practice of field research

160065 UE Acoustic Labor Practical Course I: Recording & Sound Analysis

160066 SE Recording, Mix & Mastering

160070 UE Scientific databases - Electronic bibliography - Dialogue with research

160072 VO Lecture Series: Music - Nature - Science

160139 PR Development of medieval music manuscripts from the Austrian National Library Vienna - Modern research methods and edition techniques

160145 VO+UE Interrelations of room acoustics and composition

160152 VO Introduction to Music Psychology and Media Psychology

160161 PR Cultural management and festival organization

160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700

Last modified: We 13.06.2018 00:37