Universität Wien

B17 EM Analysis and Theoretical Interpretation of Music

160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
160047 PS Music in Southeastern Africa
160054 PS Musical Melancholy: From the Renaissance to Pop Music
160059 PS Tone Systems, Scales and Tunings
160061 PS Music and Fairy Tales
160062 SE Gifted - celebrated - forgotten?
160064 PS The Masses of Jacob Obrecht
160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
160069 VO Music History V (1850-1950)
160088 VO Psychoanalysis of Musical Meaning
160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
160097 SE W.A. Mozart: The Piano Sonatas
160107 SE The String Quartets by Joseph Haydn
160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
160117 UE Exercises in ethnomusicological transcription
160119 UE Theory for Jazz and Popular Music of the 20th Century
160120 VO+UE Conversations about Conventions
160132 VO+UE Music for Silent Film in Weimar Republic
160133 VO Max Reger - Approaches to the music and the man
160135 SE Around 1500: Features of a key period in music history
160136 PS Giacomo Puccini
160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
160138 VO Music and Theory of Music in the Ancient Greek World
160140 VO+UE [de en] The Songs of George Gershwin and Cole Porter: American Music Goes Global
160145 VO+UE Interrelations of room acoustics and composition
160149 UE [de en] African Instruments: Cultural context and performance techniques II
160151 SE Popular Music as a Historical Phenomenon
160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
160156 VO Night music
160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
160164 PR [de en it] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)

Last modified: We 13.06.2018 00:37