B17 EM Analysis and Theoretical Interpretation of Music
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Allgayer-Kaufmann, Th 12:30-14:00 (13×)
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Schmidhofer, Th 16:00-17:30 (13×)
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Fuhrmann, Tu 10:45-12:15 (15×)
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Hagleitner, Tu 16:00-17:30 (16×)
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Handlos, Tu 14:15-15:45 (15×)
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Handlos, Mo 14:15-15:45 (15×)
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Horz, Mo 16:00-17:30 (15×)
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160068 UE 4 ECTS Notation and composition of the instrumental music - an introduction (Notation & Composition IV)Motnik, We 09:00-10:30 (15×)
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Mücke, Th 10:45-12:15 (13×)
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Elschek
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160092 VO 3 ECTS The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th centuryGlüxam, Tu 12:30-14:00 (15×)
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Gruber
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Seifert
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160112 UE 4 ECTS Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, LisztBrauneiss, Mo 10:45-12:15 (15×)
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Sterzer, Th 09:00-10:30 (14×)
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Hecht, Mo 16:00-17:30 (15×)
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Dittrich, Mo 12:30-14:00 (16×)
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Finocchiaro
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Gasch, Fr 13:30-15:00 (11×)
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Grassl, We 12:30-14:00 (14×)
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Grempler, Tu 17:45-19:15 (15×)
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Grupe
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Kaiser, Tu 14:15-15:45 (15×)
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160140 VO+UE 4 ECTS [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes GlobalKmetz
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Lorenz-Kierakiewitz
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Malamusi, Fr 10:45-12:15 (10×)
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Obert
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160154 VO+UE 4 ECTS Handel's chamber cantatas between history and current interpretation. Lectures and exercisesRomagnoli, Tu 09:00-10:30 (16×)
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Schwob, Th 16:00-17:30 (14×)
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Utz
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160164 PR 5 ECTS [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700Zedler
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160170 UE 4 ECTS Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)Schmid
Last modified: We 13.06.2018 00:37