Universität Wien

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600
160065 VO Music History I
160066 UE Principles of Notation and Composition II
160068 VO Music and Marian devotion in the 15th and 16th century
160069 SE "Salve regina" as musical and cultural practice (until 1600)
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160086 UE What is a Music Genre?
160122 PR Practical Training Gregorian Chant
160123 VO+UE [de en] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
160129 VO+UE Theory of and practise in repertoire and style
B10 VM History of European Music after 1600
160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
160063 PS Working communities - Artist communities
160064 SE French vocal music in the 2nd half of the 19th century
160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
160085 KO Reading Course: Musical Aesthetics
160086 UE What is a Music Genre?
160087 PS Musical Lyricism around 1900
160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
160105 VO Musical automata (II): late 18th to early 20th century
160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
160112 UE Harmony 2: Development of harmony in 19th century music
160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
160117 PS 17-Century Venetian Opera
160128 PS History and Theory of Orchestration
160129 VO+UE Theory of and practise in repertoire and style
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
170048 VU W. A. Mozart and the opera of this time
B11 VM Ethnomusicology
160054 VO Local and Popular Music in Brazil
160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
160058 PS Music in/from the Balkan countries
160088 VO The musics of the world at a glance 1st part
160091 VO Folk Music, Folk Music Keeping and Media in Europe
160106 VO African Music II
160115 UE Exercises in ethnomusicological transcription
160119 VO Minzoku ongaku: The Japanese Folk Music
160125 UE [de en] Afro-Brazilian Percussion
B12 VM Systematic Musicology
160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 SE Sound Design & Acoustic Measurement
160073 KO Conversatorium in general musical-acoustic topics and issues
160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
160127 VO Creativity research
160132 VO Foundations of Music Psychology
B13 VM Contemporary Music
160063 PS Working communities - Artist communities
160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
160085 KO Reading Course: Musical Aesthetics
160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
160118 VO Concepts of music theatre since 1950
160121 SE Experimental Music Concepts: History, Theory, and Practice
B14 VM Popular Music
160054 VO Local and Popular Music in Brazil
160058 PS Music in/from the Balkan countries
160088 VO The musics of the world at a glance 1st part
160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160105 VO Musical automata (II): late 18th to early 20th century
160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
160125 UE [de en] Afro-Brazilian Percussion
160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
B15 VM Source Study, Source Work and Source Criticism
160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
160066 UE Principles of Notation and Composition II
160069 SE "Salve regina" as musical and cultural practice (until 1600)
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160105 VO Musical automata (II): late 18th to early 20th century
160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
160122 PR Practical Training Gregorian Chant
160123 VO+UE [de en] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B16 EM Music and Society
160054 VO Local and Popular Music in Brazil
160058 PS Music in/from the Balkan countries
160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
160063 PS Working communities - Artist communities
160064 SE French vocal music in the 2nd half of the 19th century
160068 VO Music and Marian devotion in the 15th and 16th century
160069 SE "Salve regina" as musical and cultural practice (until 1600)
160088 VO The musics of the world at a glance 1st part
160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160091 VO Folk Music, Folk Music Keeping and Media in Europe
160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
160117 PS 17-Century Venetian Opera
160118 VO Concepts of music theatre since 1950
160119 VO Minzoku ongaku: The Japanese Folk Music
160123 VO+UE [de en] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
170048 VU W. A. Mozart and the opera of this time
B17 EM Analysis and Theoretical Interpretation of Music
160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
160063 PS Working communities - Artist communities
160064 SE French vocal music in the 2nd half of the 19th century
160066 UE Principles of Notation and Composition II
160069 SE "Salve regina" as musical and cultural practice (until 1600)
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
160085 KO Reading Course: Musical Aesthetics
160086 UE What is a Music Genre?
160106 VO African Music II
160112 UE Harmony 2: Development of harmony in 19th century music
160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
160115 UE Exercises in ethnomusicological transcription
160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
160121 SE Experimental Music Concepts: History, Theory, and Practice
160128 PS History and Theory of Orchestration
160129 VO+UE Theory of and practise in repertoire and style
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160063 PS Working communities - Artist communities
160064 SE French vocal music in the 2nd half of the 19th century
160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
160085 KO Reading Course: Musical Aesthetics
160118 VO Concepts of music theatre since 1950
160121 SE Experimental Music Concepts: History, Theory, and Practice
160128 PS History and Theory of Orchestration
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B19 EM Current Musicology
160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160091 VO Folk Music, Folk Music Keeping and Media in Europe
160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
160118 VO Concepts of music theatre since 1950
160127 VO Creativity research
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B20 EM Applied Musicology I
160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 SE Sound Design & Acoustic Measurement
160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction

Last modified: We 13.06.2018 00:38