B17 EM Analysis and Theoretical Interpretation of Music

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160066 UE Principles of Notation and Composition II
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160106 VO African Music II
• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160115 UE Exercises in ethnomusicological transcription
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)