A. Bachelor Degree Programme in Musicology
160039 VO Work techniques in musicology
160040 VO Principles of Music
160034 VO Introduction to musicology I
160035 VO Introduction to musicology II
160036 VO Introduction to musicology III
160037 VO Introduction to musicology IV
160038 VO Introduction to musicology V
160088 UE Harmony 1
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160010 VO Music History III (1600-1750)
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160048 UE Introduction to Analysis of Tonal Music
160049 PS Music Theatre in the Interwar Period
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160085 PS Franz Schreker´s operas
160094 VO Anton Bruckner
160067 VO Afro-American music cultures
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
160062 PS Music and neuroscience
160073 VO Empirical Methods and Research
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160067 VO Afro-American music cultures
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160042 UE An Introduction to Fieldwork
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160044 SE Rhythm
160045 SE Christoph Willibald Gluck's Operas
160049 PS Music Theatre in the Interwar Period
160050 SE Goethe settings
160051 SE Heinrich Isaac
160053 SE Recording, Mix & Mastering
160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
160062 PS Music and neuroscience
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160051 SE Heinrich Isaac
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160010 VO Music History III (1600-1750)
160048 UE Introduction to Analysis of Tonal Music
160049 PS Music Theatre in the Interwar Period
160050 SE Goethe settings
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160085 PS Franz Schreker´s operas
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160094 VO Anton Bruckner
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160042 UE An Introduction to Fieldwork
160043 VO Local and Popular Music in Brazil 2
160044 SE Rhythm
160067 VO Afro-American music cultures
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160053 SE Recording, Mix & Mastering
160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
160062 PS Music and neuroscience
160073 VO Empirical Methods and Research
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160043 VO Local and Popular Music in Brazil 2
160067 VO Afro-American music cultures
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160042 UE An Introduction to Fieldwork
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160043 VO Local and Popular Music in Brazil 2
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160049 PS Music Theatre in the Interwar Period
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160067 VO Afro-American music cultures
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160083 VO+UE Music and Play Theories
160042 UE An Introduction to Fieldwork
160044 SE Rhythm
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160048 UE Introduction to Analysis of Tonal Music
160049 PS Music Theatre in the Interwar Period
160050 SE Goethe settings
160051 SE Heinrich Isaac
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160085 PS Franz Schreker´s operas
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160050 SE Goethe settings
160083 VO+UE Music and Play Theories
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160083 VO+UE Music and Play Theories
160053 SE Recording, Mix & Mastering
160073 VO Empirical Methods and Research
160074 UE Applied Music Production
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Last modified: We 13.06.2018 00:39