Universität Wien FIND

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A. Bachelor Degree Programme in Musicology

160088 UE Harmony 1
160090 UE Harmony 2 - Development of harmony in 19th century music
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160094 VO Anton Bruckner
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160044 SE Rhythm
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160051 SE Heinrich Isaac
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160050 SE Goethe settings
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160090 UE Harmony 2 - Development of harmony in 19th century music
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160094 VO Anton Bruckner
160044 SE Rhythm
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160078 UE [de en] Afro-Brazilian Percussion
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160044 SE Rhythm
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160050 SE Goethe settings
160051 SE Heinrich Isaac
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
160090 UE Harmony 2 - Development of harmony in 19th century music
160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160050 SE Goethe settings
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

Last modified: We 13.06.2018 00:39