A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160039 VO Work techniques in musicology
• 160040 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160034 VO Introduction to musicology I
• 160035 VO Introduction to musicology II
• 160036 VO Introduction to musicology III
• 160037 VO Introduction to musicology IV
• 160038 VO Introduction to musicology V

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160088 UE Harmony 1
• 160089 UE Hearing and Recognition of Musical Structures

B02.2 Module - Music Theory and Musical Structures II

• 160087 UE Exercises in ethnomusicological transcription
• 160090 UE Harmony 2 - Development of harmony in 19th century music
• 160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century

B03 Basic Module - History of European Music before and after 1600

• 160010 VO Music History III (1600-1750)
• 160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
• 160048 UE Introduction to Analysis of Tonal Music
• 160049 PS Music Theatre in the Interwar Period
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160085 PS Franz Schreker´s operas
• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century
• 160094 VO Anton Bruckner

B04 Basic Module - Ethnomusicology

• 160059 VO The musics of the world at a glance 1st part
• 160067 VO Afro-American music cultures
• 160078 UE [ de en ] Afro-Brazilian Percussion
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
• 160087 UE Exercises in ethnomusicological transcription
• 160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion

B05 Basic Module - Systematic Musicology

• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160054 KO Conversatorium in Musical-Acoustic Issues
• 160055 UE Wonderful World of Musical Acoustics: Analysis
• 160056 UE Wonderful World of Musical Acoustics: Synthesis
• 160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
• 160062 PS Music and neuroscience
• 160073 VO Empirical Methods and Research
• 160074 UE Applied Music Production
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160079 PR Practical Introduction into Room Acoustical Measurement Techniques and Analysis II
• 160084 PS Physiological foundations of music perception
• 160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

B06 Basic Module - Contemporary Music and Popular Music

• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160059 VO The musics of the world at a glance 1st part
• 160060 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160061 PS Creative processes in music at the end of the 20th century
• 160067 VO Afro-American music cultures
• 160071 VO [ en ] Perspectives on British Rock Music (1964-2001)
• 160074 UE Applied Music Production
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160078 UE [ de en ] Afro-Brazilian Percussion
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160042 UE An Introduction to Fieldwork
• 160070 PR Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
• 160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160093 PR Archival Studies and Biographical Sources of Viennese Music History
• 160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

B08 Final Module

• 160044 SE Rhythm
• 160045 SE Christoph Willibald Gluck's Operas
• 160049 PS Music Theatre in the Interwar Period
• 160050 SE Goethe settings
• 160051 SE Heinrich Isaac
• 160053 SE Recording, Mix & Mastering
• 160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
• 160061 PS Creative processes in music at the end of the 20th century
• 160062 PS Music and neuroscience
• 160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
• 160068 SE Musical Topoi: Pastorale, Battaglia etc.
• 160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
• 160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
• 160097 SE The Relationship between musical analysis and performance - current debates and new perspectives

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160051 SE Heinrich Isaac
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century

B10 VM History of European Music after 1600

• 160010 VO Music History III (1600-1750)
• 160048 UE Introduction to Analysis of Tonal Music
• 160049 PS Music Theatre in the Interwar Period
• 160050 SE Goethe settings
• 160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
• 160068 SE Musical Topoi: Pastorale, Battaglia etc.
• 160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160085 PS Franz Schreker´s operas
• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century
• 160090 UE Harmony 2 - Development of harmony in 19th century music
• 160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
• 160094 VO Anton Bruckner

B11 VM Ethnomusicology

• 160041 EX Fieldtrip to Uganda in Ferbuary 2015
• 160042 UE An Introduction to Fieldwork
• 160043 VO Local and Popular Music in Brazil 2
• 160044 SE Rhythm
• 160059 VO The musics of the world at a glance 1st part
• 160067 VO Afro-American music cultures
• 160076 VO+UE Romani Music: Theoretical and Practical Approaches
• 160078 UE [ de en ] Afro-Brazilian Percussion
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
• 160087 UE Exercises in ethnomusicological transcription
• 160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion

B12 VM Systematic Musicology

• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160053 SE Recording, Mix & Mastering
• 160054 KO Conversatorium in Musical-Acoustic Issues
• 160055 UE Wonderful World of Musical Acoustics: Analysis
• 160056 UE Wonderful World of Musical Acoustics: Synthesis
• 160057 PS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
• 160062 PS Music and neuroscience
• 160073 VO Empirical Methods and Research
• 160074 UE Applied Music Production
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160079 PR Practical Introduction into Room Acoustical Measurement Techniques and Analysis II
• 160084 PS Physiological foundations of music perception
• 160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

B13 VM Contemporary Music

• 160061 PS Creative processes in music at the end of the 20th century
• 160097 SE The Relationship between musical analysis and performance - current debates and new perspectives

B14 VM Popular Music

• 160043 VO Local and Popular Music in Brazil 2
• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160059 VO The musics of the world at a glance 1st part
• 160060 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160061 PS Creative processes in music at the end of the 20th century
• 160067 VO Afro-American music cultures
• 160071 VO [ en ] Perspectives on British Rock Music (1964-2001)
• 160074 UE Applied Music Production
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160076 VO+UE Romani Music: Theoretical and Practical Approaches
• 160078 UE [ de en ] Afro-Brazilian Percussion
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity

B15 VM Source Study, Source Work and Source Criticism

• 160042 UE An Introduction to Fieldwork
• 160061 PS Creative processes in music at the end of the 20th century
• 160070 PR Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
• 160077 PR Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160093 PR Archival Studies and Biographical Sources of Viennese Music History
• 160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility

B16 EM Music and Society

• 160041 EX Fieldtrip to Uganda in Ferbuary 2015
• 160043 VO Local and Popular Music in Brazil 2
• 160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
• 160049 PS Music Theatre in the Interwar Period
• 160050 SE Goethe settings
• 160051 SE Heinrich Isaac
• 160059 VO The musics of the world at a glance 1st part
• 160060 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160061 PS Creative processes in music at the end of the 20th century
• 160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
• 160067 VO Afro-American music cultures
• 160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160076 VO+UE Romani Music: Theoretical and Practical Approaches
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160083 VO+UE Music and Play Theories

B17 EM Analysis and Theoretical Interpretation of Music

• 160042 UE An Introduction to Fieldwork
• 160044 SE Rhythm
• 160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
• 160048 UE Introduction to Analysis of Tonal Music
• 160049 PS Music Theatre in the Interwar Period
• 160050 SE Goethe settings
• 160051 SE Heinrich Isaac
• 160061 PS Creative processes in music at the end of the 20th century
• 160068 SE Musical Topoi: Pastorale, Battaglia etc.
• 160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160085 PS Franz Schreker´s operas
• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century
• 160087 UE Exercises in ethnomusicological transcription
• 160090 UE Harmony 2 - Development of harmony in 19th century music
• 160091 UE Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
• 160097 SE The Relationship between musical analysis and performance - current debates and new perspectives

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160050 SE Goethe settings
• 160061 PS Creative processes in music at the end of the 20th century
• 160083 VO+UE Music and Play Theories
• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century

B19 EM Current Musicology

• 160055 UE Wonderful World of Musical Acoustics: Analysis
• 160056 UE Wonderful World of Musical Acoustics: Synthesis
• 160060 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160061 PS Creative processes in music at the end of the 20th century
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160083 VO+UE Music and Play Theories

B20 EM Applied Musicology I

• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160053 SE Recording, Mix & Mastering
• 160054 KO Conversatorium in Musical-Acoustic Issues
• 160055 UE Wonderful World of Musical Acoustics: Analysis
• 160056 UE Wonderful World of Musical Acoustics: Synthesis
• 160073 VO Empirical Methods and Research
• 160074 UE Applied Music Production
• 160076 VO+UE Romani Music: Theoretical and Practical Approaches
• 160079 PR Practical Introduction into Room Acoustical Measurement Techniques and Analysis II
• 160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
• 160093 PR Archival Studies and Biographical Sources of Viennese Music History
• 160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility