M04 APM 4

• 160010 VO Music History III (1600-1750)
• 160041 EX Fieldtrip to Uganda in Ferbuary 2015
• 160043 VO Local and Popular Music in Brazil 2
• 160044 SE Rhythm
• 160050 SE Goethe settings
• 160051 SE Heinrich Isaac
• 160052 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
• 160067 VO Afro-American music cultures
• 160068 SE Musical Topoi: Pastorale, Battaglia etc.
• 160070 PR Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
• 160071 VO [ en ] Perspectives on British Rock Music (1964-2001)
• 160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
• 160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
• 160076 VO+UE Romani Music: Theoretical and Practical Approaches
• 160080 UE [ de en ] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
• 160081 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
• 160086 VO Articulation and Phrasing in the music of the 17th and 18th century
• 160094 VO Anton Bruckner
• 160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
• 160097 SE The Relationship between musical analysis and performance - current debates and new perspectives