1. Alternative Required Modules (APM)
160010 VO Music History III (1600-1750)
160044 SE Rhythm
160045 SE Christoph Willibald Gluck's Operas
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160048 UE Introduction to Analysis of Tonal Music
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160094 VO Anton Bruckner
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160042 UE An Introduction to Fieldwork
160043 VO Local and Popular Music in Brazil 2
160044 SE Rhythm
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160067 VO Afro-American music cultures
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160010 VO Music History III (1600-1750)
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160043 VO Local and Popular Music in Brazil 2
160044 SE Rhythm
160053 SE Recording, Mix & Mastering
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160067 VO Afro-American music cultures
160073 VO Empirical Methods and Research
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160094 VO Anton Bruckner
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160010 VO Music History III (1600-1750)
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160043 VO Local and Popular Music in Brazil 2
160044 SE Rhythm
160050 SE Goethe settings
160051 SE Heinrich Isaac
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160067 VO Afro-American music cultures
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160094 VO Anton Bruckner
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
160010 VO Music History III (1600-1750)
160041 EX Fieldtrip to Uganda in Ferbuary 2015
160042 UE An Introduction to Fieldwork
160043 VO Local and Popular Music in Brazil 2
160044 SE Rhythm
160045 SE Christoph Willibald Gluck's Operas
160047 VO Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
160048 UE Introduction to Analysis of Tonal Music
160050 SE Goethe settings
160051 SE Heinrich Isaac
160053 SE Recording, Mix & Mastering
160065 SE "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
160067 VO Afro-American music cultures
160068 SE Musical Topoi: Pastorale, Battaglia etc.
160072 SE Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
160073 VO Empirical Methods and Research
160074 UE Applied Music Production
160075 VO Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
160076 VO+UE Romani Music: Theoretical and Practical Approaches
160080 UE [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
160082 UE Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
160092 UE Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
160094 VO Anton Bruckner
160095 SE Music and Speech - Current methods and results in the light of modern phonetics and phonology
160096 VO+UE Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
160097 SE The Relationship between musical analysis and performance - current debates and new perspectives
Last modified: We 13.06.2018 00:39