Universität Wien

1. Alternative Required Modules (APM)

M01 APM 1
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160045 VO Music History II (1300-1600)
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160085 SE The Beginnings of Polyphony (9th-11th Century)
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
170517 VU Rossini - Bellini - Donizetti
M02 APM 2
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
160085 SE The Beginnings of Polyphony (9th-11th Century)
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
130076 VO [de en] Global Pop Music in Local Cultural Contexts
M03 APM 3
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160048 VO Limits and Capabilities of Human Auditory Perception
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160082 UE Research Methods and Statistics in Musicology
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
M04 APM 4
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160045 VO Music History II (1300-1600)
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160085 SE The Beginnings of Polyphony (9th-11th Century)
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
M05 APM 5
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160045 VO Music History II (1300-1600)
160048 VO Limits and Capabilities of Human Auditory Perception
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160082 UE Research Methods and Statistics in Musicology
160085 SE The Beginnings of Polyphony (9th-11th Century)
170514 VU Traces in the Unknown
170517 VU Rossini - Bellini - Donizetti
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age

Last modified: We 13.06.2018 00:38