B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160045 VO Music History II (1300-1600)
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown
• 170517 VU Rossini - Bellini - Donizetti

M02 APM 2

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

M03 APM 3

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160082 UE Research Methods and Statistics in Musicology
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M04 APM 4

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160045 VO Music History II (1300-1600)
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M05 APM 5

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160045 VO Music History II (1300-1600)
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160082 UE Research Methods and Statistics in Musicology
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170514 VU Traces in the Unknown
• 170517 VU Rossini - Bellini - Donizetti
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age

2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

M07 WM History of European Music after 1600

• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 170517 VU Rossini - Bellini - Donizetti
• 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
• 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013

M08 WM Ethnomusicology

• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160066 VO African Music in the 20th Century
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

M09 WM Systematic Musicology

• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160082 UE Research Methods and Statistics in Musicology

M10 WM Contemporary Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M11 WM Popular Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

M12 WM Source Study, Source Work and Source Criticism

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160068 SE String Quintets between Boccherini and Sessions
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources

M13 WM Music and Society

• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 170517 VU Rossini - Bellini - Donizetti
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I

M14 WM Analysis and Theoretical Interpretation of Music

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160068 SE String Quintets between Boccherini and Sessions
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160028 VO Introduction to the Musicological Music Film Studies
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170508 UE Musik in-szenieren: Macbeth
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013

M16 WM Current Musicology

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170508 UE Musik in-szenieren: Macbeth
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age

M17 WM Applied Musicology

• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 170508 UE Musik in-szenieren: Macbeth
• 170527 UE Management of Music Theatre

3. M18 Master Seminar Module

• 160032 MA Research Seminar for Master Candidates
• 160051 MA Research Seminar for Master and Doctoral Candidates
• 160062 MA Research Seminar for Master and Doctoral Candidates
• 160063 MA Research Seminar for Master and Doctoral Candidates
• 160065 MA Research Seminar for Master and Doctoral Candidates
• 160090 MA Research Seminar for Master and Doctoral Candidates