16.01. Musicology
A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
- 160045 VO Principles of Music
- 160008 VO Work techniques in musicology
B01.2 StEOP: Introduction to Musicology
- 160009 VO Introduction to Musicology I-V
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
- 160041 UE Harmony 1
- 160043 UE Harmony 1
- 160042 UE Hearing and Recognition of Musical Structures
- 160044 UE Hearing and Recognition of Musical Structures
B02.2 Module - Music Theory and Musical Structures II
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160048 UE Exercises in Ethnomusicological Transcription
B03 Basic Module - History of European Music before and after 1600
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160040 VO+UE Schumann's musical poetics
- 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
- 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
- 160007 PS J.S. Bach's Passions
- 160011 PS Max Reger and the 'Lied' around 1900
- 160012 PS 20th-Century Piano Music
- 160058 PR Florian Gassmann 'Gli uccellatori'
B04 Basic Module - Ethnomusicology
- 160001 VO History and Methods in Ethnomusicology
- 160024 VO Music of the World - Overview II
- 160037 VO African Music I
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160025 PS Musical instruments of the world
- 160048 UE Exercises in Ethnomusicological Transcription
- 160049 PS Introduction to Swiss folk music
B05 Basic Module - Systematic Musicology
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160052 VO+UE Research Methods for the Psychology of Music
- 160018 UE Acoustic Labor Practical Course II: Streaming Media
- 160017 PS New Media & Music Technologies
- 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
- 160025 PS Musical instruments of the world
- 160054 PR Room acoustics in practice
- 160019 KO Conversatorium in Musical-Acoustic Issues
B06 Basic Module - Contemporary Music and Popular Music
- 160006 PR Putting Austrian Music into Words
- 160012 PS 20th-Century Piano Music
- 160018 UE Acoustic Labor Practical Course II: Streaming Media
- 160024 VO Music of the World - Overview II
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160035 VO In Dialogue with Contemporary Women Composers
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
B07 Basic Module - Source Study, Source Work and Source Criticism
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
- 160058 PR Florian Gassmann 'Gli uccellatori'
B08 Final Module
- 160002 SE Improvisation
- 160007 PS J.S. Bach's Passions
- 160011 PS Max Reger and the 'Lied' around 1900
- 160012 PS 20th-Century Piano Music
- 160013 SE Individual Styles of Composers in the 20th Century
- 160017 PS New Media & Music Technologies
- 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160025 PS Musical instruments of the world
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160038 SE Schostakowitsch's symphonies
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
- 160061 SE [ en ] Eurovision Song Contest
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
- 160010 VO The polyphonic proprium missae until 1600
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
- 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
B10 VM History of European Music after 1600
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160007 PS J.S. Bach's Passions
- 160011 PS Max Reger and the 'Lied' around 1900
- 160012 PS 20th-Century Piano Music
- 160013 SE Individual Styles of Composers in the 20th Century
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
- 170120 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
- 170127 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
B11 VM Ethnomusicology
- 160001 VO History and Methods in Ethnomusicology
- 160024 VO Music of the World - Overview II
- 160037 VO African Music I
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160048 UE Exercises in Ethnomusicological Transcription
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160025 PS Musical instruments of the world
- 160049 PS Introduction to Swiss folk music
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
B12 VM Systematic Musicology
- 160017 PS New Media & Music Technologies
- 160018 UE Acoustic Labor Practical Course II: Streaming Media
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160025 PS Musical instruments of the world
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
B13 VM Contemporary Music
- 160006 PR Putting Austrian Music into Words
- 160012 PS 20th-Century Piano Music
- 160013 SE Individual Styles of Composers in the 20th Century
- 160035 VO In Dialogue with Contemporary Women Composers
- 160038 SE Schostakowitsch's symphonies
B14 VM Popular Music
- 160018 UE Acoustic Labor Practical Course II: Streaming Media
- 160024 VO Music of the World - Overview II
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B15 VM Source Study, Source Work and Source Criticism
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
- 160058 PR Florian Gassmann 'Gli uccellatori'
B16 EM Music and Society
- 070292 PS [ en ] BA-Proseminar - Europe and the Eurovision Song Contest
- 160011 PS Max Reger and the 'Lied' around 1900
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160024 VO Music of the World - Overview II
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160038 SE Schostakowitsch's symphonies
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
B17 EM Analysis and Theoretical Interpretation of Music
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160012 PS 20th-Century Piano Music
- 160013 SE Individual Styles of Composers in the 20th Century
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160048 UE Exercises in Ethnomusicological Transcription
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
- 160001 VO History and Methods in Ethnomusicology
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160037 VO African Music I
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
B19 EM Current Musicology
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160031 VO+UE Current Musicology - perspectives of research
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160054 PR Room acoustics in practice
B20 EM Applied Musicology I
- 160006 PR Putting Austrian Music into Words
- 160018 UE Acoustic Labor Practical Course II: Streaming Media
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160062 PR Cultural management and festival organization
- 160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 160002 SE Improvisation
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160035 VO In Dialogue with Contemporary Women Composers
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160006 PR Putting Austrian Music into Words
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M02 APM 2
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160061 SE [ en ] Eurovision Song Contest
M03 APM 3
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160061 SE [ en ] Eurovision Song Contest
- 160062 PR Cultural management and festival organization
M04 APM 4
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160006 PR Putting Austrian Music into Words
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
M05 APM 5
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
- 160062 PR Cultural management and festival organization
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 160006 PR Putting Austrian Music into Words
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
2. Elective Modules (WM)
M06 WM History of European Music before 1600
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160010 VO The polyphonic proprium missae until 1600
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
M07 WM History of European Music after 1600
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M08 WM Ethnomusicology
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160028 UE Qualitative research methods in musicology
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
M09 WM Systematic Musicology
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
M10 WM Contemporary Music
- 160006 PR Putting Austrian Music into Words
- 160035 VO In Dialogue with Contemporary Women Composers
- 160038 SE Schostakowitsch's symphonies
M11 WM Popular Music
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160061 SE [ en ] Eurovision Song Contest
M12 WM Source Study, Source Work and Source Criticism
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160058 PR Florian Gassmann 'Gli uccellatori'
M13 WM Music and Society
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160038 SE Schostakowitsch's symphonies
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
M14 WM Analysis and Theoretical Interpretation of Music
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
M16 WM Current Musicology
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160031 VO+UE Current Musicology - perspectives of research
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
M17 WM Applied Musicology
- 160006 PR Putting Austrian Music into Words
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160062 PR Cultural management and festival organization
- 160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners
- 170530 UE Music Theatre Management
3. M18 Master Seminar Module
- 160003 MA Research seminar for diploma, master and doctoral candidates
- 160016 MA Research seminar for master candidates
- 160023 MA Research Seminar for Master and Doctoral Candidates
- 160034 MA Research Seminar for Master and Doctoral Candidates
- 160036 MA Research Seminar for Master and Doctoral Candidates
- 160039 MA Research Seminar for Master and Doctoral Candidates
- 160065 MA Research Seminar for Master and Doctoral Candidates
D. Complementary Study Programmes/Minors
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160010 VO The polyphonic proprium missae until 1600
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160009 VO Introduction to Musicology I-V
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160035 VO In Dialogue with Contemporary Women Composers
- 160009 VO Introduction to Musicology I-V
CSP World Music
Required Module 1: Introduction to Ethnomusicology
- 160001 VO History and Methods in Ethnomusicology
- 160009 VO Introduction to Musicology I-V
Required Module 2: Survey of World Music
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160024 VO Music of the World - Overview II
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160037 VO African Music I
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
EC Musical Acoustics and Auditory Perception
Compulsory Module (EC Musical Acoustics and Auditory Perception)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
EC Popular Music
Compulsory Module (EC Popular Music)
- 160024 VO Music of the World - Overview II
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
Universität für Musik und darstellende Kunst Wien
Last modified: We 13.06.2018 00:39
http://musikwissenschaft.univie.ac.at/studium/anmeldung-zu-lehrveranstaltungen/
bzw. http://studentpoint.univie.ac.at/durchs-studium/anmeldesystem/