A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160045 VO Principles of Music
• 160008 VO Work techniques in musicology

B01.2 StEOP: Introduction to Musicology

• 160009 VO Introduction to Musicology I-V

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160041 UE Harmony 1
• 160043 UE Harmony 1
• 160042 UE Hearing and Recognition of Musical Structures
• 160044 UE Hearing and Recognition of Musical Structures

B02.2 Module - Music Theory and Musical Structures II

• 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
• 160048 UE Exercises in Ethnomusicological Transcription

B03 Basic Module - History of European Music before and after 1600

• 160010 VO The polyphonic proprium missae until 1600
• 160014 VO Music history IV - (c. 1750 - 1850)
• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
• 160040 VO+UE Schumann's musical poetics
• 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
• 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
• 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
• 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
• 160007 PS J.S. Bach's Passions
• 160011 PS Max Reger and the 'Lied' around 1900
• 160012 PS 20th-Century Piano Music
• 160058 PR Florian Gassmann 'Gli uccellatori'

B04 Basic Module - Ethnomusicology

• 160001 VO History and Methods in Ethnomusicology
• 160024 VO Music of the World - Overview II
• 160037 VO African Music I
• 160046 VO Gagaku: traditional music at the Japanese imperial court
• 160051 VO Traditional Buddhist Ritual Music in East Asia
• 160025 PS Musical instruments of the world
• 160048 UE Exercises in Ethnomusicological Transcription
• 160049 PS Introduction to Swiss folk music

B05 Basic Module - Systematic Musicology

• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 160052 VO+UE Research Methods for the Psychology of Music
• 160018 UE Acoustic Labor Practical Course II: Streaming Media
• 160017 PS New Media & Music Technologies
• 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160025 PS Musical instruments of the world
• 160054 PR Room acoustics in practice
• 160019 KO Conversatorium in Musical-Acoustic Issues

B06 Basic Module - Contemporary Music and Popular Music

• 160006 PR Putting Austrian Music into Words
• 160012 PS 20th-Century Piano Music
• 160018 UE Acoustic Labor Practical Course II: Streaming Media
• 160024 VO Music of the World - Overview II
• 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
• 160035 VO In Dialogue with Contemporary Women Composers
• 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
• 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
• 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
• 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
• 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
• 160058 PR Florian Gassmann 'Gli uccellatori'

B08 Final Module

• 160002 SE Improvisation
• 160007 PS J.S. Bach's Passions
• 160011 PS Max Reger and the 'Lied' around 1900
• 160012 PS 20th-Century Piano Music
• 160013 SE Individual Styles of Composers in the 20th Century
• 160017 PS New Media & Music Technologies
• 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160021 SE Auditory Scene Analysis and acoustical illusions
• 160025 PS Musical instruments of the world
• 160027 SE Adorno’s Theory of Musical Reproduction
• 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
• 160038 SE Schostakowitsch's symphonies
• 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
• 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
• 160061 SE [ en ] Eurovision Song Contest

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160010 VO The polyphonic proprium missae until 1600
• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 060057 VO+UE Development of synagogal liturgy - texts and music
• 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
• 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
• 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
• 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
• 010047 SE Antiphon and Pedal Tone - Church Music in East and West

B10 VM History of European Music after 1600

• 010047 SE Antiphon and Pedal Tone - Church Music in East and West
• 060057 VO+UE Development of synagogal liturgy - texts and music
• 160007 PS J.S. Bach's Passions
• 160011 PS Max Reger and the 'Lied' around 1900
• 160012 PS 20th-Century Piano Music
• 160013 SE Individual Styles of Composers in the 20th Century
• 160014 VO Music history IV - (c. 1750 - 1850)
• 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 160038 SE Schostakowitsch's symphonies
• 160040 VO+UE Schumann's musical poetics
• 160058 PR Florian Gassmann 'Gli uccellatori'
• 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
• 170120 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
• 170127 UE Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis

B11 VM Ethnomusicology

• 160001 VO History and Methods in Ethnomusicology
• 160024 VO Music of the World - Overview II
• 160037 VO African Music I
• 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
• 160046 VO Gagaku: traditional music at the Japanese imperial court
• 160051 VO Traditional Buddhist Ritual Music in East Asia
• 060057 VO+UE Development of synagogal liturgy - texts and music
• 160048 UE Exercises in Ethnomusicological Transcription
• 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 160025 PS Musical instruments of the world
• 160049 PS Introduction to Swiss folk music
• 010047 SE Antiphon and Pedal Tone - Church Music in East and West
• 160002 SE Improvisation
• 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material

B12 VM Systematic Musicology

• 160017 PS New Media & Music Technologies
• 160018 UE Acoustic Labor Practical Course II: Streaming Media
• 160019 KO Conversatorium in Musical-Acoustic Issues
• 160020 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 160025 PS Musical instruments of the world
• 160052 VO+UE Research Methods for the Psychology of Music
• 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
• 160054 PR Room acoustics in practice

B13 VM Contemporary Music

• 160006 PR Putting Austrian Music into Words
• 160012 PS 20th-Century Piano Music
• 160013 SE Individual Styles of Composers in the 20th Century
• 160035 VO In Dialogue with Contemporary Women Composers
• 160038 SE Schostakowitsch's symphonies

B14 VM Popular Music

• 160018 UE Acoustic Labor Practical Course II: Streaming Media
• 160024 VO Music of the World - Overview II
• 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
• 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
• 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

B15 VM Source Study, Source Work and Source Criticism

• 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
• 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
• 160032 UE Principles of Notation and Composition I (Monophonic Music of the Middle Ages)
• 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
• 160057 PS Sources of Secular Polyphony between 15th and 16th Centuries
• 160058 PR Florian Gassmann 'Gli uccellatori'

B16 EM Music and Society

• 070292 PS [ en ] BA-Proseminar - Europe and the Eurovision Song Contest
• 160011 PS Max Reger and the 'Lied' around 1900
• 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
• 160024 VO Music of the World - Overview II
• 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
• 160038 SE Schostakowitsch's symphonies
• 160046 VO Gagaku: traditional music at the Japanese imperial court
• 160051 VO Traditional Buddhist Ritual Music in East Asia
• 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
• 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
• 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media

B17 EM Analysis and Theoretical Interpretation of Music

• 160002 SE Improvisation
• 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
• 160005 VO+UE Musical "meaning": problems and perspectives
• 160012 PS 20th-Century Piano Music
• 160013 SE Individual Styles of Composers in the 20th Century
• 160037 VO African Music I
• 160038 SE Schostakowitsch's symphonies
• 160040 VO+UE Schumann's musical poetics
• 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
• 160048 UE Exercises in Ethnomusicological Transcription
• 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160001 VO History and Methods in Ethnomusicology
• 160005 VO+UE Musical "meaning": problems and perspectives
• 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
• 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
• 160037 VO African Music I
• 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
• 160059 UE The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurde
• 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media

B19 EM Current Musicology

• 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
• 160031 VO+UE Current Musicology - perspectives of research
• 160005 VO+UE Musical "meaning": problems and perspectives
• 160058 PR Florian Gassmann 'Gli uccellatori'
• 160054 PR Room acoustics in practice

B20 EM Applied Musicology I

• 160006 PR Putting Austrian Music into Words
• 160018 UE Acoustic Labor Practical Course II: Streaming Media
• 160019 KO Conversatorium in Musical-Acoustic Issues
• 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
• 160054 PR Room acoustics in practice
• 160058 PR Florian Gassmann 'Gli uccellatori'
• 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
• 160062 PR Cultural management and festival organization
• 160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners