B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 160002 SE Improvisation
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160035 VO In Dialogue with Contemporary Women Composers
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160006 PR Putting Austrian Music into Words
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M02 APM 2
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160061 SE [ en ] Eurovision Song Contest
M03 APM 3
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160061 SE [ en ] Eurovision Song Contest
- 160062 PR Cultural management and festival organization
M04 APM 4
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160006 PR Putting Austrian Music into Words
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
M05 APM 5
- 160001 VO History and Methods in Ethnomusicology
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160010 VO The polyphonic proprium missae until 1600
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160037 VO African Music I
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160047 UE Harmony 2: Theory for Jazz and Popular Music of the 20th Century
- 160050 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
- 160062 PR Cultural management and festival organization
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 160006 PR Putting Austrian Music into Words
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
2. Elective Modules (WM)
M06 WM History of European Music before 1600
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160010 VO The polyphonic proprium missae until 1600
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
M07 WM History of European Music after 1600
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160014 VO Music history IV - (c. 1750 - 1850)
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
M08 WM Ethnomusicology
- 010047 SE Antiphon and Pedal Tone - Church Music in East and West
- 060057 VO+UE Development of synagogal liturgy - texts and music
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160028 UE Qualitative research methods in musicology
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
M09 WM Systematic Musicology
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160021 SE Auditory Scene Analysis and acoustical illusions
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160052 VO+UE Research Methods for the Psychology of Music
- 160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
- 160054 PR Room acoustics in practice
M10 WM Contemporary Music
- 160006 PR Putting Austrian Music into Words
- 160035 VO In Dialogue with Contemporary Women Composers
- 160038 SE Schostakowitsch's symphonies
M11 WM Popular Music
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160061 SE [ en ] Eurovision Song Contest
M12 WM Source Study, Source Work and Source Criticism
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
- 160058 PR Florian Gassmann 'Gli uccellatori'
M13 WM Music and Society
- 160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
- 160028 UE Qualitative research methods in musicology
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160038 SE Schostakowitsch's symphonies
- 160046 VO Gagaku: traditional music at the Japanese imperial court
- 160051 VO Traditional Buddhist Ritual Music in East Asia
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160061 SE [ en ] Eurovision Song Contest
M14 WM Analysis and Theoretical Interpretation of Music
- 160002 SE Improvisation
- 160004 PR Field trip to Uganda in February 2015: Evaluation of the Material
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160038 SE Schostakowitsch's symphonies
- 160040 VO+UE Schumann's musical poetics
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160015 UE "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th century
- 160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
- 160027 SE Adorno’s Theory of Musical Reproduction
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
M16 WM Current Musicology
- 160005 VO+UE Musical "meaning": problems and perspectives
- 160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
- 160031 VO+UE Current Musicology - perspectives of research
- 160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
- 160035 VO In Dialogue with Contemporary Women Composers
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
M17 WM Applied Musicology
- 160006 PR Putting Austrian Music into Words
- 160019 KO Conversatorium in Musical-Acoustic Issues
- 160030 PR The Critical Editing of Music: an Introduction to Basic Principles and Methods
- 160054 PR Room acoustics in practice
- 160058 PR Florian Gassmann 'Gli uccellatori'
- 160060 UE Writing about Music: Reviews About Opera and Concert in the Mass Media
- 160062 PR Cultural management and festival organization
- 160064 PR Digital Music and Text Edition - XML, TEI, MEI and EDIROM for beginners
- 170530 UE Music Theatre Management
3. M18 Master Seminar Module
- 160003 MA Research seminar for diploma, master and doctoral candidates
- 160016 MA Research seminar for master candidates
- 160023 MA Research Seminar for Master and Doctoral Candidates
- 160034 MA Research Seminar for Master and Doctoral Candidates
- 160036 MA Research Seminar for Master and Doctoral Candidates
- 160039 MA Research Seminar for Master and Doctoral Candidates
- 160065 MA Research Seminar for Master and Doctoral Candidates
Last modified: We 13.06.2018 00:39