B. Master Degree Programme in Musicology
160002 SE Improvisation
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160027 SE Adorno’s Theory of Musical Reproduction
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160006 PR Putting Austrian Music into Words
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160006 PR Putting Austrian Music into Words
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160001 VO History and Methods in Ethnomusicology
160002 SE Improvisation
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160027 SE Adorno’s Theory of Musical Reproduction
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160037 VO African Music I
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160058 PR Florian Gassmann 'Gli uccellatori'
160006 PR Putting Austrian Music into Words
060057 VO+UE Development of synagogal liturgy - texts and music
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
060057 VO+UE Development of synagogal liturgy - texts and music
160014 VO Music history IV - (c. 1750 - 1850)
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160058 PR Florian Gassmann 'Gli uccellatori'
060057 VO+UE Development of synagogal liturgy - texts and music
160002 SE Improvisation
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160052 VO+UE Research Methods for the Psychology of Music
160053 UE Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher Identitäten
160054 PR Room acoustics in practice
160006 PR Putting Austrian Music into Words
160038 SE Schostakowitsch's symphonies
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160055 VO+UE Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational Shift
160058 PR Florian Gassmann 'Gli uccellatori'
160022 VO Springs, barrels and transmission gear: History and functionality of selfplaying musical instruments
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160038 SE Schostakowitsch's symphonies
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160002 SE Improvisation
160005 VO+UE Musical "meaning": problems and perspectives
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160038 SE Schostakowitsch's symphonies
160040 VO+UE Schumann's musical poetics
160005 VO+UE Musical "meaning": problems and perspectives
160026 VO+UE From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der Popmusik
160027 SE Adorno’s Theory of Musical Reproduction
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160056 SE Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th Century
160005 VO+UE Musical "meaning": problems and perspectives
160029 SE Main persons in the field of popular music using the example of German Schlager and Popular Classics
160033 VO Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
160006 PR Putting Austrian Music into Words
160054 PR Room acoustics in practice
160058 PR Florian Gassmann 'Gli uccellatori'
170530 UE Music Theatre Management
160016 MA Research seminar for master candidates
Last modified: We 13.06.2018 00:39