B08 Final Module

• 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
• 160023 PS Source study in ethnomusicology
• 160042 PS Romani music: theoretical reflection and active practice
• 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
• 160039 PS Erik Satie and the Groupe des Six
• 160017 SE The Fateful Backward Glance of a Lover
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
• 160011 SE Händel´s early operas
• 160034 SE Pierre de la Rue
• 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160049 SE Sound Design & Acoustic Measurement
• 160027 SE Film Music for belittlement
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
• 160073 SE Dentô ongaku: Traditional Music in Japan