Universität Wien

B08 Final Module

160038 PS 5 ECTS The Myth of Venice: A Chronotope in Music-Historical Writing
Gasch
160023 PS 5 ECTS Source study in ethnomusicology
Schmidhofer
160042 PS 5 ECTS Romani music: theoretical reflection and active practice
Hemetek
160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
Utz
160039 PS 5 ECTS Erik Satie and the Groupe des Six
Handlos
160017 SE 7 ECTS The Fateful Backward Glance of a Lover
Haas
160015 SE 7 ECTS Sources of the 15th and 16th Centuries in Eastern Europe
Gasch
160011 SE 7 ECTS Händel´s early operas
Calella
160034 SE 7 ECTS Pierre de la Rue
Fuhrmann
160022 SE 7 ECTS Systematic Oddities - Everyday Myths about Music and their Origins
Reuter
160044 SE 7 ECTS Selected Topics in Organology and Instrument Classification
Kowar
160049 SE 7 ECTS Sound Design & Acoustic Measurement
Lubej
160027 SE 7 ECTS Film Music for belittlement
Saary
160040 SE 7 ECTS The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
Handlos
160053 SE 7 ECTS Baroque opera in Austria
Seifert
160058 SE 7 ECTS Analysis of popular music
Von Appen
160072 PS 5 ECTS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
Seibt
160073 SE 7 ECTS Dentô ongaku: Traditional Music in Japan
Seibt

Last modified: We 13.06.2018 00:39