B17 EM Analysis and Theoretical Interpretation of Music

• 160045 VO African Music II
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160029 UE Harmony 2: Little history of the fuge technique (16th to 20th century)
• 160035 UE Principles of Notation and Composition II
• 160056 UE Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th century
• 160054 UE Exercises in Ethnomusicological Transcription
• 160039 PS Erik Satie and the Groupe des Six
• 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160034 SE Pierre de la Rue
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)