Universität Wien

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)
M01 APM 1
160011 VO Music History 1
160055 VO Viennese Music History 1600-1900
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160052 UE Orlando di Lasso: aspects and questions
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160057 SE Biographies of composers from four centuries in films and musicals
160029 SE Double respectively multiple talented artists
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160034 SE Mozart's operas and 'Singspiele'
160009 SE Politically motivated motets of the 15th & 16th century
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160006 PR Archival Studies and Biographical Sources of Viennese Music History
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
M02 APM 2
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160043 VO [en] African music in secret societies and initiation
160040 UE Transmission of the traditional japanese music
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
160057 SE Biographies of composers from four centuries in films and musicals
160039 VO [en] Music of Central Asia
M03 APM 3
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160048 UE Test theory and test construction for musicologists
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
M04 APM 4
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160009 SE Politically motivated motets of the 15th & 16th century
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160029 SE Double respectively multiple talented artists
160065 SE Sound and Movement
160057 SE Biographies of composers from four centuries in films and musicals
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M05 APM 5
2. Elective Modules (WM)
M06 WM History of European Music before 1600
160011 VO Music History 1
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160052 UE Orlando di Lasso: aspects and questions
160009 SE Politically motivated motets of the 15th & 16th century
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
M07 WM History of European Music after 1600
160055 VO Viennese Music History 1600-1900
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160029 SE Double respectively multiple talented artists
160034 SE Mozart's operas and 'Singspiele'
160057 SE Biographies of composers from four centuries in films and musicals
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
160006 PR Archival Studies and Biographical Sources of Viennese Music History
M08 WM Ethnomusicology
160043 VO [en] African music in secret societies and initiation
160033 VO Afro-American music forms
160040 UE Transmission of the traditional japanese music
160022 SE Music and Trance
160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
160065 SE Sound and Movement
160039 VO [en] Music of Central Asia
M09 WM Systematic Musicology
160047 VO Music and emotion
160027 VO Music in medial Embracement and its Future
160015 UE Wonderful World of Musical Acoustics: Analysis
160018 UE Wonderful World of Musical Acoustics: Synthesis
160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160048 UE Test theory and test construction for musicologists
160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution
M10 WM Contemporary Music
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M11 WM Popular Music
160033 VO Afro-American music forms
160059 VO [en] Electroacoustic Music and Sound in Film
160061 VO Jazz and jazz related Popular Music at a glance
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
M12 WM Source Study, Source Work and Source Criticism
160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
160049 UE Editing Early Music
160052 UE Orlando di Lasso: aspects and questions
160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
160006 PR Archival Studies and Biographical Sources of Viennese Music History
160056 PR Archive and library science
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
M13 WM Music and Society
160027 VO Music in medial Embracement and its Future
160033 VO Afro-American music forms
160043 VO [en] African music in secret societies and initiation
160009 SE Politically motivated motets of the 15th & 16th century
160057 SE Biographies of composers from four centuries in films and musicals
160029 SE Double respectively multiple talented artists
M14 WM Analysis and Theoretical Interpretation of Music
160027 VO Music in medial Embracement and its Future
160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
160034 SE Mozart's operas and 'Singspiele'
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
M16 WM Current Musicology
160026 UE Current State of Musicology
M17 WM Applied Musicology
160049 UE Editing Early Music
160044 PR Principles of audio engineering - Pathology of the ear
160045 PR Microphone practice for musicologists
160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
160056 PR Archive and library science
160060 PR Applied Music Production
3. M18 Master Seminar Module
160067 MA Research Seminar for Master Candidates
160008 MA Research Seminar for Master Candidates
160020 MA Research Seminar for Master and Doctoral Candidates
160028 MA Research Seminar for Master and Doctoral Candidates
160030 MA Research Seminar for Master and Doctoral Candidates
160032 MA Research Seminar for Master and Doctoral Candidates
160031 MA Research Seminar for Master and Doctoral Candidates

Last modified: We 13.06.2018 00:40