2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160011 VO Music History 1
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160052 UE Orlando di Lasso: aspects and questions
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik

M07 WM History of European Music after 1600

• 160055 VO Viennese Music History 1600-1900
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160029 SE Double respectively multiple talented artists
• 160034 SE Mozart's operas and 'Singspiele'
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History

M08 WM Ethnomusicology

• 160043 VO [ en ] African music in secret societies and initiation
• 160033 VO Afro-American music forms
• 160040 UE Transmission of the traditional japanese music
• 160022 SE Music and Trance
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160065 SE Sound and Movement
• 160039 VO [ en ] Music of Central Asia

M09 WM Systematic Musicology

• 160047 VO Music and emotion
• 160027 VO Music in medial Embracement and its Future
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160048 UE Test theory and test construction for musicologists
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

M10 WM Contemporary Music

• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

M11 WM Popular Music

• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis

M12 WM Source Study, Source Work and Source Criticism

• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160049 UE Editing Early Music
• 160052 UE Orlando di Lasso: aspects and questions
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160056 PR Archive and library science
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

M13 WM Music and Society

• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160029 SE Double respectively multiple talented artists

M14 WM Analysis and Theoretical Interpretation of Music

• 160027 VO Music in medial Embracement and its Future
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160034 SE Mozart's operas and 'Singspiele'

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler

M16 WM Current Musicology

• 160026 UE Current State of Musicology

M17 WM Applied Musicology

• 160049 UE Editing Early Music
• 160044 PR Principles of audio engineering - Pathology of the ear
• 160045 PR Microphone practice for musicologists
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160056 PR Archive and library science
• 160060 PR Applied Music Production