Directorate of Studies 17 - Theatre, Film and Media Studies

Lagepläne des Instituts für Theater-,Film- und Medienwissenschaft finden Sie unter: https://tfm.univie.ac.at/wo-finde-ich-was/standorte-und-lageplaene/

170123 UE Practical Course "Film Analysis"
170124 UE Practical Course "Film Analysis" - Introduction in Filmanalysis
170125 UE Practical Course "Film Analysis" - Introduction in Filmanalysis

2.2.3. Media Analysis, Practical Courses

170127 UE Practical Course "Media Analysis" - Push this Button! - Choice and Decision-Making in Formations of Media
170128 UE Practical Course "Media Analysis" - Discourse, Dispositif, Governmentality - media studies with Michel Foucault
170129 UE Practical Course "Media Analysis"

BA 2.3. Advanced Module Theory

2.3.1. Theatre Theory, Introductory Seminars

170130 PS Introductory Seminar Theatre Theory
170131 PS Introductory Seminar Theatre Theory
170132 PS Introductory Seminar "Theatre Theory" - Theory of theatre and the >difficulties< with the actor

2.3.2. Film Theory, Introductory Seminars

170133 PS Introductory Seminar "Film Theory" - Attraction and Narration: Theories on Early Cinema
170135 PS Introductory Seminar Film Theory - (Il)Legibility. On the Poetics of Documentary Film
170136 PS Introductory Seminar "Film Theory" - The Bodies of Cinema

2.3.3. Media Theory, Introductory Seminars

170137 PS Introductory Seminar "Media Theory" - Media as cultural theory?
170138 PS Introductory Seminar "Media Theory" - Introduction to Media Theory
170139 PS Introductory Seminar "Media Theory" - An Introduction.

BA 3 Group of Required Modules Specialisation

BA 3.1. Specialisation Module Body, Staging, Interaction

3.1.1. Concepts and Techniques of Acting, Introductory Seminars

170210 PS Introductory Seminar "Concepts and Techniques of Acting" - Carnival, amusement park, slot machines: somatic media
170211 PS Introductory Seminar Concepts and Techniques of Acting
170212 PS Introductory Seminar Concepts and Techniques of Acting - Character Analysis

3.1.2. Body Practices and Gender Presentations, Practical Courses

170213 UE Exercise Course Body Practices and Gender Presentations - The Jewish Body on Stage
170214 UE Exercise Course Body Practices and Gender Presentations - Slapstick: Bodies and Comedy
170215 UE Exercise Course Body Practices and Gender Presentations - LBTIQ* politics of family

BA 3.2. Specialisation Module Narrative Orders

3.2.1. Narrativity in Theatre, Film and Media, Introductory Seminars

170220 PS Introductory Seminar Narrativity in Theatre, Film and Media - Vom ZuSchauen
170221 PS Introductory Seminar Narrativity in Theatre, Film and Media - Narration as a Cultural Practice
170222 PS Introductory Seminar Narrativity in Theatre, Film and Media - Film and Capitalism. A Political Filmhistory of Modern Economy

3.2.2. Media Transitions, Practical Courses

170223 UE Practical Course "Media Transitions" - Media Transitions. Filmic Aspects in Fine Arts
170224 UE Practical Course "Media Transitions" - Fandom Cultures: Season 2
170225 UE Practical Course "Media Transitions" - From Panoramas to Virtual Reality. Analyses, Theory, and History of Immersive Image Technologies

BA 3.3. Specialisation Module Space Productions

3.3.1. Theatre and Media Spaces, Introductory Seminars

170230 PS Introductory Seminar "Theatre and Media Spaces" - The Wire: The Series - the City - the Social
170231 PS Introductory Seminar "Theatre and Media Spaces" - Theories of Filmic Spaces
170232 PS Introductory Seminar "Theatre and Media Spaces"

3.3.2. Staged Spaces, Practical Courses

170233 UE Practical Course "Staged Spaces" - Ensemble. Interventions in public space.
170234 UE Practical Course "Staged Spaces" - Stormy Weather. Perspectives on Weather and Climate in Film and Media Studies
170235 UE Practical Course "Staged Spaces" - Installation Art Aesthetics

BA 4 Group of Required Modules History of Theatre, Film and Media

BA 4.1. Required Module I

4.1.1. History of Theatre, Lectures

170301 VO Lecture on the History of Theatre - 1600. Behind the Scenes of Opera

4.1.2. History of Film, Lectures

170310 VO Lecture on the History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema

4.1.3. History of Media, Lectures

170320 VO Lecture on the History of Media - Media History of Immersion

4.1.4. Discussion Course on the History of Theatre, Film and Media

170330 KO Discussion Course on the Lecture History of Media - Media History of Immersion
170340 KO Discussion Course on the Lecture History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema

BA 4.2. Required Module II

4.2.1. History of Theatre, Film and Media, Lectures

060012 VO From Caligari to Hitler - Propaganda and Entertainment 2
140385 VO South African History: Images in the Head and in front of the Camera
170400 VO Participate! Performance and Participation
170410 VO Things, Images, Relations - Media Art and (Post-)Modernity II

BA 5 Group of Elective Supplementary Modules

BA 5.1. Supplementary Module Theory and Aesthetics

170500 UE Optimized Cyborgs? - On the Role of Media and Technology in Current Practices of Human Self-Construction
170501 UE Musical Moments - Theory and History of musical numbers in fictional film and television
170502 UE Thinking Theatre
170503 UE Telling history, thinking film - late work of Jean-Luc Godard
170504 UE Analyzing websites and communities online
170505 UE Media dynamics of outbidding
170506 UE Media Education - Interdisciplinary approaches

Director of Studies' Suggestions

17.02 Master Degree Programme in Theatre, Film and Media Studies (583)

MA 1. Group of comulsory modules: Theatre, Film and Media Cultures

MA 1.1. Forms of Staging and Aesthetic Perception

140359 SE Performativity and Agency in African Films - Gender and Religion as Categories of Analysis in Contemporary Visual Discourses
170600 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Vision in Motion
170601 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Festwochen Festival Campus
170602 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Kino Sports: Towards an Amateur Film Archaeology
170603 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Commercial Entertainments and Experiment around 1900. A "vernacular avant-garde"?

MA 1.2. Processes of Theatricality and Mediality

170610 SE MA 1.2. "Processes of Theatricality and Mediality" - The Theatre Brechts. Position. Montage. Decontraction
170611 SE MA 1.2. "Processes of Theatricality and Mediality" - Spectralities Republic
170612 SE MA 1.2. "Processes of Theatricality and Mediality" - Georges Didi-Huberman: Politics of Images
170613 SE MA 1.2. "Processes of Theatricality and Mediality" - Remediating Matters of Concern

MA 1.3. Discourses and Methods

170620 SE MA 1.3. "Discources and Methods" - Post-feminist Filmtheory
170621 SE MA 1.3. "Discources and Methods" - Stages of Artistic Research: Research in the Arts and Sciences
170622 SE MA 1.3. "Discources and Methods" - Exodus and Revival of Psychoanalysis
170623 SE MA 1.3. "Discources and Methods" - Micropolitics of Media

MA 2. Group of compulsory modules: Fields of Specialisation

MA 2.1. Specialisation 1

MA 2.2. Specialisation 2

MA 2.3 Specialisation 3

MA 3. Group of elective modules: Fields of Research and Practice

MA 3.1. Historical an Theoretical Relations

170700 VO Theatre and/as medicine - Lecture
170701 VO Theatre and/as medicine - Lecture with interactive elements

MA 3.2. Aesthetics and Poetics

170710 UE New studies on Avantgarde
170711 UE Measuring Reality - Truth, Knowledge, and Evidence in Digital Space

MA 3.3. Project Research

070121 SE SE Seminar (PM 3) - Images of history: Gender, religion and migration in audiovisual popular culture from the 1980ies to the present
170720 UE Theatralic activities in labour and concentration camps
170721 UE Discussing Music Theatre

MA 3.4. Artistic Research

170731 UE Film Space Thinking

MA 3.5. Intersectional Perspectives

070055 SE Seminar (PM4) - From Pre-Code Hollywood to Film Noir: Visual Pleasures and Sexual Subversions
170740 UE Media and queer temporalities
170741 UE Performance Theater: Theater and Anthropology

MA 4. Master's Thesis Module

MA 4.1. Master's Thesis Exercise

MA 4.2. Reflection on Methods

170820 UE Reflection on Methods - How to Talk about Books You Haven't Read

MA Empfehlungen der Studienprogrammleitung

17.03 Master Degree Programme History of Theatre, Film and Media (581)

MA (G) 1 Group of Required Modules, Lectures

MA (G) 1.1. Lectures I

170301 VO Lecture on the History of Theatre - 1600. Behind the Scenes of Opera
170310 VO Lecture on the History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema
170320 VO Lecture on the History of Media - Media History of Immersion
170330 KO Discussion Course on the Lecture History of Media - Media History of Immersion
170340 KO Discussion Course on the Lecture History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema

MA (G) 1.2. Lectures II

060012 VO From Caligari to Hitler - Propaganda and Entertainment 2
140385 VO South African History: Images in the Head and in front of the Camera
170400 VO Participate! Performance and Participation
170410 VO Things, Images, Relations - Media Art and (Post-)Modernity II

MA (G) 2 Group of Required Modules, Seminars

MA (G) 2.1. Archive and Historiography

170601 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Festwochen Festival Campus
170602 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Kino Sports: Towards an Amateur Film Archaeology

MA (G) 2.2. Presence of History

170600 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Vision in Motion
170622 SE MA 1.3. "Discources and Methods" - Exodus and Revival of Psychoanalysis

MA (G) 2.3. Fractures of Modernity

170610 SE MA 1.2. "Processes of Theatricality and Mediality" - The Theatre Brechts. Position. Montage. Decontraction
170621 SE MA 1.3. "Discources and Methods" - Stages of Artistic Research: Research in the Arts and Sciences

MA (G) 3 Group of Elective Supplementary Modules

MA (G) 3.1. Theory und Aesthetics

170500 UE Optimized Cyborgs? - On the Role of Media and Technology in Current Practices of Human Self-Construction
170501 UE Musical Moments - Theory and History of musical numbers in fictional film and television
170502 UE Thinking Theatre
170503 UE Telling history, thinking film - late work of Jean-Luc Godard
170504 UE Analyzing websites and communities online
170505 UE Media dynamics of outbidding
170506 UE Media Education - Interdisciplinary approaches
170710 UE New studies on Avantgarde
170711 UE Measuring Reality - Truth, Knowledge, and Evidence in Digital Space

MA (G) 3.2. History

160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
170510 UE Imaging in the 19th century
170511 UE Media Upheavals, Media Change - Histories of New Media
170512 UE Picture Space Race
170513 UE On the hight of technology - Benjamin, What is Epic Theatre? Two Versions
170514 UE Photography - History, Theory, Media

MA (G) 3.3. Technique

MA (G) 3.4. Organisation and Law

MA (G) 3.5. Fields of Practice and Communication

170520 UE Stop-Motion-Animation
170521 UE DSCHUNGEL academy
170522 UE Program design and organizational structures of festivals in theater, dance and performance
170523 UE SOUND Projects
170524 UE Short Forms - Bilder und Abbilder
170525 UE Reflection of artistic processes in choreography and dance - imagetanz Festival
170526 UE Mentoring
170527 UE Photography 2.0

MA (G) 3.6. Gender

070055 SE Seminar (PM4) - From Pre-Code Hollywood to Film Noir: Visual Pleasures and Sexual Subversions
170530 UE The Body Operatic
170531 UE Gender and Media
170740 UE Media and queer temporalities

MA (G) 3.7. Global Perspectives

170540 UE On history and presence of antiziganistic knowledge
170541 UE Who speaks? Forms of representing
170741 UE Performance Theater: Theater and Anthropology

MA (G) 4 Work Module

MA (G) 4.1. Master-Thesis Presentation

MA (G) 4.2. Privatissimum

Director of Studies' Suggestions

230029 VO Visual Sociology: Cinematic Cultures and Gender in the Age of Digitalization

17.04 Master Degree Programme Theory of Theatre, Film and Media (582)

MA (T) 1 Group of Required Modules, Lectures

MA (T) 1.1. Lectures I

170301 VO Lecture on the History of Theatre - 1600. Behind the Scenes of Opera
170310 VO Lecture on the History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema
170320 VO Lecture on the History of Media - Media History of Immersion
170330 KO Discussion Course on the Lecture History of Media - Media History of Immersion
170340 KO Discussion Course on the Lecture History of Film - Inclusion/Exclusion. The Change of Characters in Italian Cinema

MA (T) 1.2. Lectures II

060012 VO From Caligari to Hitler - Propaganda and Entertainment 2
140385 VO South African History: Images in the Head and in front of the Camera
170400 VO Participate! Performance and Participation
170410 VO Things, Images, Relations - Media Art and (Post-)Modernity II

MA (T) 2 Group of Required Modules, Seminars

MA (T) 2.1. Aesthetics and Poetics

170603 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Commercial Entertainments and Experiment around 1900. A "vernacular avant-garde"?
170612 SE MA 1.2. "Processes of Theatricality and Mediality" - Georges Didi-Huberman: Politics of Images

MA (T) 2.2. Circulations of the Political

160034 SE Soundtrack as a political statment
170613 SE MA 1.2. "Processes of Theatricality and Mediality" - Remediating Matters of Concern
170620 SE MA 1.3. "Discources and Methods" - Post-feminist Filmtheory

MA (T) 2.3. Negotiations of the Subject

170611 SE MA 1.2. "Processes of Theatricality and Mediality" - Spectralities Republic
170623 SE MA 1.3. "Discources and Methods" - Micropolitics of Media

MA (T) 3 Group of Elective Supplementary Modules

MA (T) 3.1. Theory and Aesthetics

170500 UE Optimized Cyborgs? - On the Role of Media and Technology in Current Practices of Human Self-Construction
170501 UE Musical Moments - Theory and History of musical numbers in fictional film and television
170502 UE Thinking Theatre
170503 UE Telling history, thinking film - late work of Jean-Luc Godard
170504 UE Analyzing websites and communities online
170505 UE Media dynamics of outbidding
170506 UE Media Education - Interdisciplinary approaches
170710 UE New studies on Avantgarde
170711 UE Measuring Reality - Truth, Knowledge, and Evidence in Digital Space

MA (T) 3.2. History

160065 UE Introduction to historically informed performance practice (opera of the 17th and 18th century)
170510 UE Imaging in the 19th century
170511 UE Media Upheavals, Media Change - Histories of New Media
170512 UE Picture Space Race
170513 UE On the hight of technology - Benjamin, What is Epic Theatre? Two Versions
170514 UE Photography - History, Theory, Media

MA (T) 3.3. Technique

MA (T) 3.4. Organisation and Law

MA (T) 3.5. Fields of Practice and Communication

170520 UE Stop-Motion-Animation
170521 UE DSCHUNGEL academy
170522 UE Program design and organizational structures of festivals in theater, dance and performance
170523 UE SOUND Projects
170524 UE Short Forms - Bilder und Abbilder
170525 UE Reflection of artistic processes in choreography and dance - imagetanz Festival
170526 UE Mentoring
170527 UE Photography 2.0

MA (T) 3.6. Gender

070055 SE Seminar (PM4) - From Pre-Code Hollywood to Film Noir: Visual Pleasures and Sexual Subversions
170530 UE The Body Operatic
170531 UE Gender and Media
170740 UE Media and queer temporalities

MA (T) 3.7. Global Perspectives

170540 UE On history and presence of antiziganistic knowledge
170541 UE Who speaks? Forms of representing
170741 UE Performance Theater: Theater and Anthropology

MA (T) 4 Work Module

MA (T) 4.1. Master-Thesis Presentation

MA (T) 4.2. Privatissimum

17.05 Doctoral Programme Philosophy: Dissertation Subject Area Theatre, Film, and Media Studies (317)

Lectures of the Doctoral Studies

170600 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Vision in Motion
170601 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Festwochen Festival Campus
170602 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Kino Sports: Towards an Amateur Film Archaeology
170603 SE MA 1.1. "Forms of Staging and Aesthetic Perception" - Commercial Entertainments and Experiment around 1900. A "vernacular avant-garde"?
170610 SE MA 1.2. "Processes of Theatricality and Mediality" - The Theatre Brechts. Position. Montage. Decontraction
170611 SE MA 1.2. "Processes of Theatricality and Mediality" - Spectralities Republic
170612 SE MA 1.2. "Processes of Theatricality and Mediality" - Georges Didi-Huberman: Politics of Images
170613 SE MA 1.2. "Processes of Theatricality and Mediality" - Remediating Matters of Concern
170620 SE MA 1.3. "Discources and Methods" - Post-feminist Filmtheory
170621 SE MA 1.3. "Discources and Methods" - Stages of Artistic Research: Research in the Arts and Sciences
170622 SE MA 1.3. "Discources and Methods" - Exodus and Revival of Psychoanalysis
170623 SE MA 1.3. "Discources and Methods" - Micropolitics of Media
170800 UE Master's Thesis Exercise
170801 UE Master's Thesis Exercise
170802 UE Master's Thesis Exercise
170803 UE Master's Thesis Exercise
170830 SE Seminar for Doctoral Candidates
170831 SE Seminar for Doctoral Candidates
170832 SE Seminar for Doctoral Candidates

17.05 Extension Curriculum: Media Aesthetics in Everyday Life (171)

Medienästhetik im Alltagseinsatz - Vorlesungen

170993 VO Image and Word Combinations in History and Theory
170994 VO Development of Media and Forms of Communication

Medienästhetik im Alltagseinsatz - Übungen

170995 UE media aesthetics in every day use
170996 UE media aesthetics in every day use
170997 UE media aesthetics in every day use

Last modified: Tu 12.06.2018 13:33