Master Musicology (836)

Alternative Compulsory Modules (30 ECTS)

M01 Alternative Compulsory Module 1 (30 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
• 160052 VO On the music of historical musical automata; selected examples
• 160054 SE The rare genre string trio from Haydn to now
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160073 UE Reading and understanding musical-liturgical sources - In the footsteps of medieval liturgical chant
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M02 Alternative Compulsory Module 2 (30 ECTS)

• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160052 VO On the music of historical musical automata; selected examples
• 160053 VO African Music II
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M03 Alternative Compulsory Module 3 (30 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160009 PR Music appreciation: formats, strategies and challenges
• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160052 VO On the music of historical musical automata; selected examples
• 160053 VO African Music II
• 160061 PR Archives and libraries: their role as information processing companies
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160067 PR How to work with musical sources (especially 18th/19th century)
• 160068 SE Music and Colour
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160071 PR Practical Application of Room Acoustical Measurement Techniques and Analysis Methods
• 160072 PR Texts and text production in music exhibitions
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M04 Alternative Compulsory Module 4 (30 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M05 Alternative Compulsory Module 5 (30 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
• 160052 VO On the music of historical musical automata; selected examples
• 160053 VO African Music II
• 160054 SE The rare genre string trio from Haydn to now
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
• 160068 SE Music and Colour
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

Elective Modules (60 ECTS)

M06 History of European Music before 1600 (10 ECTS)

• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
• 160073 UE Reading and understanding musical-liturgical sources - In the footsteps of medieval liturgical chant

M07 History of European Music after 1600 (10 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
• 160052 VO On the music of historical musical automata; selected examples
• 160054 SE The rare genre string trio from Haydn to now
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium

M08 Ethnomusicology (10 ECTS)

• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160053 VO African Music II
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium

M09 Systematic Musicology (10 ECTS)

• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160052 VO On the music of historical musical automata; selected examples
• 160068 SE Music and Colour
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium

M10 Contemporary Music (10 ECTS)

• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160053 VO African Music II
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M11 Popular Music (10 ECTS)

• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160053 VO African Music II
• 160062 SE Music, embodiment and interaffectivity
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M12 Source Study, Source Work and Source Criticism (10 ECTS)

• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
• 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
• 160073 UE Reading and understanding musical-liturgical sources - In the footsteps of medieval liturgical chant

M13 Music and Society (10 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160031 VO Music of the World - Overview I
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160053 VO African Music II
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M14 Analysis and Theoretical Interpretation of Music (10 ECTS)

• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
• 160054 SE The rare genre string trio from Haydn to now
• 160062 SE Music, embodiment and interaffectivity
• 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945

M15 Music Philosophy, Music Aesthetics and Musical Hermeneutics (10 ECTS)

• 160008 VO Music in Rome during the early 20th century
• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160054 SE The rare genre string trio from Haydn to now
• 160068 SE Music and Colour
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium

M16 Current Musicology (10 ECTS)

• 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
• 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
• 160027 EX Acholi Music and Dance: Excursion to Uganda
• 160030 SE Visualizing musical issues: Operational iconicity of notations
• 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
• 160062 SE Music, embodiment and interaffectivity
• 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
• 160068 SE Music and Colour
• 160069 SE Ethnomusicological and historical approaches towards music as a healing medium

M17 Applied Musicology (10 ECTS)

• 160009 PR Music appreciation: formats, strategies and challenges
• 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
• 160061 PR Archives and libraries: their role as information processing companies
• 160067 PR How to work with musical sources (especially 18th/19th century)
• 160071 PR Practical Application of Room Acoustical Measurement Techniques and Analysis Methods
• 160072 PR Texts and text production in music exhibitions
• 170121 UE Exercise Course "Performance and Staging Analysis"
• 170712 UE Discussing Musical Theatre

Master Seminar Module (3 ECTS)

M18 Master Seminar Module (3 ECTS)

• 160016 MA Research Seminar for Master Candidates
• 160019 MA Research Seminar for Master Candidates
• 160024 MA Research Seminar for Master Candidates
• 160028 MA Research Seminar for Master Candidates
• 160050 MA Research Seminar for Master and Doctoral Candidates