Alternative Compulsory Modules (30 ECTS)
M01 Alternative Compulsory Module 1 (30 ECTS)
- 160008 VO Music in Rome during the early 20th century
- 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
- 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
- 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
- 160030 SE Visualizing musical issues: Operational iconicity of notations
- 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
- 160052 VO On the music of historical musical automata; selected examples
- 160054 SE The rare genre string trio from Haydn to now
- 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
- 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
- 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
- 160073 UE Reading and understanding musical-liturgical sources - In the footsteps of medieval liturgical chant
- 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945
M02 Alternative Compulsory Module 2 (30 ECTS)
- 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
- 160027 EX Acholi Music and Dance: Excursion to Uganda
- 160030 SE Visualizing musical issues: Operational iconicity of notations
- 160031 VO Music of the World - Overview I
- 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
- 160052 VO On the music of historical musical automata; selected examples
- 160053 VO African Music II
- 160062 SE Music, embodiment and interaffectivity
- 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
- 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
- 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
- 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945
M03 Alternative Compulsory Module 3 (30 ECTS)
- 160008 VO Music in Rome during the early 20th century
- 160009 PR Music appreciation: formats, strategies and challenges
- 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
- 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
- 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
- 160027 EX Acholi Music and Dance: Excursion to Uganda
- 160030 SE Visualizing musical issues: Operational iconicity of notations
- 160031 VO Music of the World - Overview I
- 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
- 160052 VO On the music of historical musical automata; selected examples
- 160053 VO African Music II
- 160061 PR Archives and libraries: their role as information processing companies
- 160062 SE Music, embodiment and interaffectivity
- 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
- 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
- 160067 PR How to work with musical sources (especially 18th/19th century)
- 160068 SE Music and Colour
- 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
- 160071 PR Practical Application of Room Acoustical Measurement Techniques and Analysis Methods
- 160072 PR Texts and text production in music exhibitions
- 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945
M04 Alternative Compulsory Module 4 (30 ECTS)
- 160008 VO Music in Rome during the early 20th century
- 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
- 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
- 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
- 160027 EX Acholi Music and Dance: Excursion to Uganda
- 160031 VO Music of the World - Overview I
- 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
- 160062 SE Music, embodiment and interaffectivity
- 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
- 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
- 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
- 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945
M05 Alternative Compulsory Module 5 (30 ECTS)
- 160008 VO Music in Rome during the early 20th century
- 160012 SE Interpretation and Judgment: Critical Perspectives on Basic Problems of Musicology
- 160013 UE Music at the Court of Emperor Maximilian I. - Eine Bilanz zum 500. Todestag
- 160014 UE "Tailor-made"? Beethoven’s piano compositions and their dedications
- 160023 SE Timbre, Pitch, and Harmony - muscial concepts from a systematical point of view
- 160027 EX Acholi Music and Dance: Excursion to Uganda
- 160030 SE Visualizing musical issues: Operational iconicity of notations
- 160031 VO Music of the World - Overview I
- 160035 SE The body. The lived body. Embodiment: performers as object, subject, and agent
- 160051 SE Rhythm, Measure and Tempo in the Music of the 17th and 18th Centuries
- 160052 VO On the music of historical musical automata; selected examples
- 160053 VO African Music II
- 160054 SE The rare genre string trio from Haydn to now
- 160062 SE Music, embodiment and interaffectivity
- 160064 VO Gagaku: Music for traditional Japanese Court and religious rituals
- 160065 SE Cathy Berberian: From "Muse of Darmstadt" to "Pop"-Star
- 160066 SE The Holy Week in Vienna in the Baroque II: Music and liturgy / Oratorio
- 160068 SE Music and Colour
- 160069 SE Ethnomusicological and historical approaches towards music as a healing medium
- 160074 VO Deutscher Schlager. History and development of german pop songs from the late 19th century till 1945
Last modified: Fr 10.01.2020 00:35