Musicology
160030 PS (ON-SITE) Musical Souces of the 15th and 16th Century - Production Processes, Organisation of Repertoire, Usage
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160030 PS (ON-SITE) Musical Souces of the 15th and 16th Century - Production Processes, Organisation of Repertoire, Usage
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160030 PS (ON-SITE) Musical Souces of the 15th and 16th Century - Production Processes, Organisation of Repertoire, Usage
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
Last modified: Fr 14.01.2022 01:03
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