Alternative Compulsory Modules (30 ECTS)
M01 Alternative Compulsory Module 1 (30 ECTS)
- 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
- 160006 UE ( ON-SITE ) Opera on Screen
- 160013 SE ( ON-SITE ) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
- 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
- 160050 SE ( MIXED ) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music
- 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
- 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
- 160061 VO ( REMOTE ) A History of Popular Music in Film
- 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
- 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
- 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
- 160066 SE ( ON-SITE ) Music at Sankt Stephan
- 160069 PR ( ON-SITE ) Exploring Medieval Plainchant Manuscripts of the Austrian National Library
- 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
- 160071 PR ( ON-SITE ) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
- 160073 UE ( ON-SITE ) Shakespeare and European Opera
- 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
- 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
- 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
M02 Alternative Compulsory Module 2 (30 ECTS)
- 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
- 160007 SE ( ON-SITE ) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
- 160008 UE ( ON-SITE ) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
- 160013 SE ( ON-SITE ) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
- 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
- 160020 SE ( ON-SITE ) Auditory Scene Analysis and Acoustical Illusions
- 160023 VO ( REMOTE ) Music Psychology 2 - Processing, Perception, Performance & Pitch
- 160024 UE ( ON-SITE ) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
- 160025 VO ( REMOTE ) Introduction to the Music of Oceania
- 160028 SE ( ON-SITE ) Physics and Perception of Timbre - Theories and Recent Developments
- 160050 SE ( MIXED ) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music
- 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
- 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
- 160061 VO ( REMOTE ) A History of Popular Music in Film
- 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
- 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
- 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
- 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
- 160072 PR ( ON-SITE ) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
- 160073 UE ( ON-SITE ) Shakespeare and European Opera
- 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
- 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
- 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
- 160078 UE ( MIXED ) Applied Ethnomusicology
M03 Alternative Compulsory Module 3 (30 ECTS)
- 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
- 160006 UE ( ON-SITE ) Opera on Screen
- 160007 SE ( ON-SITE ) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
- 160008 UE ( ON-SITE ) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
- 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
- 160020 SE ( ON-SITE ) Auditory Scene Analysis and Acoustical Illusions
- 160023 VO ( REMOTE ) Music Psychology 2 - Processing, Perception, Performance & Pitch
- 160024 UE ( ON-SITE ) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
- 160025 VO ( REMOTE ) Introduction to the Music of Oceania
- 160028 SE ( ON-SITE ) Physics and Perception of Timbre - Theories and Recent Developments
- 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
- 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
- 160061 VO ( REMOTE ) A History of Popular Music in Film
- 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
- 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
- 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
- 160066 SE ( ON-SITE ) Music at Sankt Stephan
- 160067 PR ( ON-SITE ) Working with Music Sources (18th & 19th Century)
- 160068 PR ( ON-SITE ) Introduction to Digital Musicology
- 160069 PR ( ON-SITE ) Exploring Medieval Plainchant Manuscripts of the Austrian National Library
- 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
- 160071 PR ( ON-SITE ) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
- 160072 PR ( ON-SITE ) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
- 160073 UE ( ON-SITE ) Shakespeare and European Opera
- 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
- 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
- 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
- 160078 UE ( MIXED ) Applied Ethnomusicology
M04 Alternative Compulsory Module 4 (30 ECTS)
- 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
- 160006 UE ( ON-SITE ) Opera on Screen
- 160007 SE ( ON-SITE ) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
- 160008 UE ( ON-SITE ) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
- 160013 SE ( ON-SITE ) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
- 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
- 160025 VO ( REMOTE ) Introduction to the Music of Oceania
- 160050 SE ( MIXED ) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music
- 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
- 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
- 160061 VO ( REMOTE ) A History of Popular Music in Film
- 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
- 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
- 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
- 160066 SE ( ON-SITE ) Music at Sankt Stephan
- 160069 PR ( ON-SITE ) Exploring Medieval Plainchant Manuscripts of the Austrian National Library
- 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
- 160073 UE ( ON-SITE ) Shakespeare and European Opera
- 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
- 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
- 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
- 160078 UE ( MIXED ) Applied Ethnomusicology
M05 Alternative Compulsory Module 5 (30 ECTS)
- 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
- 160006 UE ( ON-SITE ) Opera on Screen
- 160007 SE ( ON-SITE ) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
- 160008 UE ( ON-SITE ) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
- 160013 SE ( ON-SITE ) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
- 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
- 160020 SE ( ON-SITE ) Auditory Scene Analysis and Acoustical Illusions
- 160023 VO ( REMOTE ) Music Psychology 2 - Processing, Perception, Performance & Pitch
- 160024 UE ( ON-SITE ) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation
- 160025 VO ( REMOTE ) Introduction to the Music of Oceania
- 160028 SE ( ON-SITE ) Physics and Perception of Timbre - Theories and Recent Developments
- 160050 SE ( MIXED ) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music
- 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
- 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
- 160061 VO ( REMOTE ) A History of Popular Music in Film
- 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
- 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
- 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
- 160066 SE ( ON-SITE ) Music at Sankt Stephan
- 160067 PR ( ON-SITE ) Working with Music Sources (18th & 19th Century)
- 160068 PR ( ON-SITE ) Introduction to Digital Musicology
- 160069 PR ( ON-SITE ) Exploring Medieval Plainchant Manuscripts of the Austrian National Library
- 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
- 160071 PR ( ON-SITE ) A Collection's Collections: Collections at the Department of Music of the Austrian National Library
- 160072 PR ( ON-SITE ) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods
- 160073 UE ( ON-SITE ) Shakespeare and European Opera
- 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
- 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
- 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
- 160078 UE ( MIXED ) Applied Ethnomusicology
Last modified: Fr 14.01.2022 01:03