Master Musicology (836)

Alternative Compulsory Modules (30 ECTS)

M01 Alternative Compulsory Module 1 (30 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160006 UE (ON-SITE) Opera on Screen

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160061 VO (REMOTE) A History of Popular Music in Film

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160066 SE (ON-SITE) Music at Sankt Stephan

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library

160073 UE (ON-SITE) Shakespeare and European Opera

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

M02 Alternative Compulsory Module 2 (30 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160020 SE (ON-SITE) Auditory Scene Analysis and Acoustical Illusions

160023 VO (REMOTE) Music Psychology 2 - Processing, Perception, Performance & Pitch

160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation

160025 VO (REMOTE) Introduction to the Music of Oceania

160028 SE (ON-SITE) Physics and Perception of Timbre - Theories and Recent Developments

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160061 VO (REMOTE) A History of Popular Music in Film

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods

160073 UE (ON-SITE) Shakespeare and European Opera

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

160078 UE (MIXED) Applied Ethnomusicology

M03 Alternative Compulsory Module 3 (30 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160006 UE (ON-SITE) Opera on Screen

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160020 SE (ON-SITE) Auditory Scene Analysis and Acoustical Illusions

160023 VO (REMOTE) Music Psychology 2 - Processing, Perception, Performance & Pitch

160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation

160025 VO (REMOTE) Introduction to the Music of Oceania

160028 SE (ON-SITE) Physics and Perception of Timbre - Theories and Recent Developments

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160061 VO (REMOTE) A History of Popular Music in Film

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160066 SE (ON-SITE) Music at Sankt Stephan

160067 PR (ON-SITE) Working with Music Sources (18th & 19th Century)

160068 PR (ON-SITE) Introduction to Digital Musicology

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library

160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods

160073 UE (ON-SITE) Shakespeare and European Opera

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

160078 UE (MIXED) Applied Ethnomusicology

M04 Alternative Compulsory Module 4 (30 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160006 UE (ON-SITE) Opera on Screen

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160025 VO (REMOTE) Introduction to the Music of Oceania

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160061 VO (REMOTE) A History of Popular Music in Film

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160066 SE (ON-SITE) Music at Sankt Stephan

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160073 UE (ON-SITE) Shakespeare and European Opera

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

160078 UE (MIXED) Applied Ethnomusicology

M05 Alternative Compulsory Module 5 (30 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160006 UE (ON-SITE) Opera on Screen

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160020 SE (ON-SITE) Auditory Scene Analysis and Acoustical Illusions

160023 VO (REMOTE) Music Psychology 2 - Processing, Perception, Performance & Pitch

160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation

160025 VO (REMOTE) Introduction to the Music of Oceania

160028 SE (ON-SITE) Physics and Perception of Timbre - Theories and Recent Developments

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160061 VO (REMOTE) A History of Popular Music in Film

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160066 SE (ON-SITE) Music at Sankt Stephan

160067 PR (ON-SITE) Working with Music Sources (18th & 19th Century)

160068 PR (ON-SITE) Introduction to Digital Musicology

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library

160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods

160073 UE (ON-SITE) Shakespeare and European Opera

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

160078 UE (MIXED) Applied Ethnomusicology

Elective Modules (60 ECTS)

M06 History of European Music before 1600 (10 ECTS)

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

M07 History of European Music after 1600 (10 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160006 UE (ON-SITE) Opera on Screen

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160066 SE (ON-SITE) Music at Sankt Stephan

160073 UE (ON-SITE) Shakespeare and European Opera

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

M08 Ethnomusicology (10 ECTS)

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160025 VO (REMOTE) Introduction to the Music of Oceania

160075 SE (ON-SITE) Melodic and Rhythmic Structures of Turkish Music

160078 UE (MIXED) Applied Ethnomusicology

M09 Systematic Musicology (10 ECTS)

160020 SE (ON-SITE) Auditory Scene Analysis and Acoustical Illusions

160023 VO (REMOTE) Music Psychology 2 - Processing, Perception, Performance & Pitch

160024 UE (ON-SITE) Virtuosity, Creativity, Improvisation: Empirical Challenges - - for Constructs, Methods and Digitisation

160028 SE (ON-SITE) Physics and Perception of Timbre - Theories and Recent Developments

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160072 PR (ON-SITE) Practical Introduction to the Application of Room Acoustic Measurement Techniques & Analysis Methods

M10 Contemporary Music (10 ECTS)

160061 VO (REMOTE) A History of Popular Music in Film

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

M11 Popular Music (10 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160025 VO (REMOTE) Introduction to the Music of Oceania

160061 VO (REMOTE) A History of Popular Music in Film

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

M12 Source Study, Source Work and Source Criticism (10 ECTS)

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160053 SE (ON-SITE) Musical Instruments - Systematic, Constructional and Musical Aspects

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160066 SE (ON-SITE) Music at Sankt Stephan

160069 PR (ON-SITE) Exploring Medieval Plainchant Manuscripts of the Austrian National Library

160071 PR (ON-SITE) A Collection's Collections: Collections at the Department of Music of the Austrian National Library

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

M13 Music and Society (10 ECTS)

160005 SE (ON-SITE) Berlin in the 1920s: Music, Theatre, Media

160007 SE (ON-SITE) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals

160008 UE (ON-SITE) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna

160025 VO (REMOTE) Introduction to the Music of Oceania

160050 SE (MIXED) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music

160062 VO (REMOTE) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century

160063 UE (ON-SITE) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches

160070 SE (ON-SITE) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980

160076 UE (ON-SITE) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories

160077 SE (ON-SITE) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900

160078 UE (MIXED) Applied Ethnomusicology

M14 Analysis and Theoretical Interpretation of Music (10 ECTS)

160013 SE (ON-SITE) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries

160016 SE (ON-SITE) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology

160051 VO (REMOTE) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature

160061 VO (REMOTE) A History of Popular Music in Film

160064 UE (ON-SITE) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet

160073 UE (ON-SITE) Shakespeare and European Opera