1. Required Modules
160010 UE Work techniques in musicology
160011 UE Work techniques in musicology
160016 UE Work techniques in musicology
160017 VO Introduction to musicology
160207 UE Working techniques in musicology
160026 UE Harmony
160027 UE Harmony
160028 UE Harmony
160074 UE Introduction into Hearing of Structures
160141 UE Introduction into Hearing of Structures
160143 UE Introduction into Hearing of Structures
160187 UE Harmony
160108 UE+EX Oddities in music
160111 PS Eduard Hanslick - Musical criticism, writing music history, and musical aesthetics in the 19th century
160112 VO Music history V: 1850 - 1950
160113 PS Mozart¿s operas
160118 VO History of Catholic sacred music
160124 VO+UE Introduction into the methods of analysis I.
160166 VO Woodwind instruments and their history
160180 UE "In Gottes Namen fahren wir" - Music and Pilgrimage in the Middle Ages and the Renaissance
160201 VO+UE Concepts of identity in opera
160222 VO+UE Schubert in the 20th century
160226 PS Good music - Bad music
160018 VO Introduction to Ethnomusicology I
160119 EX+VO Carnival 2010 in Brazil
160156 VO History of music of China
160163 UE Afro-brazilian percussion
160174 VO African music II
160193 VO Music and Dance Theatre in SE-Asia
160210 PS Source study in ethnomusicology
160014 VO Introduction to systematic musicology I
160108 UE+EX Oddities in music
160140 UE On the Diversity of Tonal Organisation: - Scales, Modes, Tone Systems, Paradigms of Composition
160166 VO Woodwind instruments and their history
160169 VO+UE AV-Dokumente als Quellen für die Musikwissenschaft
160119 EX+VO Carnival 2010 in Brazil
160163 UE Afro-brazilian percussion
160174 VO African music II
160183 UE Yodeling
160192 VO Soundtrack & Political Power
160195 PS Tribute Acts und Imitatoren in der populären Musik als Gegenstand musikpsychologischer Forschung
160201 VO+UE Concepts of identity in opera
160220 PS Nothing is real
160221 VO Pop and Post modern music
160225 PS György Ligeti
160226 PS Good music - Bad music
160165 PR Cataloguing medieval music manuscripts in the Austrian Naional Library - Modern methods of research and editing
160169 VO+UE AV-Dokumente als Quellen für die Musikwissenschaft
160210 PS Source study in ethnomusicology
160054 SE Improvisation
160111 PS Eduard Hanslick - Musical criticism, writing music history, and musical aesthetics in the 19th century
160113 PS Mozart¿s operas
160114 SE Wagner, Der Ring des Nibelungen
160133 SE Music between Cultures
160162 SE Timbre ans its perception
160167 SE Johann Joseph Fux
160170 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- oder Mehrfachbegabung
160175 SE Systematic of music intruments
160195 PS Tribute Acts und Imitatoren in der populären Musik als Gegenstand musikpsychologischer Forschung
160210 PS Source study in ethnomusicology
160219 SE Analysis of popular music
160220 PS Nothing is real
160224 SE Musical sources of the Renaissance
160225 PS György Ligeti
160226 PS Good music - Bad music
Last modified: We 13.06.2018 00:35