A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

• 160184 UE Musicological Working Techniques

B02 Module - Music Theory

• 160013 UE Counterpoint
• 160014 UE Counterpoint
• 160175 UE Counterpoint
• 160187 UE Exercises in ethnomusicological transcription
• 160196 UE Introduction into Hearing of Structures
• 160385 UE Counterpoint

B03 Basic Module - History of European Music before and after 1600

• 160020 VO+UE Schumann's symphonies
• 160021 UE 'Lied' in 18th-century Vienna
• 160025 VO Wind instruments and their history
• 160030 VO Musical aesthetics in the 18th and the early 19th century - Musical aesthetics in the 18th and the early 19th century
• 160032 PS The operas of Richard Strauss
• 160037 VO Music History VI - Contemporary Music
• 160045 PS Early Polyphony up to "Notre Dame"
• 160048 UE Early atonal music
• 160051 PS The dramatic oeuvre of Claudio Monteverdi
• 160066 PS Giovanni Battista Pergolesi (1710-1736) between mythology and musc historiography
• 160067 VO 'Old' and 'new' musicology: methods and perspectives
• 160076 UE Analytical exercises on musical structures (18th-19th) century)
• 160131 PS Paris: culturel centre about 1900
• 160152 VO Introduction into Gregorian Chant
• 160155 PS Settings of the Magnificat in the 16th century
• 160156 UE Lecture of medieval music theory
• 160192 PS Song cycles
• 160379 VO+UE Introduction into the methods of analysis II
• 160383 UE Compositonal techniques in the 9th-16th centuries
• 160384 EX Io son un pellegrin - A Pilgrimage to Santiago de Compostela

B04 Basic Module - Ethnomusicology

• 160027 VO African music in the 20th century
• 160029 VO Musics of the world - overview II
• 160033 UE Music and Gender
• 160035 VO An introduction to Ethnomusicology 2
• 160043 UE [ en ] Afro-Brazilian Percussion
• 160054 VO Gagaku: traditional music of the Japanese imperial court
• 160056 PR Ethnomusicological museum work
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160061 PS Maqam-music and music therapy
• 160187 UE Exercises in ethnomusicological transcription
• 160296 EX Excursion to Brazil 2
• 160314 PS Pilgrimage - religious and secular
• 160316 VO Sound, Structure and Meaning of Music

B05 Basic Module - Systematic Musicology

• 160025 VO Wind instruments and their history
• 160042 PS Basics of music psychology
• 160058 PS Physiological and psychoacoustical foundations of auditory perception
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160077 VO+UE AV-documents as sources for musicology
• 160186 VO Introduction to systematic musicology II
• 160189 UE Acoustic Labor Practical Course: Streaming media
• 160316 VO Sound, Structure and Meaning of Music

B06 Basic Module - Contemporary Music and Popular Music

• 160027 VO African music in the 20th century
• 160037 VO Music History VI - Contemporary Music
• 160043 UE [ en ] Afro-Brazilian Percussion
• 160062 VO [ en ] Gender, Race, and Social Justice in Anglo-American Popular Music
• 160189 UE Acoustic Labor Practical Course: Streaming media
• 160190 VO Women Composers: Their recent productions - Confrontation and discussion
• 160296 EX Excursion to Brazil 2
• 160314 PS Pilgrimage - religious and secular
• 160367 PR Arcana Festival St. Gallen/Gesäuse

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160051 PS The dramatic oeuvre of Claudio Monteverdi
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160077 VO+UE AV-documents as sources for musicology
• 160383 UE Compositonal techniques in the 9th-16th centuries

B08 Final Module

• 160028 SE Hearing pictures, seeing sounds - Connections between visual and auditory perception in arts, music and science history
• 160031 SE Popular Classic Music
• 160032 PS The operas of Richard Strauss
• 160042 PS Basics of music psychology
• 160045 PS Early Polyphony up to "Notre Dame"
• 160050 SE Music Research in Latin America
• 160051 PS The dramatic oeuvre of Claudio Monteverdi
• 160057 SE Heinrich Schütz' Polychorality
• 160058 PS Physiological and psychoacoustical foundations of auditory perception
• 160061 PS Maqam-music and music therapy
• 160066 PS Giovanni Battista Pergolesi (1710-1736) between mythology and musc historiography
• 160075 SE Opera in german language in the first half of the 20th-century
• 160131 PS Paris: culturel centre about 1900
• 160154 SE Monodic Alleluia settings
• 160155 PS Settings of the Magnificat in the 16th century
• 160192 PS Song cycles
• 160193 SE Opera research exemplified with the project "Kaerntnertortheater Vienna 1728-1748"
• 160312 SE Music and power in National Socialism
• 160314 PS Pilgrimage - religious and secular

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160025 VO Wind instruments and their history
• 160045 PS Early Polyphony up to "Notre Dame"
• 160067 VO 'Old' and 'new' musicology: methods and perspectives
• 160152 VO Introduction into Gregorian Chant
• 160154 SE Monodic Alleluia settings
• 160155 PS Settings of the Magnificat in the 16th century
• 160156 UE Lecture of medieval music theory
• 160383 UE Compositonal techniques in the 9th-16th centuries
• 160384 EX Io son un pellegrin - A Pilgrimage to Santiago de Compostela

B10 VM History of European Music after 1600

• 160020 VO+UE Schumann's symphonies
• 160021 UE 'Lied' in 18th-century Vienna
• 160025 VO Wind instruments and their history
• 160028 SE Hearing pictures, seeing sounds - Connections between visual and auditory perception in arts, music and science history
• 160030 VO Musical aesthetics in the 18th and the early 19th century - Musical aesthetics in the 18th and the early 19th century
• 160032 PS The operas of Richard Strauss
• 160037 VO Music History VI - Contemporary Music
• 160048 UE Early atonal music
• 160051 PS The dramatic oeuvre of Claudio Monteverdi
• 160057 SE Heinrich Schütz' Polychorality
• 160066 PS Giovanni Battista Pergolesi (1710-1736) between mythology and musc historiography
• 160067 VO 'Old' and 'new' musicology: methods and perspectives
• 160075 SE Opera in german language in the first half of the 20th-century
• 160076 UE Analytical exercises on musical structures (18th-19th) century)
• 160131 PS Paris: culturel centre about 1900
• 160190 VO Women Composers: Their recent productions - Confrontation and discussion
• 160192 PS Song cycles
• 160193 SE Opera research exemplified with the project "Kaerntnertortheater Vienna 1728-1748"
• 160312 SE Music and power in National Socialism
• 160379 VO+UE Introduction into the methods of analysis II

B11 VM Ethnomusicology

• 160027 VO African music in the 20th century
• 160029 VO Musics of the world - overview II
• 160033 UE Music and Gender
• 160035 VO An introduction to Ethnomusicology 2
• 160043 UE [ en ] Afro-Brazilian Percussion
• 160050 SE Music Research in Latin America
• 160054 VO Gagaku: traditional music of the Japanese imperial court
• 160056 PR Ethnomusicological museum work
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160061 PS Maqam-music and music therapy
• 160187 UE Exercises in ethnomusicological transcription
• 160296 EX Excursion to Brazil 2
• 160314 PS Pilgrimage - religious and secular
• 160316 VO Sound, Structure and Meaning of Music

B12 VM Systematic Musicology

• 160025 VO Wind instruments and their history
• 160028 SE Hearing pictures, seeing sounds - Connections between visual and auditory perception in arts, music and science history
• 160042 PS Basics of music psychology
• 160058 PS Physiological and psychoacoustical foundations of auditory perception
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160077 VO+UE AV-documents as sources for musicology
• 160186 VO Introduction to systematic musicology II
• 160189 UE Acoustic Labor Practical Course: Streaming media
• 160316 VO Sound, Structure and Meaning of Music

B13 VM Contemporary Music

• 160032 PS The operas of Richard Strauss
• 160037 VO Music History VI - Contemporary Music
• 160190 VO Women Composers: Their recent productions - Confrontation and discussion
• 160367 PR Arcana Festival St. Gallen/Gesäuse

B14 VM Popular Music

• 160027 VO African music in the 20th century
• 160043 UE [ en ] Afro-Brazilian Percussion
• 160050 SE Music Research in Latin America
• 160062 VO [ en ] Gender, Race, and Social Justice in Anglo-American Popular Music
• 160189 UE Acoustic Labor Practical Course: Streaming media
• 160296 EX Excursion to Brazil 2
• 160314 PS Pilgrimage - religious and secular

B15 VM Source Study, Source Work and Source Criticism

• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160077 VO+UE AV-documents as sources for musicology
• 160156 UE Lecture of medieval music theory
• 160193 SE Opera research exemplified with the project "Kaerntnertortheater Vienna 1728-1748"
• 160383 UE Compositonal techniques in the 9th-16th centuries

B16 EM Music and Society

• 160131 PS Paris: culturel centre about 1900
• 160296 EX Excursion to Brazil 2
• 160312 SE Music and power in National Socialism
• 160314 PS Pilgrimage - religious and secular

B17 EM Analysis and Theoretical Interpretation of Music

• 160020 VO+UE Schumann's symphonies
• 160021 UE 'Lied' in 18th-century Vienna
• 160030 VO Musical aesthetics in the 18th and the early 19th century - Musical aesthetics in the 18th and the early 19th century
• 160031 SE Popular Classic Music
• 160032 PS The operas of Richard Strauss
• 160037 VO Music History VI - Contemporary Music
• 160048 UE Early atonal music
• 160051 PS The dramatic oeuvre of Claudio Monteverdi
• 160075 SE Opera in german language in the first half of the 20th-century
• 160076 UE Analytical exercises on musical structures (18th-19th) century)
• 160131 PS Paris: culturel centre about 1900
• 160154 SE Monodic Alleluia settings
• 160155 PS Settings of the Magnificat in the 16th century
• 160192 PS Song cycles
• 160316 VO Sound, Structure and Meaning of Music
• 160379 VO+UE Introduction into the methods of analysis II
• 160383 UE Compositonal techniques in the 9th-16th centuries

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160030 VO Musical aesthetics in the 18th and the early 19th century - Musical aesthetics in the 18th and the early 19th century
• 160031 SE Popular Classic Music
• 160032 PS The operas of Richard Strauss
• 160131 PS Paris: culturel centre about 1900

B19 EM Current Musicology

• 160028 SE Hearing pictures, seeing sounds - Connections between visual and auditory perception in arts, music and science history
• 160033 UE Music and Gender
• 160067 VO 'Old' and 'new' musicology: methods and perspectives

B20 EM Applied Musicology I

• 160056 PR Ethnomusicological museum work
• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160077 VO+UE AV-documents as sources for musicology
• 160367 PR Arcana Festival St. Gallen/Gesäuse

B21 EM Applied Musicology II

• 160059 UE Database of the musical instruments collection of the Musicological Institute
• 160189 UE Acoustic Labor Practical Course: Streaming media
• 160318 PR Multimedial technologies in musicology
• 160367 PR Arcana Festival St. Gallen/Gesäuse