Universität Wien

1. Required Modules

B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160074 VO Work techniques in musicology
160113 VO Principles of Music
B01.2 StEOP: Introduction to Musicology
160059 VO Introduction to musicology III
160067 VO Introduction to musicology I
160077 VO Introduction to musicology IV
160081 VO Introduction to musicology III
160083 VO Introduction to musicology V
B02 Module - Music Theory
B02.1 Modul Tonsatz und musikalische Strukturen I
160110 UE Harmony
160111 UE Hearing and Recognition of Musical Structures
B02.2 Modul Tonsatz und musikalische Strukturen II
160112 UE Harmony 2: Development of harmony in 19th century music
160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
160115 UE Exercises in ethnomusicological transcription
B03 Basic Module - History of European Music before and after 1600
160063 PS Working communities - Artist communities
160065 VO Music History I
160066 UE Principles of Notation and Composition II
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160086 UE What is a Music Genre?
160087 PS Musical Lyricism around 1900
160117 PS 17-Century Venetian Opera
160129 VO+UE Theory of and practise in repertoire and style
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B04 Basic Module - Ethnomusicology
160058 PS Music in/from the Balkan countries
160088 VO The musics of the world at a glance 1st part
160106 VO African Music II
160115 UE Exercises in ethnomusicological transcription
160119 VO Minzoku ongaku: The Japanese Folk Music
B05 Basic Module - Systematic Musicology
160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160073 KO Conversatorium in general musical-acoustic topics and issues
160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
160132 VO Foundations of Music Psychology
B06 Basic Module - Contemporary Music and Popular Music
160058 PS Music in/from the Balkan countries
160063 PS Working communities - Artist communities
160088 VO The musics of the world at a glance 1st part
160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160118 VO Concepts of music theatre since 1950
160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
B07 Basic Module - Source Study, Source Work and Source Criticism
160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
160066 UE Principles of Notation and Composition II
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160122 PR Practical Training Gregorian Chant
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
B08 Final Module
160056 SE Research Seminar in Ethnomusicology
160058 PS Music in/from the Balkan countries
160061 SE Mendelssohn's symphonic works
160063 PS Working communities - Artist communities
160064 SE French vocal music in the 2nd half of the 19th century
160069 SE "Salve regina" as musical and cultural practice (until 1600)
160072 SE Sound Design & Acoustic Measurement
160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
160078 SE Science and pseudo science (in music)
160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
160087 PS Musical Lyricism around 1900
160101 SE The early and the late Brahms - continuities and differences.
160104 SE Approaching Roma Music by Applying Ethnomusicology
160107 SE Film Score vs. Art Music
160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
160117 PS 17-Century Venetian Opera
160121 SE Experimental Music Concepts: History, Theory, and Practice
160128 PS History and Theory of Orchestration
160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory

Last modified: We 13.06.2018 00:38