1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160057 VO Work Techniques in Musicology
• 160073 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160112 VO Introduction to Musicology I-V

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160069 UE Harmony
• 160072 UE Hearing and Recognition of Musical Structures
• 160074 UE Hearing and Recognition of Musical Structures

B02.2 Module - Music Theory and Musical Structures II

• 160070 UE Compositional Techniques in the 20th Century Music
• 160075 UE Exercises in Ethnomusicological Transcription

B03 Basic Module - History of European Music before and after 1600

• 160033 PS The Myth of Carmen
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160038 PS Composition and Compositional Strategies around 1970
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160045 VO Music History II (1300-1600)
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160070 UE Compositional Techniques in the 20th Century Music
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet

B04 Basic Module - Ethnomusicology

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
• 160052 VO Music of the World - Overview II
• 160066 VO African Music in the 20th Century
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

B05 Basic Module - Systematic Musicology

• 160042 PS New Media & Music Technologies
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160047 PS Basics and Research Fields in Acoustics
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160082 UE Research Methods and Statistics in Musicology
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160087 VO+UE Introduction to the Physiology of Hearing

B06 Basic Module - Contemporary Music and Popular Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160038 PS Composition and Compositional Strategies around 1970
• 160052 VO Music of the World - Overview II
• 160058 PS German "Schlager" and Folklike Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160070 UE Compositional Techniques in the 20th Century Music
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources

B08 Final Module

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160029 SE French Piano Music around 1900
• 160033 PS The Myth of Carmen
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160038 PS Composition and Compositional Strategies around 1970
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160042 PS New Media & Music Technologies
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160058 PS German "Schlager" and Folklike Music
• 160059 SE Popular Classic Music
• 160068 SE String Quintets between Boccherini and Sessions
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160085 SE The Beginnings of Polyphony (9th-11th Century)